STEPFATHER BANK.
New York: St. Martin's Press, [1987]. Octavo, boards. First edition. (#93555)
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Introduction by Boyd White
Although Sir Thomas More coined the word utopia in the 16th century from Greek that translates literally as “no-place,” in common usage the term refers to an imagined ideal community constructed upon egalitarian principles of economics, government, and justice. While its homophone eutopia, derived from Greek that means “good place,” is the correct term for a positive utopia, utopia and eutopia have been used interchangeably for decades.
More’s Utopia (1516), a fictional account of the religious, social, and political customs of an island society located in the South Atlantic, is not the earliest example of a proposal for an ideal community. That distinction rests with Plato’s Republic (380 BC), a rigid class-structured society ruled by philosopher-kings whose wisdom has eliminated poverty and want through the equal distribution of all resources. For every utopian ideal a political philosopher or satirist has imagined, however, a counter proposal has never been far behind. The deification of logic and reason in Plato’s Republic reaches its horrific extreme in Jonathan Swift’s Gulliver’s Travels (1726) when the narrator finds himself among the Houyhnhnms, a race of hyper-intelligent talking horses without emotion, who have degraded and enslaved human beings because humanity, from the Houyhnhnm point of view, lacks reason and cannot overcome its base nature.
Lloyd Currey’s Utopian and Anti-Utopian Literature explores the innumerable ways that authors throughout the centuries have imagined rebuilding and perfecting civilization, as well as their inevitable anxieties about how such attempts to save humanity may ultimately only end up destroying it. As Lloyd’s catalog illustrates, from the rustic matriarchal households of W. H. Hudson’s A Crystal Age (1887) to the interstellar mixture of socialism and anarchy in Ian M. Banks’ Matter (2008), utopias and dystopias have taken many forms.
While the classics of the literature are certainly well represented—Edward Bellamy’s Looking Backward 2000-1887 (1888), Thea von Harbou’s Metropolis (1926), Aldous Huxley’s Brave New World (1932), and Anthony Burgess’ A Clockwork Orange (1962)—the most fascinating books Lloyd has gathered include some of the earliest and least known examples of the genre, unclassifiable works that combine elements of lost race fiction, interplanetary romance, occult fiction, and high fantasy. Simon Berington’s The Memoirs of Sigr. Gaudentio di Lucca: Taken from His Confession and Examination before the Fathers of the Inquisition at Bologna in Italy (1737), recounts di Lucca’s life as a successful artist in the kingdom of Mezzoraim in Northern Africa among isolated descendents of the ancient Egyptians whose culture is defined by a natural religion that channels all ambition for material gain into a desire to benefit the nation as a whole. James Reynolds’ Equality; A History of Lithconia (1837), one of the earliest American utopian novels, describes an island society that “denounces private property and requires no assistance from the divine, placing its faith in bureaucracy to impose order, technology to reduce drudgery, and omnipresent gardens to instill virtue.” Neither of these titles, however, compares with the screwball eccentricity of Austyn W. Granville’s The Fallen Race (1892) in which the lone survivors of the doomed Frisbee Expedition into the Great Australian Desert find themselves in the land of the Anonos, the descendants of female aborigines and a particularly randy troop of kangaroos, or John O. Greene’s The Ke Whonkus People (1893) in which an arctic utopia executes its religious heretics by sacrificing them to vampire dragons who drain their blood in underground caverns.
Perhaps the most remarkable work in Utopian and Anti-Utopian Literature is Shirby T. Hodge’s The White Man’s Burden: A Satirical Forecast (1915). Written by Roger Sherman Tracy, a noted graduate of Yale University and an associate of the New York Board of Health, this remarkable book is narrated by an unnamed white man from 20th-century New Hampshire who is mysteriously transported to West Africa in 5027 AD. The narrator encounters a remarkable utopia inhabited by African-Americans who relocated after achieving economic superiority in North America and eventually defeating the white race in a devastating war. Characterized by technological marvels such as air cars, interplanetary travel, and disintegration rays, the society the narrator explores is essentially anarchist with no laws, private property, money, or prisons, each person working at whatever he or she chooses to do. A ground-breaking work decades ahead of its time socially and politically, The White Man’s Burden: A Satirical Forecast is a work ripe for rediscovery by scholars and enthusiasts.
