FLOATING WORLDS.
New York: Alfred A. Knopf, 1976. Octavo, cloth-backed boards. First edition. (#140351)
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Introduction by Boyd White
Although Sir Thomas More coined the word utopia in the 16th century from Greek that translates literally as “no-place,” in common usage the term refers to an imagined ideal community constructed upon egalitarian principles of economics, government, and justice. While its homophone eutopia, derived from Greek that means “good place,” is the correct term for a positive utopia, utopia and eutopia have been used interchangeably for decades.
More’s Utopia (1516), a fictional account of the religious, social, and political customs of an island society located in the South Atlantic, is not the earliest example of a proposal for an ideal community. That distinction rests with Plato’s Republic (380 BC), a rigid class-structured society ruled by philosopher-kings whose wisdom has eliminated poverty and want through the equal distribution of all resources. For every utopian ideal a political philosopher or satirist has imagined, however, a counter proposal has never been far behind. The deification of logic and reason in Plato’s Republic reaches its horrific extreme in Jonathan Swift’s Gulliver’s Travels (1726) when the narrator finds himself among the Houyhnhnms, a race of hyper-intelligent talking horses without emotion, who have degraded and enslaved human beings because humanity, from the Houyhnhnm point of view, lacks reason and cannot overcome its base nature.
Lloyd Currey’s Utopian and Anti-Utopian Literature explores the innumerable ways that authors throughout the centuries have imagined rebuilding and perfecting civilization, as well as their inevitable anxieties about how such attempts to save humanity may ultimately only end up destroying it. As Lloyd’s catalog illustrates, from the rustic matriarchal households of W. H. Hudson’s A Crystal Age (1887) to the interstellar mixture of socialism and anarchy in Ian M. Banks’ Matter (2008), utopias and dystopias have taken many forms.
While the classics of the literature are certainly well represented—Edward Bellamy’s Looking Backward 2000-1887 (1888), Thea von Harbou’s Metropolis (1926), Aldous Huxley’s Brave New World (1932), and Anthony Burgess’ A Clockwork Orange (1962)—the most fascinating books Lloyd has gathered include some of the earliest and least known examples of the genre, unclassifiable works that combine elements of lost race fiction, interplanetary romance, occult fiction, and high fantasy. Simon Berington’s The Memoirs of Sigr. Gaudentio di Lucca: Taken from His Confession and Examination before the Fathers of the Inquisition at Bologna in Italy (1737), recounts di Lucca’s life as a successful artist in the kingdom of Mezzoraim in Northern Africa among isolated descendents of the ancient Egyptians whose culture is defined by a natural religion that channels all ambition for material gain into a desire to benefit the nation as a whole. James Reynolds’ Equality; A History of Lithconia (1837), one of the earliest American utopian novels, describes an island society that “denounces private property and requires no assistance from the divine, placing its faith in bureaucracy to impose order, technology to reduce drudgery, and omnipresent gardens to instill virtue.” Neither of these titles, however, compares with the screwball eccentricity of Austyn W. Granville’s The Fallen Race (1892) in which the lone survivors of the doomed Frisbee Expedition into the Great Australian Desert find themselves in the land of the Anonos, the descendants of female aborigines and a particularly randy troop of kangaroos, or John O. Greene’s The Ke Whonkus People (1893) in which an arctic utopia executes its religious heretics by sacrificing them to vampire dragons who drain their blood in underground caverns.
Perhaps the most remarkable work in Utopian and Anti-Utopian Literature is Shirby T. Hodge’s The White Man’s Burden: A Satirical Forecast (1915). Written by Roger Sherman Tracy, a noted graduate of Yale University and an associate of the New York Board of Health, this remarkable book is narrated by an unnamed white man from 20th-century New Hampshire who is mysteriously transported to West Africa in 5027 AD. The narrator encounters a remarkable utopia inhabited by African-Americans who relocated after achieving economic superiority in North America and eventually defeating the white race in a devastating war. Characterized by technological marvels such as air cars, interplanetary travel, and disintegration rays, the society the narrator explores is essentially anarchist with no laws, private property, money, or prisons, each person working at whatever he or she chooses to do. A ground-breaking work decades ahead of its time socially and politically, The White Man’s Burden: A Satirical Forecast is a work ripe for rediscovery by scholars and enthusiasts.
