1001.
MURDER IN MILLENNIUM VI.
Chicago: Shasta Publishers, [1951]. Octavo, cloth. First edition. (#75993)
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UTOPIAN AND ANTI-UTOPIAN LITERATURE
Introduction by Boyd White
Although Sir Thomas More coined the word utopia in the 16th century from Greek that translates literally as “no-place,” in common usage the term refers to an imagined ideal community constructed upon egalitarian principles of economics, government, and justice. While its homophone eutopia, derived from Greek that means “good place,” is the correct term for a positive utopia, utopia and eutopia have been used interchangeably for decades.
More’s Utopia (1516), a fictional account of the religious, social, and political customs of an island society located in the South Atlantic, is not the earliest example of a proposal for an ideal community. That distinction rests with Plato’s Republic (380 BC), a rigid class-structured society ruled by philosopher-kings whose wisdom has eliminated poverty and want through the equal distribution of all resources. For every utopian ideal a political philosopher or satirist has imagined, however, a counter proposal has never been far behind. The deification of logic and reason in Plato’s Republic reaches its horrific extreme in Jonathan Swift’s Gulliver’s Travels (1726) when the narrator finds himself among the Houyhnhnms, a race of hyper-intelligent talking horses without emotion, who have degraded and enslaved human beings because humanity, from the Houyhnhnm point of view, lacks reason and cannot overcome its base nature.
Lloyd Currey’s Utopian and Anti-Utopian Literature explores the innumerable ways that authors throughout the centuries have imagined rebuilding and perfecting civilization, as well as their inevitable anxieties about how such attempts to save humanity may ultimately only end up destroying it. As Lloyd’s catalog illustrates, from the rustic matriarchal households of W. H. Hudson’s A Crystal Age (1887) to the interstellar mixture of socialism and anarchy in Ian M. Banks’ Matter (2008), utopias and dystopias have taken many forms.
While the classics of the literature are certainly well represented—Edward Bellamy’s Looking Backward 2000-1887 (1888), Thea von Harbou’s Metropolis (1926), Aldous Huxley’s Brave New World (1932), and Anthony Burgess’ A Clockwork Orange (1962)—the most fascinating books Lloyd has gathered include some of the earliest and least known examples of the genre, unclassifiable works that combine elements of lost race fiction, interplanetary romance, occult fiction, and high fantasy. Simon Berington’s The Memoirs of Sigr. Gaudentio di Lucca: Taken from His Confession and Examination before the Fathers of the Inquisition at Bologna in Italy (1737), recounts di Lucca’s life as a successful artist in the kingdom of Mezzoraim in Northern Africa among isolated descendents of the ancient Egyptians whose culture is defined by a natural religion that channels all ambition for material gain into a desire to benefit the nation as a whole. James Reynolds’ Equality; A History of Lithconia (1837), one of the earliest American utopian novels, describes an island society that “denounces private property and requires no assistance from the divine, placing its faith in bureaucracy to impose order, technology to reduce drudgery, and omnipresent gardens to instill virtue.” Neither of these titles, however, compares with the screwball eccentricity of Austyn W. Granville’s The Fallen Race (1892) in which the lone survivors of the doomed Frisbee Expedition into the Great Australian Desert find themselves in the land of the Anonos, the descendants of female aborigines and a particularly randy troop of kangaroos, or John O. Greene’s The Ke Whonkus People (1893) in which an arctic utopia executes its religious heretics by sacrificing them to vampire dragons who drain their blood in underground caverns.
Perhaps the most remarkable work in Utopian and Anti-Utopian Literature is Shirby T. Hodge’s The White Man’s Burden: A Satirical Forecast (1915). Written by Roger Sherman Tracy, a noted graduate of Yale University and an associate of the New York Board of Health, this remarkable book is narrated by an unnamed white man from 20th-century New Hampshire who is mysteriously transported to West Africa in 5027 AD. The narrator encounters a remarkable utopia inhabited by African-Americans who relocated after achieving economic superiority in North America and eventually defeating the white race in a devastating war. Characterized by technological marvels such as air cars, interplanetary travel, and disintegration rays, the society the narrator explores is essentially anarchist with no laws, private property, money, or prisons, each person working at whatever he or she chooses to do. A ground-breaking work decades ahead of its time socially and politically, The White Man’s Burden: A Satirical Forecast is a work ripe for rediscovery by scholars and enthusiasts.
