THE GREAT WAR SYNDICATE.
London and New York: Longmans, Green, and Co., 1889. Octavo, pp. [1-3] 4-160, original pictorial tan wrappers printed in red. First edition. (#156361)
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Introduction by Boyd White
Although Sir Thomas More coined the word utopia in the 16th century from Greek that translates literally as “no-place,” in common usage the term refers to an imagined ideal community constructed upon egalitarian principles of economics, government, and justice. While its homophone eutopia, derived from Greek that means “good place,” is the correct term for a positive utopia, utopia and eutopia have been used interchangeably for decades.
More’s Utopia (1516), a fictional account of the religious, social, and political customs of an island society located in the South Atlantic, is not the earliest example of a proposal for an ideal community. That distinction rests with Plato’s Republic (380 BC), a rigid class-structured society ruled by philosopher-kings whose wisdom has eliminated poverty and want through the equal distribution of all resources. For every utopian ideal a political philosopher or satirist has imagined, however, a counter proposal has never been far behind. The deification of logic and reason in Plato’s Republic reaches its horrific extreme in Jonathan Swift’s Gulliver’s Travels (1726) when the narrator finds himself among the Houyhnhnms, a race of hyper-intelligent talking horses without emotion, who have degraded and enslaved human beings because humanity, from the Houyhnhnm point of view, lacks reason and cannot overcome its base nature.
Lloyd Currey’s Utopian and Anti-Utopian Literature explores the innumerable ways that authors throughout the centuries have imagined rebuilding and perfecting civilization, as well as their inevitable anxieties about how such attempts to save humanity may ultimately only end up destroying it. As Lloyd’s catalog illustrates, from the rustic matriarchal households of W. H. Hudson’s A Crystal Age (1887) to the interstellar mixture of socialism and anarchy in Ian M. Banks’ Matter (2008), utopias and dystopias have taken many forms.
While the classics of the literature are certainly well represented—Edward Bellamy’s Looking Backward 2000-1887 (1888), Thea von Harbou’s Metropolis (1926), Aldous Huxley’s Brave New World (1932), and Anthony Burgess’ A Clockwork Orange (1962)—the most fascinating books Lloyd has gathered include some of the earliest and least known examples of the genre, unclassifiable works that combine elements of lost race fiction, interplanetary romance, occult fiction, and high fantasy. Simon Berington’s The Memoirs of Sigr. Gaudentio di Lucca: Taken from His Confession and Examination before the Fathers of the Inquisition at Bologna in Italy (1737), recounts di Lucca’s life as a successful artist in the kingdom of Mezzoraim in Northern Africa among isolated descendents of the ancient Egyptians whose culture is defined by a natural religion that channels all ambition for material gain into a desire to benefit the nation as a whole. James Reynolds’ Equality; A History of Lithconia (1837), one of the earliest American utopian novels, describes an island society that “denounces private property and requires no assistance from the divine, placing its faith in bureaucracy to impose order, technology to reduce drudgery, and omnipresent gardens to instill virtue.” Neither of these titles, however, compares with the screwball eccentricity of Austyn W. Granville’s The Fallen Race (1892) in which the lone survivors of the doomed Frisbee Expedition into the Great Australian Desert find themselves in the land of the Anonos, the descendants of female aborigines and a particularly randy troop of kangaroos, or John O. Greene’s The Ke Whonkus People (1893) in which an arctic utopia executes its religious heretics by sacrificing them to vampire dragons who drain their blood in underground caverns.
Perhaps the most remarkable work in Utopian and Anti-Utopian Literature is Shirby T. Hodge’s The White Man’s Burden: A Satirical Forecast (1915). Written by Roger Sherman Tracy, a noted graduate of Yale University and an associate of the New York Board of Health, this remarkable book is narrated by an unnamed white man from 20th-century New Hampshire who is mysteriously transported to West Africa in 5027 AD. The narrator encounters a remarkable utopia inhabited by African-Americans who relocated after achieving economic superiority in North America and eventually defeating the white race in a devastating war. Characterized by technological marvels such as air cars, interplanetary travel, and disintegration rays, the society the narrator explores is essentially anarchist with no laws, private property, money, or prisons, each person working at whatever he or she chooses to do. A ground-breaking work decades ahead of its time socially and politically, The White Man’s Burden: A Satirical Forecast is a work ripe for rediscovery by scholars and enthusiasts.