Of course, not every author has embraced the progressive economic and social reforms that have characterized such ideal societies. For many early writers, the concept of an idealized socialist utopia is inextricably linked to the enslavement of the individual and the erasure of all creativity or desire. Frank Cowan’s Revi-Lona: A Romance of Love in a Marvelous Land (1879) satirizes numerous tropes of 19th-century utopian fiction in its depiction of a super-scientific matriarchy destroyed, as the author says, by a “big and brawny man, with many of the vices of his sex and years.” Likewise, Walter Besant’s The Inner House (1888) imagines the eradication of aging through medicine and the institution of a socialist state not as unleashing humanity’s unlimited potential but instead as breeding out all individuality, desire, and creativity. While The Inner House is often read as a literary precursor to George Orwell’s Nineteen Eighty-Four (1948), Besant’s novella, unlike Orwell’s masterpiece, is steeped in anxieties about the progressive social movements of its time and is best understood as the kind of anti-utopian work that gets taken to its logical extreme in Ayn Rand’s Atlas Shrugged (1957) and its rejection of governmental controls for unrestrained capitalism and individual achievement.
Lloyd rounds out Utopian and Anti-Utopian Literature with an excellent selection of key contributions by modern and contemporary speculative fiction writers, including Zenna Henderson’s Pilgrimage: The Book of the People (1961), Keith Roberts’ Pavane (1968), Suzy McKee Charnas’ Motherlines (1978), Alasdair Gray’s Lanark: A Life in Four Books (1985), Elizabeth Hand’s Glimmering (1997), and Charles Stross’ Glasshouse (2007).
Economic. Ecological. Feminist. Religious. Single-gender. Single-sex. Scientific. Technological.
Looking for the perfect world? Here’s a good place to begin.
New York: Alfred A. Knopf, 1976. Octavo, cloth-backed boards. First edition. (#140351)
More Details about FLOATING WORLDS
[Evanston, IL]: The Haven Corporation, [1983]. Octavo, cloth. First edition. (#30804)
More Details about ANVIL OF THE HEART
London: T. Fisher Unwin, 1909. Octavo, pp. [i-vi] vii-viii 9-382 [383-384: blank] [note: first leaf blank save for small signature mark "a" at bottom recto; last leaf is a blank], inserted frontispiece with color illustration by Arch Webb, title page printed in red and black, original red cloth, front panel stamped in black, spine panel stamped in gold, pictorial paper inlay (reproducing the color frontispiece) affixed to front cover. First edition. (#152478)
More Details about THE MAN WHO STOLE THE EARTH
Nashville: Abingdon, [1976]. Octavo, boards. First edition. (#32024)
More Details about KENNAQUHAIR
New York: Lancer Books, [1973]. Small octavo, pictorial wrappers. First edition. (#94417)
More Details about INFINITY FIVE
Garden City: Doubleday & Company, Inc., 1975. Octavo, boards. First edition. (#30811)
More Details about THE SHATTERED PEOPLE
New York: Henry Holt and Company, 1912. Octavo, pp. [1-2] [i-ii] iii [iv] [1-2] 3-377 [378: blank] [379-384: ads] [385-386: blank] [note: first and last leaves are blanks], original decorated green cloth, front and spine panels stamped in red. First U.S. edition. (#158320)
More Details about KING JOHN OF JINGALO: THE STORY OF A MONARCH IN DIFFICULTIES
London and New York: Harper & Brothers Publishers, 1907. Octavo, pp. [1-4] [i-iv] v-xii [xiii-xiv] [1-2] 3-232 [233] [234-238: blank] [note: first two and last two leaves used as front and rear paste-downs and free endpapers, original decorated green cloth, front panel stamped in gold and blind, spine panel stamped in gold. First edition. (#90552)