Of course, not every author has embraced the progressive economic and social reforms that have characterized such ideal societies. For many early writers, the concept of an idealized socialist utopia is inextricably linked to the enslavement of the individual and the erasure of all creativity or desire. Frank Cowan’s Revi-Lona: A Romance of Love in a Marvelous Land (1879) satirizes numerous tropes of 19th-century utopian fiction in its depiction of a super-scientific matriarchy destroyed, as the author says, by a “big and brawny man, with many of the vices of his sex and years.” Likewise, Walter Besant’s The Inner House (1888) imagines the eradication of aging through medicine and the institution of a socialist state not as unleashing humanity’s unlimited potential but instead as breeding out all individuality, desire, and creativity. While The Inner House is often read as a literary precursor to George Orwell’s Nineteen Eighty-Four (1948), Besant’s novella, unlike Orwell’s masterpiece, is steeped in anxieties about the progressive social movements of its time and is best understood as the kind of anti-utopian work that gets taken to its logical extreme in Ayn Rand’s Atlas Shrugged (1957) and its rejection of governmental controls for unrestrained capitalism and individual achievement.
Lloyd rounds out Utopian and Anti-Utopian Literature with an excellent selection of key contributions by modern and contemporary speculative fiction writers, including Zenna Henderson’s Pilgrimage: The Book of the People (1961), Keith Roberts’ Pavane (1968), Suzy McKee Charnas’ Motherlines (1978), Alasdair Gray’s Lanark: A Life in Four Books (1985), Elizabeth Hand’s Glimmering (1997), and Charles Stross’ Glasshouse (2007).
Economic. Ecological. Feminist. Religious. Single-gender. Single-sex. Scientific. Technological.
Looking for the perfect world? Here’s a good place to begin.
1002.
THE EARTH AGAIN REDEEMED.
New York: Basic Books, Inc., Publishers, [1977]. Octavo, cloth. First edition. (#105164)
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1003.
THE EARTH AGAIN REDEEMED.
New York: Basic Books, Inc., Publishers, [1977]. Octavo, cloth. First edition. (#125615)
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1004.
THE GREAT LEAP BACKWARD.
Toronto, Montreal: McClelland & Stewart Ltd, [1968]. Octavo, boards. First edition. (#31928)
More Details about THE GREAT LEAP BACKWARD
1005.
BARKING DOGS.
New York: St. Martin's Press, [1988]. Octavo, boards. First edition. (#105165)
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1006.
BLUE LIMBO.
New York: Tor, [1997]. Octavo, boards. First edition. (#137425)
More Details about BLUE LIMBO
1007.
THE KE WHONKUS PEOPLE.
[Indianapolis, Ind: Vincent Publishing Company, 1893.]. Octavo, pp. [1-2] [1-3] 4 [5] 6-426, original decorated brown cloth, front and spine panels stamped in black and gold. First edition. (#109584)
More Details about THE KE WHONKUS PEOPLE
1008.
ACROSS THE ZODIAC: THE STORY OF A WRECKED RECORD.
London: Trübner & Co., 1880. Octavo, two volumes: pp. [1-6] [1] 2-296; [1-6] [1] 2-288, original brown cloth, front and rear panels ruled in blind, spine panels stamped in gold. First edition. (#130650)
More Details about ACROSS THE ZODIAC: THE STORY OF A WRECKED RECORD
1009.
DER HIMMEL AUF ERDEN IN DEN JAHREN 1901 BIS 1910.
Leipzig: Fr. Wilh. Grunow, 1892. Small octavo, pp. [1-5] 6-159 [160], original decorated black paper wrappers printed in red, fore and bottom edges untrimmed. First edition. (#148112)
More Details about DER HIMMEL AUF ERDEN IN DEN JAHREN 1901 BIS 1910
1010.
DER HIMMEL AUF ERDEN IN DEN JAHREN 1901 BIS 1912.