Of course, not every author has embraced the progressive economic and social reforms that have characterized such ideal societies. For many early writers, the concept of an idealized socialist utopia is inextricably linked to the enslavement of the individual and the erasure of all creativity or desire. Frank Cowan’s Revi-Lona: A Romance of Love in a Marvelous Land (1879) satirizes numerous tropes of 19th-century utopian fiction in its depiction of a super-scientific matriarchy destroyed, as the author says, by a “big and brawny man, with many of the vices of his sex and years.” Likewise, Walter Besant’s The Inner House (1888) imagines the eradication of aging through medicine and the institution of a socialist state not as unleashing humanity’s unlimited potential but instead as breeding out all individuality, desire, and creativity. While The Inner House is often read as a literary precursor to George Orwell’s Nineteen Eighty-Four (1948), Besant’s novella, unlike Orwell’s masterpiece, is steeped in anxieties about the progressive social movements of its time and is best understood as the kind of anti-utopian work that gets taken to its logical extreme in Ayn Rand’s Atlas Shrugged (1957) and its rejection of governmental controls for unrestrained capitalism and individual achievement.
Lloyd rounds out Utopian and Anti-Utopian Literature with an excellent selection of key contributions by modern and contemporary speculative fiction writers, including Zenna Henderson’s Pilgrimage: The Book of the People (1961), Keith Roberts’ Pavane (1968), Suzy McKee Charnas’ Motherlines (1978), Alasdair Gray’s Lanark: A Life in Four Books (1985), Elizabeth Hand’s Glimmering (1997), and Charles Stross’ Glasshouse (2007).
Economic. Ecological. Feminist. Religious. Single-gender. Single-sex. Scientific. Technological.
Looking for the perfect world? Here’s a good place to begin.
New York: St. Martin's Press, [1987]. Octavo, boards. First edition. (#93555)
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New York: St. Martin's Press, [1987]. Octavo, boards. First edition. (#106260)
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New York: Ace Books, Inc., [1964]. Small octavo, pictorial wrappers. First paperback edition. (#88191)
More Details about ALIEN PLANET
[New York]: Tor, [1985]. Octavo, boards. First edition. (#4200)
More Details about HUMAN ERROR
[New York]: Tor, [1985]. Octavo, boards. First edition. (#93556)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#106192)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#106238)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#126633)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#156737)
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New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1972]. Octavo, cloth-backed boards. First U.S. edition. (#4205)
More Details about DARKENING ISLAND
London: Faber & Faber, [1977]. Octavo, printed blue wrappers. Advance copy (uncorrected proof) of the first edition. (#106240)
More Details about A DREAM OF WESSEX
New York: Charles Scribner's Sons, [1977]. Octavo, boards. First U.S. edition. (#107646)
More Details about THE PERFECT LOVER
Sydney: The Canberra Press, [1933]. Octavo, pp. [i-vii] viii [1-3] 4-279 [280: printer's imprint], original orange cloth, front and spine panels stamped in black. First edition. (#20584)
More Details about CELESTALIA: A FANTASY. A.D. 1975
New York: Ace Books, Inc., [1967]. Small octavo, pictorial wrappers. First edition. (#142477)
More Details about FIVE AGAINST ARLANE
[London]: Arnold Fairbairns & Co. Ltd., 1908. Small octavo, pp. [1-8] 1-163 [164: printer's imprint] [165-166: ads] [167-168: blank] [note: last leaf is a blank], original pictorial light blue cloth, front panel stamped in white and gold, spine panel stamped in gold, t.e.g. First edition. (#130672)
More Details about PLANETARY JOURNEYS AND EARTHLY SKETCHES