More Details about THROUGH THE EYE OF THE NEEDLE: A ROMANCE
London and New York: Harper & Brothers Publishers, 1907. Octavo, pp. [1-4] [i-iv] v-xii [xiii-xiv] [1-2] 3-232 [233] [234-238: blank] [note: first two and last two leaves used as front and rear paste-downs and free endpapers, original decorated green cloth, front panel stamped in gold and blind, spine panel stamped in gold. First edition. (#140016)
More Details about THROUGH THE EYE OF THE NEEDLE: A ROMANCE
New York: Harper & Brothers Publishers, 1894. Octavo, pp. [1-2] [1] 2-318, original red cloth, stamped in gold. First edition. (#141862)
More Details about A TRAVELER FROM ALTRURIA: ROMANCE
Chicago: Reilly & Lee Co. Publishers, 1934. Octavo, pp. [1-4] 11-292 [293-294: blank] [note: final leaf is a blank; text complete despite gap in pagination], original blue cloth, front and spine panels stamped in silver, top edge stained sage green, fore and bottom edges rough-trimmed. First edition. (#130320)
More Details about INTRIGUE ON THE UPPER LEVEL ... A STORY OF CRIME, LOVE, ADVENTURE AND REVOLT IN 2050 A. D
[London]: Faber and Faber, [1982]. Octavo, pp. [1-10] 11-314 [315-316: blank] [note: first and last leaves are blanks], illustrations, boards. First edition. (#30073)
More Details about W. H. HUDSON: A BIOGRAPHY
London: T. Fisher Unwin, 1887. Octavo, pp. [1-4] [1] 2-287 [288: blank], original black cloth, front and rear panels stamped in red, spine panel stamped in red and gold, top edge untrimmed, fore and bottom edges rough-trimmed, olive-green floral patterned endpapers. First edition. (#75623)
More Details about A CRYSTAL AGE
London: T. Fisher Unwin, 1887. Octavo, pp. [1-4] [1] 2-287 [288: blank] + 32-page publisher's catalogue dated "1886-7" inserted at rear, original black cloth, front and rear panels stamped in red, spine panel stamped in red and gold, top edge untrimmed, fore and bottom edges rough-trimmed, olive-green floral patterned endpapers. First edition. (#111902)
More Details about A CRYSTAL AGE
London: T. Fisher Unwin, 1887. Octavo, pp. [1-4] [1] 2-287 [288: blank] + 32-page publisher's catalogue dated "1886-7" inserted at rear, original black cloth, front and rear panels stamped in red, spine panel stamped in red and gold, top edge untrimmed, fore and bottom edges rough-trimmed, olive-green floral patterned endpapers. First edition. (#134899)
More Details about A CRYSTAL AGE
London: Duckworth & Co., 1904. Octavo, pp. [1-4] [1] 2-315 [316: printer's imprint], original bevel-edged green cloth, front and spine panels stamped in gold, publisher's device stamped in blind on rear panel. First edition. Second binding with publisher's device stamped in blind on rear panel. (#90558)
More Details about GREEN MANSIONS: A ROMANCE OF THE TROPICAL FOREST
London: Duckworth & Co., 1926. Octavo, pp. [1-5] 6-325 [326-328: blank] [note: last leaf is a blank], illustrations, some on full and double page tipped in plates, by Keith Henderson, rebound in full green morocco, richly tooled in gold, inner dentelles, black and red leather labels affixed to spine panel, a.e.g., marbled endpapers. First printing of the edition illustrated by Henderson. (#109611)
More Details about GREEN MANSIONS: A ROMANCE OF THE TROPICAL FOREST
Chicago: Published by Wicker Park Press, 2004. Octavo, cloth. First U.S. edition. (#103069)
More Details about THE REBELLION OF THE BEASTS; OR, THE ASS IS DEAD! LONG LIVE THE ASS!!! ... Introduction by...