Leipzig: Fr. Wilh. Grunow, 1892. Small octavo, pp. [1-5] 6-159 [160: ads], original decorated black paper wrappers printed in red, fore and bottom edges untrimmed. First edition. (#133677)
More Details about DER HIMMEL AUF ERDEN IN DEN JAHREN 1901 BIS 1912
1011.
MECCANIA: THE SUPER-STATE.
London: Methuen & Co., Ltd., [1918]. Octavo, pp. [i-iv] v [vi] vii [viii] ix-xviii [xix-xx] [1] 2-298 [299: blank] [300: printer's imprint] + [32]-page publisher's catalogue dated "6/7/17" on page 31 inserted at rear, original red cloth, front panel stamped in black and blind, spine panel stamped in black, fore-edge rough trimmed, bottom edge untrimmed. First edition. (#152367)
More Details about MECCANIA: THE SUPER-STATE
1012.
HEART OF THE MOON.
London: Alston Rivers Ltd., [1928]. Octavo, pp. [1-7] 8-287 [288: blank], original red cloth, front and spine panels stamped in black. First edition. (#137396)
More Details about HEART OF THE MOON
1013.
THE WELCOME ISLAND STORY AND LAWS.
Chicago: Printed by Tucker-Kenworthy Co., 1923. Octavo, pp. [1-10] [1] 2-257 [258], two inserted plates (one a photographic portrait of the author; the other a color plate showing Welcome Island's flag), one full page illustration and several plans in the text, original dark green cloth, front and spine panels stamped in gold. First edition. (#117814)
More Details about THE WELCOME ISLAND STORY AND LAWS
1014.
THE ANGEL OF THE REVOLUTION: A TALE OF THE COMING TERROR.
Westport, Connecticut: Hyperion Press, [1974]. Octavo, cloth. First U.S. edition. (#82957)
More Details about THE ANGEL OF THE REVOLUTION: A TALE OF THE COMING TERROR
1015.
GAMBLES WITH DESTINY.
London: F. V. White & Co., 1899. Octavo, pp. [1-8] [1-3] 4-232 + 16-page undated publisher's catalogue inserted at rear, original blue cloth, front panel stamped in black, spine panel stamped in gold, publisher's monogram stamped in blind on rear panel. First edition. (#77938)
More Details about GAMBLES WITH DESTINY
1016.
GAMBLES WITH DESTINY.
London: F. V. White & Co., 1899. Octavo, pp. [1-8] [1-3] 4-232 + 16-page undated publisher's catalogue inserted at rear, original brown cloth, front and spine panels stamped in gold, publisher's monogram stamped in blind on rear panel. First edition. (#77940)
More Details about GAMBLES WITH DESTINY
1017.
GAMBLES WITH DESTINY.
London: F. V. White & Co., 1899. Octavo, pp. [1-8] [1-3] 4-232 + 16-page undated publisher's catalogue inserted at rear, original brown cloth, front and spine panels stamped in gold, publisher's monogram stamped in blind on rear panel. First edition. (#77941)
More Details about GAMBLES WITH DESTINY
1018.
GAMBLES WITH DESTINY.
London: F. V. White & Co., 1899. Octavo, pp. [1-8] [1-3] 4-232 + 16-page undated publisher's catalogue inserted at rear, original brown cloth, front and spine panels stamped in gold, publisher's monogram stamped in blind on rear panel. First edition. (#130301)
More Details about GAMBLES WITH DESTINY
1019.
GAMBLES WITH DESTINY.
London: F. V. White & Co., 1899. Octavo, pp. [1-8] [1-3] 4-232 + 16-page undated publisher's catalogue inserted at rear, original brown cloth, front and spine panels stamped in gold, publisher's monogram stamped in blind on rear panel. First edition. (#137496)
More Details about GAMBLES WITH DESTINY
1020.
OLGA ROMANOFF OR THE SYREN OF THE SKIES. A SEQUEL TO "THE ANGEL OF THE REVOLUTION"
London: Tower Publishing Company Limited, 1894. Octavo, inserted frontispiece with illustration by Edwin S. Hope, pictorial cloth. First edition, first issue with recto of title leaf dated 1894 and no inserted illustrations by Fred T. Jane. (#84739)
More Details about OLGA ROMANOFF OR THE SYREN OF THE SKIES. A SEQUEL TO "THE ANGEL OF THE REVOLUTION"
1021.