New York: Pyramid Books, [1976]. Small octavo, pictorial wrappers. First edition. (#156791)
More Details about ISLANDS
New York: Simon and Schuster, [1966]. Octavo, cloth. First edition. (#153970)
More Details about CODE THREE
London, Toronto: William Heinemann Ltd, [1935]. Octavo, pp. [1-6] 1-256 [257-258: blank] [note: first and last leaves are blanks], original olive green cloth, front and spine panels stamped in gold, publisher's windmill device stamped in blind on rear panel, black coated endpapers. First edition. (#130776)
More Details about THE GREEN CHILD: A ROMANCE
New York: St. Martin's / Marek, [1982]. Octavo, boards. First edition. (#132094)
More Details about THE TERRIBLE TWOS
New York: E. P. Dutton & Co., Inc., 1970. Octavo, cloth-backed boards. First U.S. edition. (#110825)
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London: Faber and Faber, [1969]. Octavo, cloth. First edition. (#139596)
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London: Faber and Faber, [1969]. Octavo, cloth. First edition. (#139933)
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London: Faber and Faber, [1969]. Octavo, cloth. First edition. (#139934)
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Garden City: Doubleday & Company, Inc., 1985. Octavo, boards. First edition. (#93099)
More Details about FORT PRIVILEGE
Garden City: Doubleday & Company, Inc., 1985. Octavo, boards. First edition. (#157689)
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London: Victor Gollancz Ltd, 1976. Octavo, boards. First edition. (#4250)
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London: Victor Gollancz Ltd, 1976. Octavo, boards. First edition. (#138236)
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London: Victor Gollancz Ltd, 1976. Octavo, boards. First edition. (#154711)
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New York: Published by Berkley Publishing Corporation Distributed by G. P. Putnam's Sons, [1980]. Octavo, boards. First edition. (#4251)
More Details about MAGIC TIME
New York: Tor, [2004]. Octavo, boards. First edition. (#103252)
More Details about THINNER THAN THOU
Hanover & London: Wesleyan University Press / Published by University Press of New England, [1999]. Octavo, pictorial wrappers. First edition. (#152785)
More Details about SEVEN FOR THE APOCALYPSE
[Boulder, CO: Published by the Fiction Collective Two, 1994.]. Large octavo, printed cream wrappers, plastic comb binding. Advance copy of the first edition. (#139585)
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[Boulder, CO and Normal, IL]: Black Ice Books [Published by the Fiction Collective Two, 1994.]. Small octavo, pictorial wrappers. First edition. (#140042)
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[Boulder, CO and Normal, IL]: Black Ice Books [Published by the Fiction Collective Two, 1994.]. Small octavo, green printed wrappers, black plastic spiral spine. Advance copy (uncorrected proof) of the first edition. (#154866)
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New York: Donald I. Fine, Inc., [1989]. Octavo, boards. First edition. (#4255)
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Wolfratshausen vor München: Hoheneichen-Verlag, 1925. Octavo, pp. [1-4] 1-207 [208: ads], original decorated boards with tan cloth shelf back, spine panel printed in black, top edge stained brown. First edition. (#132958)
More Details about DES GÖTZEN MOLOCH ENDE. POLITSCHE ZUKUNFTSPHANTASIE
St. Louis: The Anna C. Reifsnider Book Company, 1897. Octavo, pp. [i-iv] v-ix [x] 11-292 [293-296: ads] [note: title page is a cancel], five inserted plates (including a frontispiece with photographic portrait of the author), plus other illustrations in the text, original pictorial blue-gray cloth, front cover stamped in black and silver, spine panel stamped in silver, white endpapers with floral pattern printed in green. First edition. (#151835)
More Details about BETWEEN TWO WORLDS