New York: Pyramid Books, [1956]. Small octavo, pictorial wrappers. First paperback edition. (#143907)
More Details about TOMORROW AND TOMORROW
New York: Pyramid Books, [1956]. Small octavo, pictorial wrappers. First paperback edition. (#153518)
More Details about TOMORROW AND TOMORROW
New York: Harper & Brothers Publishers, 1948. Octavo, pp. [1-6] 1-205 [206: blank] [207: colophon] [208-210: blank] [note: last leaf is a blank], publisher's blue cloth, Harper's device stamped in light blue on front panel, spine panel stamped in light blue and gold, fore-edge untrimmed. First edition. (#86459)
More Details about APE AND ESSENCE
London: Chatto & Windus, 1932. Large octavo, pp. [1-8] [1] 2-306 [307: printer's imprint] [308-312: blank] [note: last two leaves are blanks], original yellow buckram over bevel-edged boards, blue leather label on spine panel, t.e.g., other edges untrimmed. First edition. (#114603)
More Details about BRAVE NEW WORLD
London: Chatto & Windus, 1959. Octavo, pp. [1-6] 7-8 [9-10] 11-163 [164}, boards. First British edition. (#153762)
More Details about BRAVE NEW WORLD REVISITED
[London]: HarperCollins, [1995]. Small octavo, pictorial wrappers. First edition. (#146200)
More Details about HOTWIRE
New York: The Crown Pub. Co. 10 Astor Place. Published by the Crown Pub. Co. in S. F., [1894]. Octavo, pp. [1-7] 8-223 [224: ad], frontispiece (portrait of Abraham Lincoln), original white wrappers printed in red. Later printing. (#138072)
More Details about TOLD IN WHISPERS. FROM THE LATELY DISCOVERED MSS. OF LAWRENCE FLEET, D.C.L
New York: George H. Doran, n.d. [1926]. Octavo, pp. [1-6] 7-286 [287-288: blank] [note: last leaf is a blank], original green cloth, spine panel stamped in gold, publisher's monogram stamped in blind on front panel, fore and bottom edges untrimmed. First U.S. edition. (#134196)
More Details about THE HEROES OF SMOKEOVER
London: George Routledge & Sons, Ltd., 1926. Octavo, pp. [1-2] [1-7] 8-239 [240: blank] [note: half title leaf is a singleton preceding signature “a”], original dark green cloth, spine panel stamped in gold, top edge stained red, bottom edge untrimmed. First edition, first binding. (#20360)
More Details about AND A NEW EARTH: A ROMANCE
London: George Routledge & Sons, Ltd., 1926. Octavo, pp. [1-2] [1-7] 8-239 [240: blank] [note: half title leaf is a singleton preceding signature "a"], original dark green cloth, spine panel stamped in gold, top edge stained red, bottom edge untrimmed. First edition, first binding. (#63156)
More Details about AND A NEW EARTH: A ROMANCE
Stuttgart: Süddeutsches Verlagshaus G.m.b.H., 1921. Octavo, pp. [1-10] 11-60 [61-64: ads], original tan wrappers printed in black, all edges untrimmed. First edition. (#152990)
More Details about 1929 DIE WELTSFRIEDENS-KONFERENZ IN BERLIN
[London]: New English Library, [1977]. Octavo, boards. First edition. (#137441)
More Details about TRAVELLING TOWARDS EPSILON: AN ANTHOLOGY OF FRENCH SCIENCE FICTION
New York: Lancer Books, [1965]. Small octavo, pictorial wrappers. First edition. (#74796)
More Details about YOU SANE MEN
New York: Lancer Books, [1965]. Small octavo, pictorial wrappers. First edition. (#158230)
More Details about YOU SANE MEN
[New York]: A Signet Book Published by The New American Library, [1967]. Small octavo, pictorial wrappers. First edition. (#144149)
More Details about THE RIM-WORLD LEGACY
London, Paris, New York & Melbourne: Cassell & Company, Limited, 1885. Octavo, pp. [i-v] vi-vii [viii] [1] 2-442 [443-444: ads] + 8-page publisher's catalogue dated "3.85" inserted at rear, original bevel-edged ochre cloth, front panel stamped in black, spine panel stamped in gold, rear panel ruled in blind, top edge untrimmed, other edges rough-trimmed, purple floral patterned endpapers. First edition. (#75572)