OLGA ROMANOFF OR THE SYREN OF THE SKIES. A SEQUEL TO "THE ANGEL OF THE REVOLUTION"
London: Tower Publishing Company Limited, 1894. Octavo, pp. [i-vi] vii-viii [1] 2-377 [378-380: ads], errata slip pasted in between pages [viii] and [1], inserted frontispiece with illustration by Edwin S. Hope, original pictorial gold moiré-patterned cloth with , front panel stamped in dark blue and black, spine panel stamped in gold. First edition, first issue with recto of title leaf dated 1894 and no inserted illustrations by Fred T. Jane. (#143268)
More Details about OLGA ROMANOFF OR THE SYREN OF THE SKIES. A SEQUEL TO "THE ANGEL OF THE REVOLUTION"
1022.
THE OUTLAWS OF THE AIR.
London: Tower Publishing Company Limited, 1895. Octavo, pp. [i-iv] v-viii [1] 2-376, inserted frontispiece with illustration by Raymond Potter, three inserted plates and other illustrations in text by Edwin S. Hope, original pictorial brown cloth, front panel stamped in blue, orange and black, spine panel stamped in gold. First edition. (#77991)
More Details about THE OUTLAWS OF THE AIR
1023.
THE OUTLAWS OF THE AIR.
London: Hutchinson & Co., 1898. Octavo, pp. [i-iv] v-viii [1] 2-376, inserted frontispiece with illustration by Raymond Potter, three inserted plates and other illustrations in text by Edwin S. Hope, original pictorial brown cloth, front panel stamped in blue, orange and black, spine panel stamped in gold. First (?) Colonial edition with "Hutchinson's Colonial Library" at head of title. (#142011)
More Details about THE OUTLAWS OF THE AIR
1024.
New York: Pynson Printers, Inc., Summer 1935 (new series, volume 1, number 1). Octavo, pictorial boards. First edition. (#94703)
More Details about
1025.
![NEQUA OR THE PROBLEM OF THE AGES by Jack Adams [pseudonym]. Alcanoan O. Grigsby, Mary P. Lowe,...](/pictures/thumb/152961.jpg?v=1518305036)
NEQUA OR THE PROBLEM OF THE AGES by Jack Adams [pseudonym].
Topeka, Kansas: Equity Publishing Company, 1900. Octavo, pp. [1-2] [i-iii] iv-vi [vii-viii] [1] 2-387 [388] [389-391: blank] [392: repeat of "notice" printed on page 388] [note: first leaf is a blank], flyleaf at rear, original blue cloth, spine panel stamped in gold. First edition. (#152961)
More Details about NEQUA OR THE PROBLEM OF THE AGES by Jack Adams [pseudonym
1026.
THE ORDINARY.
New York: Tor, [2004]. Octavo, boards. First edition. (#103279)
More Details about THE ORDINARY
1027.
NIGHT JOURNEY.
New York: Alfred A. Knopf, 1950. Octavo, pp. [1-12] [1-2] 3-357 [358: blank] [359: "type note"] [360-364: blank] [note: first and last two leaves are blanks], original decorated yellow cloth, spine panel stamped in green and brown, top edge stained lavender, fore-edge rough trimmed. First edition. (#139947)
More Details about NIGHT JOURNEY
1028.
NIGHT JOURNEY.
New York: Alfred A. Knopf, 1950. Octavo, pp. [1-12] [1-2] 3-357 [358: blank] [359: "type note"] [360-364: blank] [note: first and last two leaves are blanks], original decorated yellow cloth, spine panel stamped in green and brown, top edge stained lavender, fore-edge rough trimmed. First edition. (#139948)
More Details about NIGHT JOURNEY
1029.
THE DREAMERS.
New York: Simon and Schuster, [1981]. Octavo, cloth-backed boards. First edition. (#107083)
More Details about THE DREAMERS
1030.
THE DREAMERS.
New York: Simon and Schuster, [1981]. Octavo, cloth-backed boards. First edition. (#149205)
More Details about THE DREAMERS
1031.
FUTURE IMPERFECT.
