BLEAK HOUSE. London: Bradbury and Evans, 11, Bouverie Street, 1853. Octavo, pp. [i-vii] viii-x [xi] xii-xiv [xv] xvi [1] 2-624, 39 plates (including frontispiece) and vignette title page with illustrations by Hablot K. Browne, full polished calf all panels tooled in gold, leather author and title labels, all edges gilt, inner dentelles, marbled endpapers. First edition, first printing with the textual errors often incorrectly cited as indicating first issue or state, book edition. "Dickens was a significant figure in the development of the mystery novel ... In BLEAK HOUSE (1853), Dickens introduced the intrepid Inspector Bucket, a sort of nineteenth-century Columbo, who was the first fiction English police detective." - Pronzini and Muller, 1001 Midnights, p. 207. "The ponderousness of the Court of Chancery works to evil and terrifying ends, as numerous persons involved are ruined, go mad, and die because of its effects. The physical horrors of London slums are concrete phenomena that enhance the psychic and social horrors so pointedly unfolded in the story." - Tymn, ed., Horror Literature 2-30. The court serves here as the oppressive house (castle, monastery, etc.) of Gothic romance -- labyrinth and Minotaur in one -- that confines and confuses, then devours its victims. Dickens' innovation is to render the Gothic mood via a contemporary setting and mundane subject matter (what could be more mundane than the law?). The daunting, positively Russian, size of his cast of characters moves away from the claustrophobically small cast found in earlier Gothics, and this also echoes the labyrinthine complexity of the law. As England dominated the world in the nineteenth century, London dominated England, and Dickens, more than any other British author, showed the literary potential for the fantastic in such an ostensibly mundane setting (as Sue did for Paris and Lippard for Philadelphia), revealing the city as the new fairy-tale forest of mystery and danger. Haycraft-Queen cornerstone. Clute and Grant, eds., The Encyclopedia of Fantasy (1997), p. 269. Hatton and Cleaver, pp. 275-304. Bound without the half title leaf. Two mild scratches to the rear panel, still a fine copy. All the illustrations, including those on the ten "dark" plates, are in excellent condition. A lovely copy in a fine binding. (#177615).
Price: $1,250.00
No statement of printing.