More Details about AFTER LONDON; OR, WILD ENGLAND
London, Paris, New York & Melbourne: Cassell & Company, Limited, 1885. Octavo, pp. [i-v] vi-vii [viii] [1] 2-442 [443-444: ads] + 8-page publisher's catalogue dated "4.85" inserted at rear, original bevel-edged taupe cloth, front panel stamped in black, spine panel stamped in gold, rear panel ruled in blind, top edge untrimmed, other edges rough-trimmed, white endpapers with floral pattern printed in purple. First edition. (#133020)
More Details about AFTER LONDON; OR, WILD ENGLAND
[London]: Orion, [1995]. Octavo, boards. First edition. (#93559)
More Details about BLADE RUNNER 2: THE EDGE OF HUMAN
New York, Toronto, London, Sydney, Auckland: Bantam Books, [1995]. Octavo, cloth-backed boards. First U.S. trade edition. (#104703)
More Details about BLADE RUNNER 2: THE EDGE OF HUMAN
[London]: Orion, [1996]. Octavo, boards. First edition. (#93427)
More Details about BLADE RUNNER 3: REPLICANT NIGHT
[Bath, Avon]: Morrigan Publications, 1987. Octavo, cloth. First edition. (#2763)
More Details about DEATH ARMS
[Bath, Avon]: Morrigan Publications, 1987. Octavo, boards. First edition. (#2764)
More Details about DEATH ARMS
[Bath, Avon]: Morrigan Publications, 1987. Octavo, boards. First edition. (#72242)
More Details about DEATH ARMS
New York: St. Martin's Press, [1989]. Octavo, boards. First U.S. edition. (#104617)
More Details about DEATH ARMS
New York: St. Martin's Press, [1989]. Octavo, boards. First edition. (#2766)
More Details about FAREWELL HORIZONTAL
New York: St. Martin's Press, [1989]. Octavo, boards. First edition. (#93565)
More Details about FAREWELL HORIZONTAL
New York: St. Martin's Press, [1989]. Octavo, boards. First edition. (#146448)
More Details about FAREWELL HORIZONTAL
New York: St. Martin's Press, [1991]. Octavo, pictorial wrappers. Advance copy (uncorrected proof) of the first edition. (#68774)
More Details about MADLANDS
New York: St. Martin's Press, [1991]. Octavo, pictorial wrappers. Advance copy (uncorrected proof) of the first edition. (#73644)
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New York: St. Martin's Press, [1991]. Octavo, boards. First edition. (#146395)
More Details about MADLANDS
New York: St. Martin's Press, [1991]. Octavo, boards. First edition. (#146427)
More Details about MADLANDS
New York: St. Martin's Press, [1991]. Octavo, boards. First edition. (#146428)
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New York, Toronto, London, Sydney, Auckland: Bantam Books, [1998]. Octavo, boards. First edition. (#157896)
More Details about NOIR
London: The C. W. Daniel Company, [1931]. Octavo, pp. [1-6] 7 [8] 9-10 [11-12] 13-308, original light brown cloth, spine panel stamped in black. First edition. (#20367)
More Details about OUR GLORIOUS FUTURE: A NOVEL IN TWO PARTS; THE MIRACLE CHILD, THE BATTLE OF THE SPIRITS
Boston: Little, Brown and Company, [1954]. Octavo, cloth. First edition. (#145183)
More Details about THE FABULOUS JOURNEY OF HIERONYMUS MEEKER
New York: Harper & Brothers Publishers, [1896]. Octavo, pp. [1-8] [1] 2-458 [459] [460: blank] [461: ads] [462-464: blank] [note: first and last leaves are blanks], inserted frontispiece (portrait of Jokai), title page printed in orange and black, original decorated blue cloth, front and spine panels stamped in gold and silver, fore and bottom edges untrimmed. First U.S. edition. (#129677)
More Details about BLACK DIAMONDS: A NOVEL. Translated by Frances A. Gerard
London: Gollancz, [2005]. Octavo, boards. First edition. (#140639)
More Details about BAND OF GYPSYS
London, Boston, Sydney: Allen & Unwin, [1986]. Octavo, boards. First edition. (#157486)
More Details about ESCAPE PLANS
London, Sydney, Wellington: Unwin Hyman, [1988]. Octavo, boards. First edition. (#146391)
More Details about KAIROS