New York: Bantam Books, [1964]. Small octavo, pictorial wrappers. First edition. (#144012)
More Details about FUTURE IMPERFECT
1032.
THE IMMORTALS.
New York: Bantam Books, [1962]. Small octavo, pictorial wrappers. First edition. (#158088)
More Details about THE IMMORTALS
1033.
THE JOY MAKERS.
New York: Crown Publishers, Inc., [1984]. Small octavo, boards. First U.S. hardcover edition. (#69332)
More Details about THE JOY MAKERS
1034.
THE JOY MAKERS.
New York: Bantam Books, [1961]. Small octavo, pictorial wrappers. First edition. (#144014)
More Details about THE JOY MAKERS
1035.
THE JOY MAKERS.
London: Victor Gollancz Ltd, 1963. Octavo, boards. First British (and first hardcover) edition. (#149208)
More Details about THE JOY MAKERS
1036.
KAMPUS.
Norwalk, Connecticut: The Easton Press, [1986]. Octavo, illustrations by Richard Powers, full decorated leather. First hardcover edition. (#108688)
More Details about KAMPUS
1037.
KAMPUS.
Toronto, New York, London: Bantam Books, [1977]. Small octavo, pictorial wrappers. First edition. (#87976)
More Details about KAMPUS
1038.
THIS FORTRESS WORLD.
New York: Gnome Press Inc., [1955]. Octavo, cloth-backed boards. First edition, first binding. (#149210)
More Details about THIS FORTRESS WORLD
1039.
PANROPA. ROMAN.
Köln am Rhein: Gilde-Verlag G. m. b. H., 1930. Octavo, pp. [1-8] 9-267 [268: blank] [note: first leaf is a blank], original gray cloth, front and spine panels stamped in black. First edition. (#134268)
More Details about PANROPA. ROMAN
1040.
TUZUB 37. DER MYTHOS VON DER GRAUEN MENSCHHEIT ODER VON DER ZAHL I.
Berlin: Holle & Co. / Verlag, 1935. Octavo, pp. [1-6] 7-213 [214: ads], original red cloth, front and spine panels stamped in black, top edge plain. First edition. (#152963)
More Details about TUZUB 37. DER MYTHOS VON DER GRAUEN MENSCHHEIT ODER VON DER ZAHL I
1041.
A ROMANCE OF TWO CENTURIES: A TALE OF THE YEAR 2025.
Alpine, N.J. The Platonist Press, [1919]. Octavo, pp. [1-2] [1-4] 5-365 [366: blank] [367-369: appendix] [370-382: ads], inserted frontispiece, original pictorial tan wrappers, printed in red and dark brown. First edition. (#32152)
More Details about A ROMANCE OF TWO CENTURIES: A TALE OF THE YEAR 2025
1042.
A ROMANCE OF TWO CENTURIES: A TALE OF THE YEAR 2025.
Alpine, N.J. The Platonist Press, [1919]. Octavo, pp. [1-2] [1-4] 5-365 [366: blank] [367-369: appendix] [370-382: ads], inserted frontispiece, original pictorial light brown cloth, stamped in dark brown. First edition, first issue. (#90491)
More Details about A ROMANCE OF TWO CENTURIES: A TALE OF THE YEAR 2025
1043.
THE WRECK OF THE SOUTH POLE OR THE GREAT DISSEMBLER AND OTHER STRANGE TALES.
New York: Street & Smith, Publishers, [1899]. Octavo, pp. [1-7] 8-222, fly leaves at front and rear, title page printed in red and black, original pictorial tan cloth, front panel stamped in orange and black, spine panel stamped in gold. First edition. (#136054)
More Details about THE WRECK OF THE SOUTH POLE OR THE GREAT DISSEMBLER AND OTHER STRANGE TALES
1044.
TRANSFER TO YESTERDAY.
Garden City: Doubleday and Company, Inc., 1981. Octavo, boards. First hardcover edition. (#31700)
More Details about TRANSFER TO YESTERDAY
1045.
TRANSFER TO YESTERDAY.
Garden City: Doubleday and Company, Inc., 1981. Octavo, boards. First hardcover edition. (#108693)
More Details about TRANSFER TO YESTERDAY
1046.
BUYING TIME.