Of course, not every author has embraced the progressive economic and social reforms that have characterized such ideal societies. For many early writers, the concept of an idealized socialist utopia is inextricably linked to the enslavement of the individual and the erasure of all creativity or desire. Frank Cowan’s Revi-Lona: A Romance of Love in a Marvelous Land (1879) satirizes numerous tropes of 19th-century utopian fiction in its depiction of a super-scientific matriarchy destroyed, as the author says, by a “big and brawny man, with many of the vices of his sex and years.” Likewise, Walter Besant’s The Inner House (1888) imagines the eradication of aging through medicine and the institution of a socialist state not as unleashing humanity’s unlimited potential but instead as breeding out all individuality, desire, and creativity. While The Inner House is often read as a literary precursor to George Orwell’s Nineteen Eighty-Four (1948), Besant’s novella, unlike Orwell’s masterpiece, is steeped in anxieties about the progressive social movements of its time and is best understood as the kind of anti-utopian work that gets taken to its logical extreme in Ayn Rand’s Atlas Shrugged (1957) and its rejection of governmental controls for unrestrained capitalism and individual achievement.
Lloyd rounds out Utopian and Anti-Utopian Literature with an excellent selection of key contributions by modern and contemporary speculative fiction writers, including Zenna Henderson’s Pilgrimage: The Book of the People (1961), Keith Roberts’ Pavane (1968), Suzy McKee Charnas’ Motherlines (1978), Alasdair Gray’s Lanark: A Life in Four Books (1985), Elizabeth Hand’s Glimmering (1997), and Charles Stross’ Glasshouse (2007).
Economic. Ecological. Feminist. Religious. Single-gender. Single-sex. Scientific. Technological.
Looking for the perfect world? Here’s a good place to begin.
London and New York: Longmans, Green, and Co., 1889. Octavo, pp. [1-3] 4-160, original pictorial tan wrappers printed in red. First edition. (#156361)
More Details about THE GREAT WAR SYNDICATE
New York: Atheneum, 1979. Octavo, cloth. First edition. (#106371)
More Details about PRAISE ALL THE MOONS OF MORNING
New York: Greenwillow Books A Division of William Morrow & Company, Inc., [1977]. Octavo, boards. First edition. (#140206)
More Details about THE BLEEDING MAN AND OTHER SCIENCE FICTION STORIES
Berlin: Verlagt bie Paul Cassirer, 1919. Octavo, pp. [1-4] 5-350 [351: blank] [352: ads], original tan boards, front and spine panels printed in brown, top edge stained brown. First edition. (#147112)
More Details about DIE ERSTE MILLIARDE DER ZWEITEN BILLION. DIE GESELLSCHAFT DER ZUKUNFT
New York: Ace Books, [2006]. Octavo, boards. First edition. (#146613)
More Details about GLASSHOUSE
New York: Ace Books, [2006]. Octavo, boards. First edition. (#155456)
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New York: Ace Books 2003. Octavo, boards. First edition. (#139973)
More Details about SINGULARITY SKY
[London]: Orbit, [2004]. Octavo, boards. First British hardcover edition. (#155453)
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New York: Ace Books 2003. Octavo, boards. First edition. (#155808)
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[Holicong, PA]: Cosmos, [2003]. Octavo, boards. First hardcover (and first expanded) edition. (#138438)
More Details about TOAST
[Stirling, NJ]: Wyrm [Publishing], [2009]. Octavo, cloth. Third edition, expanded. (#154179)
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London: Dennis Dobson, [1979]. Octavo, boards. First hardcover edition in English. (#152290)
More Details about THE FINAL CIRCLE OF PARADISE ... Translated by Leonid Renen
Zürich: Speer-Verlag, [1944]. Small octavo, pp. [1-6] 7-327 [328: blank], original pictorial stiff card wrappers. First edition. (#135402)
More Details about DIE SILBERGRAUEN MASKEN. DAS ABENTEUER EINER GROSSEN ZEIT
[New York]: A Dell Book, [1980]. Small octavo, pictorial wrappers. First edition. (#87572)
More Details about THE GOLDEN HELIX
Garden City: Doubleday & Company, Inc., 1958. Octavo, cloth. First edition. (#86594)
More Details about A TOUCH OF STRANGE