Berlin: Verlag für Kulturpolitik, 1925. Octavo, pp. [1-5] 6 [7] 8-10 [11] 12-217 [218-220: ads], original pictorial cream boards with blue cloth shelf back, front panel printed in blue and red, spine panel printed in black, top edge stained blue. First edition, first printing. (#136934)
More Details about DOLLARBEBEN. [EINE UTOPISCHE CHRONIK
New York: The Walden Press, 1934. Octavo, pp. [1-14] [1-2] 3-348 [349-354: blank] [note: first and last three leaves are blanks], inserted frontispiece, original blue cloth, front and spine panels stamped in brown, top edge stained brown. First edition. (#90902)
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Hamburg: Alster-verlag, 1923. Octavo, pp. [1-6] 7-175 [176], original tan boards printed in red and black with green cloth shelf back, spine panel stamped in black, green endpapers, top edge stained black. First edition. (#136935)
More Details about DIE FAHRT DER AWE CORNELIUS. EIN TRAUM VON DEUTSCHER ZUKUNFT
Hamburg: Alster-verlag, 1923. Octavo, pp. [1-6] 7-175 [176], original tan boards printed in red and black with green cloth shelf back, spine panel stamped in black, green endpapers, top edge stained black. First edition. (#143213)
More Details about DIE FAHRT DER AWE CORNELIUS. EIN TRAUM VON DEUTSCHER ZUKUNFT
Philadelphia: Published by the Liberal Union, No. 103, North Third Street, 1837. Small octavo, pp. [1-2] 3 iv-vii [viii] 9 x-xvii [xviii] 19-119 [120: blank], original green boards rebacked with facsimile brown cloth shelf back closely resembling the original, facsimile paper spine label. First edition. (#140667)
More Details about EQUALITY; A HISTORY OF LITHCONIA
New York: Ace Books, [1977]. Small octavo, pictorial wrappers. First edition. (#88200)
More Details about AFTER UTOPIA
New York: Ace Books, [1978]. Small octavo, pictorial wrappers. First edition. (#88201)
More Details about THE BEST YE BREED
Toronto, New York, London: Bantam Books, [1974]. Small octavo, pictorial wrappers. First edition. (#88211)
More Details about COMMUNE 2000 A.D
New York: Ace Books, Inc., [1967]. Small octavo, pictorial wrappers. First edition. (#151945)
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New York: Curtis Books, [1970]. Small octavo, pictorial wrappers. First edition. (#88213)
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New York: Ace Books, [1976]. Small octavo, pictorial wrappers. First edition. (#88202)
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New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#88214)
More Details about THE EARTH WAR
New York: Ace Books, [1977]. Small octavo, pictorial wrappers. First edition. (#88203)
More Details about EQUALITY: IN THE YEAR 2000
New York: Ace Books, [1975]. Small octavo, pictorial wrappers. First edition. (#132951)
More Details about THE FIVE WAY SECRET AGENT [and] MERCENARY FROM TOMORROW
New York: Ace Books, [1976]. Small octavo, pictorial wrappers. First edition. (#88206)
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New York: Ace Books, [1975]. Small octavo, pictorial wrappers. First edition. (#88207)
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Toronto, New York, London: Bantam Books, [1975]. Small octavo, pictorial wrappers. First edition. (#87607)
More Details about THE TOWERS OF UTOPIA
[New York]: Baen Books, [1985]. Small octavo, pictorial wrappers. First edition. (#156782)
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Boston: The Roxburgh Publishing Company Incorporated, [1908]. Octavo, pp. [1-8] [1] 2-223 [224] [225-232: blank] [note: first two and last four leaves are blanks], four inserted plates with illustrations by D. Orrin Steinberger, original pictorial red cloth, front panel stamped in gold and white, spine panel stamped in white. First edition. (#89947)
More Details about EVE AND THE EVANGELIST: A ROMANCE OF A.D. 2108