New York: William Morrow and Company, Inc., [1989]. Octavo, cloth-backed boards. First edition. (#2429)
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1047.
BUYING TIME.
New York: William Morrow and Company, Inc., [1989]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. (#31049)
More Details about BUYING TIME
1048.
BUYING TIME.
New York: William Morrow and Company, Inc., [1989]. Octavo, cloth-backed boards. First edition. (#72613)
More Details about BUYING TIME
1049.
BUYING TIME.
New York: William Morrow and Company, Inc., [1989]. Octavo, cloth-backed boards. First edition. (#93810)
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1050.
BUYING TIME.
New York: William Morrow and Company, Inc., [1989]. Octavo, cloth-backed boards. First edition. (#108696)
More Details about BUYING TIME
1051.
THE FOREVER WAR.
New York: St. Martin's Press, [1974, i.e. 1975]. Octavo, boards. First edition. (#106909)
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1052.
THE FOREVER WAR.
New York: St. Martin's Press, [1974, i.e. 1975]. Octavo, boards. First edition. (#146487)
More Details about THE FOREVER WAR
1053.
THE FOREVER WAR.
New York: St. Martin's Press, [1974, i.e. 1975]. Octavo, boards. First edition. (#149213)
More Details about THE FOREVER WAR
1054.
THE FOREVER WAR.
New York: St. Martin's Press, [1974, i.e. 1975]. Octavo, boards. First edition. (#150114)
More Details about THE FOREVER WAR
1055.
THE FOREVER WAR.
New York: St. Martin's Press, [1974, i.e. 1975]. Octavo, boards. First edition. (#153492)
More Details about THE FOREVER WAR
1056.
INFINITE DREAMS.
New York: St. Martin's Press, [1978]. Octavo, boards. First edition. (#73445)
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1057.
INFINITE DREAMS.
New York: St. Martin's Press, [1978]. Octavo, boards. First edition. (#93815)
More Details about INFINITE DREAMS
1058.
INFINITE DREAMS.
New York: St. Martin's Press, [1978]. Octavo, boards. First edition. (#149212)
More Details about INFINITE DREAMS
1059.
WORLDS APART.
New York: The Viking Press, [1983]. Octavo, boards. First edition. (#103086)
More Details about WORLDS APART
1060.
WORLDS APART.
New York: The Viking Press, [1983]. Octavo, boards. First edition. (#104762)
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1061.
WORLDS APART.
New York: The Viking Press, [1983]. Octavo, printed blue-gray wrappers. Advance copy (uncorrected proof) of the first edition. (#108702)
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1062.
WORLDS: A NOVEL OF THE NEAR FUTURE.
New York: The Viking Press, [1981]. Octavo, cloth-backed boards. First edition. (#93821)
More Details about WORLDS: A NOVEL OF THE NEAR FUTURE
1063.
WORLDS: A NOVEL OF THE NEAR FUTURE.
New York: The Viking Press, [1981]. Octavo, cloth-backed boards. First edition. (#107683)
More Details about WORLDS: A NOVEL OF THE NEAR FUTURE
1064.
WORLDS: A NOVEL OF THE NEAR FUTURE.
New York: The Viking Press, [1981]. Octavo, printed light blue wrappers. Advance copy (uncorrected proof) of the first edition. (#108727)
More Details about WORLDS: A NOVEL OF THE NEAR FUTURE
1065.
TEN TIMES ONE IS TEN: THE POSSIBLE REFORMATION. A STORY IN NINE CHAPTERS. By Col. Frederic Ingham [pseudonym].
Boston: Roberts Brothers, 1871. Octavo, pp. [i-v] vi [vii-viii] [9] 10-148 + [1-2] 3-8 [1-3] 4: ads, original green pebbled cloth, front and spine panels stamped in gold, brown coated endpapers. First edition. (#109892)
More Details about TEN TIMES ONE IS TEN: THE POSSIBLE REFORMATION. A STORY IN NINE CHAPTERS. By Col. Frederic Ingham...
1066.
SYBARIS, AND OTHER HOMES.