Garden City: Doubleday & Company, Inc., 1958. Octavo, cloth. First edition. (#156650)
More Details about A TOUCH OF STRANGE
New York: Pyramid Books, [1960]. Small octavo, pictorial wrappers. First edition. (#87578)
More Details about VENUS PLUS X
London: Victor Gollancz Ltd, 1969. Octavo, printed cream wrappers. Advance copy (uncorrected proof) of the first British (and first hardcover) edition. (#110908)
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London: Victor Gollancz Ltd, 1969. Octavo, boards. First British (and first hardcover) edition. (#141452)
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London and New York: Longmas, Green, & Co., 1891. Octavo, pp. [i-iii] iv [1] 2-313 [314-316: blank] [note: last leaf is a blank], original red cloth, front and rear panels stamped in blind, spine panel stamped in gold, all edges untrimmed, black coated endpapers. First edition. (#137406)
More Details about THE BRETHREN OF MOUNT ATLAS: BEING THE FIRST PART OF AN AFRICAN THEOSOPHICAL STORY
Toronto, New York, London, Sydney, Auckland: Bantam Books, [1984]. Small octavo, pictorial wrappers. First edition. (#156786)
More Details about UTOPIA HUNTERS: CHRONICLES OF THE HIGH INQUEST
[San Diego, California]: San Diego State University Press, [1983]. Octavo, pp. [1-6] [1] 2-265 [266: colophon], cloth. First edition. (#52372)
More Details about THE UTOPIAN VISION: SEVEN ESSAYS ON THE QUINCENTENNIAL OF SIR THOMAS MORE
New York: Margent Press, 1939. Octavo, pp. [1-2] [i-vi] vii-ix [x-xii] 13-217 [218-222: blank] [note: first and last two leaves are blanks], original tan cloth, front and spine panels stamped in red, fore-edge untrimmed. First edition. (#118522)
More Details about MAN FINDS THE WAY
Berlin, Wien, Leipzig: Verlag der "Friedens-Warte," n.d., [1911]. Octavo, pp. [1-4] 1-431 [432: blank] [433-440: ads], inserted frontispiece (photographic portrait of the author), original decorated light olive cloth, front and spine stamped in black, top edge stained gray, gray endpapers. First edition. (#136767)
More Details about DER MENSCHHEIT HOCHGEDANKEN. ROMAN AUS DER NÄCHSTEN ZUKUNFT
New York: Arbor House, [1987]. Octavo, boards. First edition. (#4944)
More Details about VACUUM FLOWERS
New York: Arbor House, [1987]. Octavo, printed blue-gray wrappers. Advance copy (uncorrected proof) of the first edition. (#50316)
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New York: Arbor House, [1987]. Octavo, boards. First edition. (#72452)
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New York: Arbor House, [1987]. Octavo, boards. First edition. (#106375)
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New York: Pyramid Books, [1961]. Small octavo, pictorial wrappers. First edition. (#143764)
More Details about THE GREEN RAIN
Lyon: A. Storck & Cie, Imprimeurs-Editeurs, 1904. 12mo, pp. [1-4] [1-5] 6 [7] 8-138 [139] [140: blank] [141: printer's imprint] [142: blank], original cream wrappers printed in red and black, all edges untrimmed. First edition. (#9369)
More Details about FRAGMENT D'HISTOIRE FUTURE
Lyon: A. Storck & Cie, Imprimeurs-Editeurs, 1904. 12mo, pp. [1-4] [1-5] 6 [7] 8-138 [139] [140: blank] [141: printer's imprint] [142: blank], original cream wrappers printed in red and black, all edges untrimmed. First edition. (#108491)
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Garden City: Doubleday & Company, Inc., 1971. Octavo, cloth. First edition. (#139942)
More Details about GARDENS ONE TO FIVE
Columbus, Ohio: The XX. Century Pub. Co., 1901-1902. Octavo, pp. [1-11] 12-148 [149-160: blank] [note: first two and last six leaves are blanks], flyleaves at front and rear, inserted frontispiece (photographic portrait of the author), original purple cloth, front panel stamped in gold and blind, spine panel stamped in gold, rear panel stamped in blind, decorated endpapers with floral pattern printed in green. First edition. (#89976)
More Details about INTERMERE
New York: Ballantine Books, [1956]. Small octavo, cloth. First edition. (#140052)
More Details about THE HUMAN ANGLE
New York: Ballantine Books, [1956]. Small octavo, cloth. First edition. (#155559)
More Details about THE HUMAN ANGLE