Brighton: H. & C. Treacher ... London: Simpkin Marshall, Hamilton, Kent, & Co., Ltd., n.d. [1909]. Octavo, pp. [1-4] 5-271 [272: printer's imprint], original blue-gray cloth, front panel stamped in gold and ruled in blind, spine panel stamped in gold, rear panel ruled in blind, fore-edge rough-trimmed, bottom edge untrimmed. First edition. (#9148)
More Details about ATALANTA OR TWELVE MONTHS IN THE EVENING STAR
Brighton: H. & C. Treacher ... London: Simpkin Marshall, Hamilton, Kent, & Co., Ltd., n.d. [1909]. Octavo, pp. [1-4] 5-271 [272: printer's imprint], original red cloth, front panel stamped in gold and ruled in blind, spine panel stamped in gold, rear panel ruled in blind, fore-edge rough-trimmed, bottom edge untrimmed. First edition. (#77448)
More Details about ATALANTA OR TWELVE MONTHS IN THE EVENING STAR
London: Simpkin, Marshall, Hamilton, Kent & Co. Ltd., [1925]. Octavo, pp. [1-12] 1-304 [305-306: blank] [note: first and last leaves are blanks], original pictorial black cloth, front and spine panels stamped in white. First edition. (#95641)
More Details about NEUTOPIA
New York: Ace Books, [1977]. Small octavo, pictorial wrappers. First edition. (#146607)
More Details about THE PROBABILITY CORNER
Berlin: Verlag "Fortschritt" Aktiengesellschaft, November 1891. Octavo, pp. [1-2] 1-48, original green wrappers printed in black. First edition, first printing. (#152282)
More Details about SOZIALDEMOKRATISCHE ZUKUNFTSBILDER. FREI NACH BEBEL
Hannover: Adolf Sponholtz Verlag, [1927, i.e. 1930]. Octavo, pp. [1-4] 5-237 [238] [239-240: ads], original decorated blue cloth, front and spine panels stamped in black, top edge stained red. First edition, later printing. (#133683)
More Details about T 1000. ROMAN EINES RIESENFLUGZEUGES
Leipzig: Ernst Keils Nachfolger (August Scherl) G.m.b.H., [1926]. Octavo, pp. [1-4] 5-272 [273] [274: blank], original brown cloth, front and spine panels stamped in gold, top edge stained black. First edition. (#153502)
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[Riverdale. NY]: Baen [2003]. Octavo, cloth-backed boards. First edition. (#153983)
More Details about THERE WILL BE DRAGONS
[Harrogate]: PS Publishing, 2001. Octavo, boards. First edition. (#94095)
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London: Victor Gollancz, [2000]. Octavo, boards. First edition. (#139991)
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London: Victor Gollancz, [2000]. Octavo, boards. First edition. (#140358)
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London: Victor Gollancz, [2000]. Octavo, boards. First edition. (#140633)
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London: Gollancz, [2002]. Octavo, boards. First edition. (#94094)
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London: Gollancz, [2002]. Octavo, boards. First edition. (#139992)
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New York: A. S. Barnes & Company, 1893. Octavo, pp. [i-ii] iii [iv] 1-279 [280-284: blank] [note: last two leaves are blanks], flyleaves at front and rear, original decorated sea green cloth, front and spine panels stamped in brown and gold. First edition. (#77449)
More Details about LOOKING WITHIN: THE MISLEADING TENDENCIES OF "LOOKING BACKWARD" MADE MANIFEST
Garden City: Doubleday & Company, Inc., 1968. Octavo, cloth. First U.S. edition. (#133439)
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Garden City: Doubleday & Company, Inc., 1968. Octavo, cloth. First U.S. edition. (#156922)
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[London]: HarperVoyager, [2009]. Octavo, boards. First British edition. (#146350)
More Details about GALILEO'S DREAM
[New York]: Tor, [1988]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. (#4334)
More Details about THE GOLD COAST
[New York]: Tor, [1988]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. (#50258)
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New York: St. Martin's Press [i.e. Tor], [1988]. Octavo, boards. First edition. (#91555)
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Norwalk, Connecticut: The Easton Press, [1990]. Octavo, full decorated leather. Limited edition. (#71976)