Boston: Fields, Osgood, & Co., 1869. Octavo, pp. [i-v] vi-xiv [xv-xvi] [1] 2-206 [207-208: blank] [note: last leaf is a blank], flyleaves at front and rear, original terra cotta cloth, front and rear panels stamped in blind, spine panel stamped in gold and blind, brown coated endpapers. First edition. (#138264)
More Details about SYBARIS, AND OTHER HOMES
1067.
HISTOIRE DE QUATRE ANS 1997-2001.
Paris: Cahiers de la Quinzaine, Decembre 1903. 12mo, pp. [1]8] 9-142 [143] [144: blank] [1-8], flyleaves, original buff paper wrappers printed in orange and black, all edges untrimmed. First edition. (#117344)
More Details about HISTOIRE DE QUATRE ANS 1997-2001
1068.
THE BLIND SPOT.
New York: Ace Books, Inc., [1964]. Small octavo, pictorial wrappers. First paperback edition. (#75076)
More Details about THE BLIND SPOT
1069.
THE BLIND SPOT.
Philadelphia: Published by Prime Press, [1951]. Octavo, illustrations by Hannes Bok, loose sheets. Page proofs for the first edition. (#109801)
More Details about THE BLIND SPOT
1070.
THE BLIND SPOT.
New York: Ace Books, Inc., [1964]. Small octavo, pictorial wrappers. First paperback edition. (#158182)
More Details about THE BLIND SPOT
1071.
THE FIRST IMMORTAL.
New York: The Ballantine Publishing Group, [1998]. Octavo, boards. First edition. (#92001)
More Details about THE FIRST IMMORTAL
1072.
THE TRUTH MACHINE.
Dallas, Texas: Ivy Press, Inc., [1996]. Octavo, cloth-backed boards. First edition. (#150726)
More Details about THE TRUTH MACHINE
1073.
THE TRUTH MACHINE.
New York: Ballantine Books, [1996]. Octavo, boards. First printing of the second edition. (#106876)
More Details about THE TRUTH MACHINE
1074.
THE HIDDEN KINGDOM.
[Melbourne, Victoria, Australia]: Published by N. Wentworth-Evans, [1932]. Octavo, pp. [i-ix] xii [xiii-xiv] xv [xvi] xvii [xviii] xix [xx] xxi [xxii-xxiv] 1-141 [142-144: blank] [note: last leaf is a blank], two maps in the text, original brown cloth (in imitation of crocodile hide), front and spine panels stamped in gold. First edition. (#152382)
More Details about THE HIDDEN KINGDOM
1075.
MINDSTAR RISING.
New York: Tor, [1996]. Octavo, boards. First U.S. (and first hardcover) edition. (#125586)
More Details about MINDSTAR RISING
1076.
MINDSTAR RISING.
New York: Tor, [1996]. Octavo, boards. First U.S. (and first hardcover) edition. (#139606)
More Details about MINDSTAR RISING
1077.
THE SLAVES OF SOLITUDE.
London: Constable, [1947]. Octavo, cloth. First edition. (#152159)
More Details about THE SLAVES OF SOLITUDE
1078.
GLIMMERING.
[New York]: HarperPrism, [1997]. Octavo, boards. First edition. (#92014)
More Details about GLIMMERING
1079.
GLIMMERING.
[New York]: HarperPrism, [1997]. Octavo, boards. First edition. (#138154)
More Details about GLIMMERING
1080.
GLIMMERING.
[New York]: HarperPrism, [1997]. Octavo, boards. First edition. (#140946)
More Details about GLIMMERING
1081.
ELEKTROPOLIS. DIE STADT DER TECHNISCHEN WUNDER. EIN ZUKUNFTSROMAN.
Stuttgart: Levy & Müller Verlag, n.d. [1928]. Octavo, pp. [1-8] 9-224, eight full-page black and white illustrations, unprinted tan wrappers. First edition, first printing. (#140758)
More Details about ELEKTROPOLIS. DIE STADT DER TECHNISCHEN WUNDER. EIN ZUKUNFTSROMAN
1082.
THE LAND OF THE CHANGING SUN.
Boston: Gregg Press, 1975. Octavo, cloth. Later edition. (#90498)
More Details about THE LAND OF THE CHANGING SUN
1083.
THE LAND OF THE CHANGING SUN.