New York: Ballantine Books, [1956]. Small octavo, pictorial wrappers. First edition. (#158095)
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New York: Walker and Company, [1969]. Octavo, boards. First hardcover edition. (#140178)
More Details about OF MEN AND MONSTERS
New York: Walker and Company, [1969]. Octavo, boards. First hardcover edition. (#156923)
More Details about OF MEN AND MONSTERS
London: Victor Gollancz Ltd, 1963. Octavo, boards. First British (and first hardcover) edition. (#134800)
More Details about TIME IN ADVANCE
London: Victor Gollancz Ltd, 1963. Octavo, boards. First British (and first hardcover) edition. (#140024)
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New York: Bantam Books, [1957]. Small octavo, pictorial wrappers. First edition. (#143931)
More Details about TIME IN ADVANCE
London: Victor Gollancz Ltd, 1963. Octavo, boards. First British (and first hardcover) edition. (#153547)
More Details about TIME IN ADVANCE
London: Jonathan Cape, [1974]. Octavo, boards. First edition. (#4974)
More Details about THE LAST OF THE COUNTRY HOUSE MURDERS
London: Collins & Harvill Press, [1965]. Octavo, boards. First British edition. (#106489)
More Details about THE MAKEPEACE EXPERIMENT. Translated by Manya Harari
New York: Pyramid Books, [1968]. Small octavo, pictorial wrappers. First edition. (#142801)
More Details about WILD IN THE STREETS ... From an Original Screenplay by Robert Thom
Boston: Gregg Press, 1975. Octavo, cloth. Later edition. (#156434)
More Details about THE CRYSTAL BUTTON OR, ADVENTURES OF PAUL PROGNOSIS IN THE FORTY-NINTH CENTURY
Boston and New York: Houghton, Mifflin and Company, 1891. Octavo, pp. [1-2] [i-v] vi [vii] viii-xi [xii-xiii] xiv [1] 2-302 [303-304: blank] [1]-36 ads [note: first leaf is a blank]; flyleaf at rear, original decorated sea-green cloth, front panel stamped in white, silver and black, spine panel stamped in black. First edition. (#91060)
More Details about THE CRYSTAL BUTTON OR, ADVENTURES OF PAUL PROGNOSIS IN THE FORTY-NINTH CENTURY ... Edited by...
Boston and New York: Houghton, Mifflin and Company, 1891. Octavo, pp. [1-2] [i-v] vi [vii] viii-xi [xii-xiii] xiv [1] 2-302 [303-304: blank] [1]-36 ads [note: first leaf is a blank]; flyleaf at rear, original decorated sea-green cloth, front panel stamped in white, silver and black, spine panel stamped in black. First edition. (#141870)
More Details about THE CRYSTAL BUTTON OR, ADVENTURES OF PAUL PROGNOSIS IN THE FORTY-NINTH CENTURY ... Edited by...
Garden City: Doubleday & Company, Inc., 1984. Octavo, pictorial wrappers. Advance copy (uncorrected proof) of the first edition. (#61254)
More Details about CONSCIENCE PLACE
New York: Harmony Books, [1978]. Large octavo, pp. [1-6] 7-160, profusely illustrated in color and black and white, pictorial wrappers. First edition, U.S. issue. (#131148)
More Details about UTOPIA
Indianapolis / New York: The Bobbs-Merrill Company, Inc., [1977]. Octavo, boards. First edition. (#137186)
More Details about SURVIVAL PLANET: A NOVEL OF THE FUTURE
London: C. Arthur Pearson Limited, 1897. Octavo, pp. [i-viii] ix-x [xi-xii] [1] 2-336 + 4 pages of publisher's ads dated "September, 1897" inserted at rear, sixteen inserted plates with illustrations by E. S. Hope, one inserted map, original decorated red cloth, front and spine panels stamped in green and black, white, plain laid paper endpapers. First British edition. (#109982)
More Details about AN AMERICAN EMPEROR: THE STORY OF THE FOURTH EMPIRE OF FRANCE
Edinburgh and London: William Blackwood and Sons, 1882. Octavo, two volumes: pp. [i-vi] [1] 2-200; [i-vi] [1] 2-203 [204: blank], original decorated burgundy cloth, front and spine panels stamped in gold, top and fore edges untrimmed, bottom edge trimmed, blue green coated endpapers. First edition. (#130740)
More Details about THE FIXED PERIOD: A NOVEL
London: Lockwood & Co., 1864. Octavo, pp. [1-4] [1] 2-204, inserted lithographed frontispiece, original decorated green pebbled cloth, front and rear panels stamped in blind, spine panel stamped in gold, cream coated endpapers. First edition. (#154532)
More Details about THE HISTORY OF A VOYAGE TO THE MOON, WITH AN ACCOUNT OF THE ADVENTURERS' SUBSEQUENT DISCOVERIES....