New York: Avalon Books, [1962]. Octavo, cloth. First edition. (#153763)
More Details about THE CYBERNETIC BRAINS
New York: Avalon Books, [1962]. Octavo, cloth. First edition. (#157548)
More Details about THE CYBERNETIC BRAINS
New York: Gnome Press Publishers, [1951]. Octavo, cloth. First edition. (#145194)
More Details about RENAISSANCE
New York: Gnome Press Publishers, [1951]. Octavo, cloth. First edition. (#157757)
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London: Victor Gollancz Ltd, 1988. Octavo, boards. First British (and first hardcover) edition. (#93436)
More Details about METROPHAGE
[New York: Ace Books, 1988.]. Octavo, printed blue wrappers. Advance copy (uncorrected proof) of the first edition. (#106045)
More Details about METROPHAGE
London: Victor Gollancz Ltd, 1988. Octavo, boards. First British (and first hardcover) edition. (#152907)
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Bad Oldesloe: Uranus-Verlag Max Duphorn, 1923. Octavo, pp. [1-4] 5-158 [159] [160: blank], original pictorial cream boards printed in black, blue and gold with white linen spine panel printed in blue, brown endpapers. First edition. (#139142)
More Details about WELTUNTERGANG. DAS NEUE JERUSALEM
Cape Town: The African Bookman, [1947]. Octavo, pp. [1-10] 1-203 [204-206: blank], original lavender boards with tan buckram shelf back, spine panel stamped in red. First edition. (#154752)
More Details about WHEN SMUTS GOES: A HISTORY OF SOUTH AFRICA FROM 1952 TO 2010 FIRST PUBLISHED IN 2015
London: Hodder and Stoughton, 1905. Octavo, pp. [i-vi] vii [viii] ix-xi [xii] [1-2] 3-299 [300] [301-308: ads], title page and section title page vignettes (by "J.W.") printed in orange, original orange cloth, front and spine panels stamped in gold, fore and bottom edges rough trimmed. Second printing. (#138732)
More Details about VISIONS
New York: Tor, [2003]. Octavo, boards. First edition. (#103341)
More Details about SNARE: A NOVEL OF THE FAR FUTURE
New York: Farrar, Straus, Giroux, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#103282)
More Details about A PHILOSOPHICAL INVESTIGATION
New York: Tor, [1989]. Octavo, boards. First edition. (#2839)
More Details about GOOD NEWS FROM OUTER SPACE
New York: Tor, [1989]. Octavo, boards. First edition. (#93452)
More Details about GOOD NEWS FROM OUTER SPACE
New York: Tor, [1989]. Octavo, boards. First edition. (#108630)
More Details about GOOD NEWS FROM OUTER SPACE
New York: Ballantine Books, [1979]. Octavo, printed red wrappers. Advance copy (uncorrected proof) of the first edition. (#108631)
More Details about A VOICE OUT OF RAMAH
London: Macmillan and Co., Limited, 1917. Octavo, pp. [i-iv] v [vi] vii-viii 1-441 [442] [443-444: blank] [445-448: ads], title page printed in red and black, original red cloth, Ganesha device stamped in gold on front panel, spine panel lettered in gold, t.e.g. First edition. (#75586)
More Details about A DIVERSITY OF CREATURES
New York: Doubleday, Page & Company, 1909. Octavo, [1-2] [1-2] 3-77 [78-86] leaves [note: leaves following two preliminary leaves are printed on rectos only; last two leaves are stubs with single folded leaf inserted between them], four inserted plates with color illustrations, two by Frank X. Leyendecker and two by H. Reuterdahl, original blue pictorial cloth, front panel stamped in gold and silver, spine panel stamped in gold, pictorial endpapers, fore and bottom edges rough trimmed. First edition. (#146483)
More Details about WITH THE NIGHT MAIL: A STORY OF 2000 A.D
New York: The Cochrane Publishing Company, 1909. Octavo, pp. [1-6] [i] ii-vi [7] 8-217 [218: blank], two inserted plates, original blue-gray cloth, front and spine panels stamped in white. First edition. (#139363)
More Details about RECIPROCITY (SOCIAL AND ECONOMIC) IN THE THIRTIETH CENTURY, THE COMING CO-OPERATIVE AGE: A...