New York: The Merriam Company, [1894]. Small octavo, pp. [1-3] 4-233 [234-240: ads], inserted frontispiece with illustration by T. C. Gordon, original decorated tan cloth, front panel stamped in black and yellow, spine panel stamped in black, t.e.g., other edges untrimmed. First edition. (#130649)
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1084.
THE LAND OF THE CHANGING SUN.
New York: The Merriam Company, [1894]. Small octavo, pp. [1-3] 4-233 [234-240: ads], inserted frontispiece with illustration by T. C. Gordon, original decorated tan cloth, front panel stamped in black and yellow, spine panel stamped in black, t.e.g., other edges untrimmed. First edition. (#137398)
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1085.
METROPOLIS.
London: The Readers Library Publishing Company Ltd., n.d. [1927]. Small octavo, pp. [1-13] 14-250 [251: blank] [252: printer's imprint] [253-256: blank] [note: first and last leaves used as front and rear paste-downs], original decorated red-brown boards, front and spine panels stamped in gold. First edition in English. (#130728)
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1086.
METROPOLIS. ROMAN.
Berlin: August Scherl G.m.b.H., [1926]. Octavo, pp. [1-8] 9-273 [274] [275: blank] [276-280: ads], original four-color pictorial wrappers, all edges untrimmed. First edition, first printing. (#143430)
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1087.
METROPOLIS. ROMAN.
Berlin: August Scherl G.m.b.H., [1926]. Octavo, pp. [1-8] 9-273 [274] [275: blank] [276-280: ads], original decorated green cloth, front panel stamped in gold, spine panel stamped in brown and gold, rules and publisher's monogram stamped in blind on rear panel, all edges stained yellow. First edition. (#155509)
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1088.
THE DEMETRIAN.
New York: Brentano's, 1907. Octavo, pp. [1-2] [1-4] 5-315 [316-318: blank] [note: first and last leaves are blanks], title page printed in orange and black, original pictorial dark blue cloth, front panel stamped in white and black, spine panel stamped in gold. First edition. (#20304)
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1089.
THE DEMETRIAN.
New York: Brentano's, 1907. Octavo, pp. [1-2] [1-4] 5-315 [316-318: blank] [note: first and last leaves are blanks], title page printed in orange and black, original pictorial dark blue cloth, front panel stamped in white and black, spine panel stamped in gold. First edition. (#137415)
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1090.
FIREBIRD.
New York: Pocket Books, [1981]. Octavo, boards. First hardcover edition. First printing with code "L03" on page 181. (#108718)
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1091.
FIREBIRD.
New York: Published by Pocket Books, [1981]. Small octavo, pictorial wrappers. First edition. (#146314)
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1092.
FLIGHT INTO YESTERDAY.
New York: Bouregy & Curl, Inc., [1953]. Octavo, boards. First edition. (#87008)
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1093.
FLIGHT INTO YESTERDAY.
New York: Bouregy & Curl, Inc., [1953]. Octavo, boards. First edition. (#89337)
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1094.
FLIGHT INTO YESTERDAY.
New York: Bouregy & Curl, Inc., [1953]. Octavo, boards. First edition. (#106910)
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1095.
FLIGHT INTO YESTERDAY.
New York: Bouregy & Curl, Inc., [1953]. Octavo, boards. First edition. (#149228)
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1096.
FLIGHT INTO YESTERDAY.
New York: Bouregy & Curl, Inc., [1953]. Octavo, boards. First edition. (#150062)
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1097.
KRONO.
New York, Toronto: Franklin Watts, 1988. Octavo, cloth-backed boards. First edition. (#2453)
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1098.
KRONO.
New York, Toronto: Franklin Watts, 1988. Octavo, cloth-backed boards. First edition. (#108719)
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1099.
ACCIDENTAL CREATURES.
New York: Tor, [1998]. Octavo, boards. First edition. (#92019)
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1100.
UNDREAM'D OF SHORES.
New York: Brentano's Publishers, [1924]. Octavo, pp. [1-6] [1-2] 3-336 [337-338: blank] [note: last leaf is a blank], title page printed in orange and black, original yellow green cloth, front and spine panels stamped in orange and ruled in blind, top edge stained red, other edges untrimmed. First edition. (#113997)
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