[London]: Millington, [1975]. Octavo, boards. First British (and first hardcover) edition. (#87292)
More Details about CENTURY OF THE MANIKIN
New York: DAW Books, Inc., [1972]. Small octavo, pictorial wrappers. First edition. (#87592)
More Details about CENTURY OF THE MANIKIN
[London]: Millington, [1975]. Octavo, boards. First British (and first hardcover) edition. (#148597)
More Details about CENTURY OF THE MANIKIN
Boston: Gregg Press, 1975. Octavo, cloth. Later edition. (#156432)
More Details about A VOYAGE TO THE MOON ... By Joseph Atterley [pseudonym
New-York: Elam Bliss, 128 Broadway, 1827. 12mo, pp. [i-iii] iv [5] 6-11 [12-13] 14-264, flyleaves at front and rear, original paper covered boards, printed paper label affixed to spine panel, all edges untrimmed. First edition. (#130783)
More Details about A VOYAGE TO THE MOON: WITH SOME ACCOUNT OF THE MANNERS AND CUSTOMS, SCIENCE AND PHILOSOPHY, OF...
Charlottesville: University Press of Virginia, [1977]. Octavo, cloth. First edition. (#9384)
More Details about A CENTURY HENCE OR, A ROMANCE OF 1941. Edited with an Introduction by Donald R. Noble
Charlottesville: University Press of Virginia, [1977]. Octavo, cloth. First edition. (#91070)
More Details about A CENTURY HENCE OR, A ROMANCE OF 1941. Edited with an Introduction by Donald R. Noble
Charlottesville: University Press of Virginia, [1977]. Octavo, cloth. First edition. (#131107)
More Details about A CENTURY HENCE OR, A ROMANCE OF 1941. Edited with an Introduction by Donald R. Noble
New York, Toronto: Rinehart & Co., Incorporated, [1951]. Octavo, boards. First edition. (#89598)
More Details about THE CITY IN THE SEA
Zurich / New York: Verlag Oprercht, [1942]. Octavo, pp. [1-4] 5-140, original pictorial white wrappers printed in mustard and black. First edition. (#154216)
More Details about DIE GREISELWERKE: KRIMINALROMAN
London: Faber & Faber, [1978]. Octavo, boards. First edition. (#110626)
More Details about BELOVED SON
New York: William Morrow and Company, Inc., [1992]. Octavo, pictorial wrappers. Advance copy (uncorrected proof) of the first edition. (#61260)
More Details about THE DESTINY MAKERS
New York: Tor, [1999]. Octavo, boards. First edition. (#93414)
More Details about DOWN THERE IN DARKNESS
New York: Tor, [1999]. Octavo, boards. First edition. (#154066)
More Details about DOWN THERE IN DARKNESS
New York: An AvoNova Book William Morrow and Company, Inc., [1994]. Octavo, cloth-backed boards. First edition. (#110784)
More Details about GENETIC SOLDIER
[North Adelaide, South Australia]: Aphelion Publications, [1990]. Octavo, pictorial wrappers. First edition. (#140211)
More Details about A PURSUIT OF MIRACLES: EIGHT STORIES
London, Boston: Faber and Faber, [1981]. Octavo, boards. First edition. (#138451)
More Details about VANEGLORY
[London]: Faber and Faber, [1983]. Octavo, boards. First edition. (#106103)
More Details about YESTERDAY'S MEN
New York: The Ballantine Publishing Group, [2001]. Octavo, boards. First edition. (#103309)
More Details about AMERICAN EMPIRE: BLOOD & IRON
[New York]: New American Library, [2003]. Octavo, cloth. First edition. (#129151)
More Details about IN THE PRESENCE OF MINE ENEMIES
Columbus, O. Hann & Adair, Prs., 108 N. High St., n.d. [1890]. Octavo, pp. [1] 2-32, original mustard wrappers printed in black, stapled. First edition. (#151306)
More Details about THE UNIVERSITY OF UTOPIA: AN ADDRESS DELIVERED AT THE COMMENCEMENT OF THE OHIO STATE UNIVERSITY,...