New York, San Diego, London: Harcourt Brace & Company, [1998]. Octavo, boards. First edition. (#93044)
More Details about THE HISTORY OF OUR WORLD BEYOND THE WAVE: A FANTASY
Garden City: Doubleday & Company, Inc., 1966. Octavo, cloth. First edition. (#114140)
More Details about CITIES OF WONDER
New York: Belmont Books, [1968]. Small octavo, pictorial wrappers. First edition. (#142783)
More Details about THE METAL SMILE
New York: G. P. Putnam's Sons, [1973]. Octavo, cloth. First edition. (#94399)
More Details about ORBIT 12
[New York]: Tor Books, [1985]. Octavo, boards. First edition. (#145159)
More Details about CV
New York: Walker and Company, [1970]. Octavo, boards. First hardcover edition. (#30891)
More Details about A FOR ANYTHING
New York: Walker and Company, [1970]. Octavo, boards. First hardcover edition. (#93120)
More Details about A FOR ANYTHING
New York: A Berkley Medallion Book published by Berkley Publishing Corporation, [1965]. Octavo, boards. First U.S. edition of this text. (#142350)
More Details about A FOR ANYTHING
New York: Lion Books, Inc., [1955]. Small octavo, pictorial wrappers. First edition. (#142780)
More Details about HELL'S PAVEMENT
New York: Lion Books, Inc., [1955]. Small octavo, pictorial wrappers. First edition. (#158186)
More Details about HELL'S PAVEMENT
Rockville Centre, N.Y. Zenith Books, Inc., [1959]. Small octavo, pictorial wrappers. First edition. (#142410)
More Details about THE PEOPLE MAKER
Rockville Centre, N.Y. Zenith Books, Inc., [1959]. Small octavo, pictorial wrappers. First edition. (#142782)
More Details about THE PEOPLE MAKER
New York: Tor, [1991]. Octavo, boards. First edition. (#107828)
More Details about A REASONABLE WORLD
Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#2966)
More Details about THREE NOVELS
Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#145149)
More Details about THREE NOVELS
London: Francis Griffiths, 1908. Octavo, pp. [1-5] 6-335 [336: blank] [337-344: ads], original gray cloth, front and spine panels stamped in red and gold, rear panel stamped in red, bottom edge untrimmed. First edition. (#154751)
More Details about THE SINGULAR REPUBLIC
Leipzig: Verlag von Theodor Weicher, [1932]. Octavo, pp. [1-4] 5-244 245-256: ads], one double-page map in the text, original gray cloth, front and spine panels stamped in black. First edition. (#133930)
More Details about GELB -- WEIß. EIN ZUKUNFTSROMAN. Mit einer Kartenskizze. [Von] Kondor [pseudonym
New York: Simon and Schuster, 1952. Octavo, boards. First edition. (#150075)
More Details about GUNNER CADE by Cyril Judd [pseudonym
New York: Simon and Schuster, 1952. Octavo, boards. First edition. (#107717)
More Details about GUNNER CADE by Cyril Judd [pseudonym
New York: Simon and Schuster, 1952. Octavo, boards. First edition. (#153764)
More Details about GUNNER CADE by Cyril Judd [pseudonym
London: Faber and Faber, [1968]. Octavo, cloth. First edition. (#157371)
More Details about BEST SF STORIES OF C. M. KORNBLUTH. With an Introduction by Edmund Crispin
London: Michael Joseph, [1955]. Octavo, boards. First edition. (#153595)
More Details about THE MINDWORM
Garden City: Doubleday & Company, Inc., 1955. Octavo, boards. First edition. (#153774)
More Details about NOT THIS AUGUST
Garden City: Doubleday & Company, Inc., 1953. Octavo, boards. First edition. (#73689)
More Details about THE SYNDIC