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New York: Tor, [1990]. Octavo, boards. First U.S. edition. (#71977)
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London, Sydney, Wellington: Unwin Hyman, [1990]. Octavo, boards. First edition. (#91560)
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New York: Tor, [1990]. Octavo, boards. First U.S. edition. (#93499)
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London, Sydney, Wellington: Unwin Hyman, [1990]. Octavo, boards. First edition. (#155878)
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New York: Tor, [1991]. Octavo, pictorial wrappers. Advance copy (uncorrected proof) of the first edition. (#72377)
More Details about REMAKING HISTORY
New York: Tor, [1991]. Octavo, boards. First edition. (#80159)
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[New York]: Bantam Books [2007]. Octavo, boards. (#157382)
More Details about SIXTY DAYS AND COUNTING
New York: Tor, [2001]. Octavo, boards. First edition. (#103098)
More Details about THE FREE LUNCH
New York: Tor, [2001]. Octavo, boards. First edition. (#109630)
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New York: Holt, Rinehart and Winston, [1982]. Octavo, boards. First edition. (#82836)
More Details about MINDKILLER: A NOVEL OF THE NEAR FUTURE
New York: Holt, Rinehart and Winston, [1982]. Octavo, printed green wrappers. Advance copy (uncorrected proof) of the first edition. (#106195)
More Details about MINDKILLER: A NOVEL OF THE NEAR FUTURE
New York: Ace Books, [1987]. Octavo, cloth-backed boards. First edition. (#106338)
More Details about TIME PRESSURE
Chicago: Charles H. Kerr and Company, 1892. Octavo, pp. [i-iv] v-vi 1-347 [348: blank] [349-354: ads], original pictorial green cloth, front panel stamped in black, spine panel stamped in gold. Third edition. (#139195)
More Details about INQUIRENDO ISLAND. By Hudor Genone [pseudonym]. Third Edition
[Kent, Ohio]: The Kent State University Press, [1976]. Octavo, pp. [i-xi] xii-xiv [1] 2-239 [240: note about the author] [241-242: blank] [note: last leaf is a blank], illustrations, cloth. First edition. (#50093)
More Details about THE OBSOLETE NECESSITY: AMERICA IN UTOPIAN WRITINGS, 1888-1900
[Kent, Ohio]: The Kent State University Press, [1976]. Octavo, pp. [i-xi] xii-xiv [1] 2-239 [240: note about the author] [241-242: blank] [note: last leaf is a blank], illustrations, cloth. First edition. (#64286)
More Details about THE OBSOLETE NECESSITY: AMERICA IN UTOPIAN WRITINGS, 1888-1900
[Sauk City, Wisconsin]: Arkham House Publishers, Inc., [1996]. Octavo, cloth. First edition. (#93515)
More Details about SYNTHESIS & OTHER VIRTUAL REALITIES
[Sauk City, Wisconsin]: Arkham House Publishers, Inc., [1996]. Octavo, cloth. First edition. (#155112)
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Boston, New York: Houghton Mifflin Company, 2004. Octavo, boards. First edition. (#118881)
More Details about THE PLOT AGAINST AMERICA
Boston, New York: Houghton Mifflin Company, 2004. Octavo, boards. First edition. (#139011)
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Chicago: A. C. McClurg & Co., 1917. Octavo, pp. [1-10] 1-319 [320-322: blank] [note: last leaf is a blank], eleven inserted plates, several double page, with black and white illustrations by Joseph Clement Coll, original green cloth, front and spine panels stamped in gold. First edition. (#90920)
More Details about THE MESSIAH OF THE CYLINDER
Chicago: A. C. McClurg & Co., 1917. Octavo, pp. [1-10] 1-319 [320-322: blank] [note: last leaf is a blank], eleven inserted plates, several double page, with black and white illustrations by Joseph Clement Coll, original green cloth, front and spine panels stamped in gold. First edition. (#108346)
More Details about THE MESSIAH OF THE CYLINDER
New York: Pantheon Books, [2009]. Octavo, boards. First edition. (#153977)
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