New York: Charles L. Webster & Company, 1889. Square octavo, pp. [i-iv] v-xv [xvi] 17-575 [576: blank] [577-578: ads], flyleaves at front and rear, 220 illustrations by Dan Beard, original pictorial olive-green cloth, front panel stamped in black, blue-gray, and gold, spine panel stamped in gold, blue-gray endpapers with floral pattern printed in gold. First edition. Second state without small S-like ornament between "THE" and "KING" in caption on page [59]. (#138056)
More Details about A CONNECTICUT YANKEE IN KING ARTHUR'S COURT. By Mark Twain [pseudonym
New York, London, Toronto, Sydney, Auckland: Doubleday, [2005]. Octavo, boards. First edition. (#154068)
More Details about THE TRAVELER: A NOVEL
A Bourdeaux [i.e., The Hague?]: Chez Jacques l'Aveugle, 1710. 12mo, pp. [1-8] 1-508; collates *4, A-I 12, K-T 12, V 12, X 12, Y 2, woodcut device on title page, eighteenth-century full calf, front, spine panel and edges tooled in gold, red-speckled edges. First edition. (#90749)
More Details about VOYAGES ET AVANTURES DE JAQUES MASSÉ
New York: Alfred A. Knopf, 1997. Octavo, cloth. First edition. (#103121)
More Details about TOWARD THE END OF TIME
New York: Lancer Books, [1969]. Small octavo, pictorial wrappers. First edition. (#143821)
More Details about STAR BARBARIAN
New York: The Social Science Publishing Company, 1885. Octavo, pp. [v-vii] viii-xi [xii] [13] 14-498 [499-500: blank] [note: text complete despite gap in pagination], flyleaves at front and rear, original decorated blue cloth, front panel stamped in black, rear panel stamped in blind, spine panel stamped in gold, yellow endpapers. First edition. (#157110)
More Details about RATIONAL COMMUNISM: THE PRESENT AND THE FUTURE REPUBLIC OF NORTH AMERICA. By A Capitalist [pseudonym
New York: Ace Books, [1973]. Small octavo, pictorial wrappers. First edition. (#87600)
More Details about FUTURE GLITTER
New York: Ace Books, [1973]. Small octavo, pictorial wrappers. First edition. (#94607)
More Details about FUTURE GLITTER
New York: Simon and Schuster, 1957. Octavo, cloth-backed boards. First edition. (#62570)
More Details about THE MIND CAGE
New York: Simon and Schuster, 1957. Octavo, cloth-backed boards. First edition. (#72463)
More Details about THE MIND CAGE
New York: Simon and Schuster, 1957. Octavo, cloth-backed boards. First edition. (#87302)
More Details about THE MIND CAGE
New York: Simon and Schuster, 1957. Octavo, cloth-backed boards. First edition. (#110799)
More Details about THE MIND CAGE
New York: Simon and Schuster, 1957. Octavo, cloth-backed boards. First edition. (#141490)
More Details about THE MIND CAGE
New York: Ace Books, Inc., [1956]. Small octavo, pictorial wrappers. First edition. (#157980)
More Details about THE PAWNS OF NULL-A
New York: Ace Books, Inc., [1956]. Small octavo, pictorial wrappers. First edition. (#158083)
More Details about THE PAWNS OF NULL-A
Boston: Gregg Press, 1977. Octavo, cloth. First U.S. hardcover edition, first printing. (#154304)
More Details about THE PLAYERS OF NULL-A
London: Dennis Dobson, [1970]. Octavo, boards. First British (and first hardcover) edition. (#154303)
More Details about THE PLAYERS OF NULL-A
London: Dennis Dobson, [1970]. Octavo, boards. First British (and first hardcover) edition. (#157863)
More Details about THE PLAYERS OF NULL-A
New York: Published by Pocket Books, [1979]. Small octavo, pictorial wrappers. First edition. (#87474)
More Details about RENAISSANCE
New York: Simon and Schuster, 1948. Octavo, cloth. First edition. (#110804)
More Details about THE WORLD OF A
New York: Simon and Schuster, 1948. Octavo, cloth. First edition. (#111954)
More Details about THE WORLD OF A
New York: Simon and Schuster, 1948. Octavo, cloth. First edition. (#141493)
More Details about THE WORLD OF A
New York: Simon and Schuster, 1948. Octavo, cloth. First edition. (#141494)
More Details about THE WORLD OF A
New York: Simon and Schuster, 1948. Octavo, cloth. First edition. (#154320)
More Details about THE WORLD OF A
New York: Ace Books, Inc., [1964]. Small octavo, pictorial wrappers. Second Ace edition. (#158169)
More Details about THE WORLD OF NULL-A