EARTHMAN, COME HOME.
New York: G. P. Putnam's Sons, [1955]. Octavo, boards. First edition. (#148471)
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Introduction by Boyd White
Although Sir Thomas More coined the word utopia in the 16th century from Greek that translates literally as “no-place,” in common usage the term refers to an imagined ideal community constructed upon egalitarian principles of economics, government, and justice. While its homophone eutopia, derived from Greek that means “good place,” is the correct term for a positive utopia, utopia and eutopia have been used interchangeably for decades.
More’s Utopia (1516), a fictional account of the religious, social, and political customs of an island society located in the South Atlantic, is not the earliest example of a proposal for an ideal community. That distinction rests with Plato’s Republic (380 BC), a rigid class-structured society ruled by philosopher-kings whose wisdom has eliminated poverty and want through the equal distribution of all resources. For every utopian ideal a political philosopher or satirist has imagined, however, a counter proposal has never been far behind. The deification of logic and reason in Plato’s Republic reaches its horrific extreme in Jonathan Swift’s Gulliver’s Travels (1726) when the narrator finds himself among the Houyhnhnms, a race of hyper-intelligent talking horses without emotion, who have degraded and enslaved human beings because humanity, from the Houyhnhnm point of view, lacks reason and cannot overcome its base nature.
Lloyd Currey’s Utopian and Anti-Utopian Literature explores the innumerable ways that authors throughout the centuries have imagined rebuilding and perfecting civilization, as well as their inevitable anxieties about how such attempts to save humanity may ultimately only end up destroying it. As Lloyd’s catalog illustrates, from the rustic matriarchal households of W. H. Hudson’s A Crystal Age (1887) to the interstellar mixture of socialism and anarchy in Ian M. Banks’ Matter (2008), utopias and dystopias have taken many forms.
While the classics of the literature are certainly well represented—Edward Bellamy’s Looking Backward 2000-1887 (1888), Thea von Harbou’s Metropolis (1926), Aldous Huxley’s Brave New World (1932), and Anthony Burgess’ A Clockwork Orange (1962)—the most fascinating books Lloyd has gathered include some of the earliest and least known examples of the genre, unclassifiable works that combine elements of lost race fiction, interplanetary romance, occult fiction, and high fantasy. Simon Berington’s The Memoirs of Sigr. Gaudentio di Lucca: Taken from His Confession and Examination before the Fathers of the Inquisition at Bologna in Italy (1737), recounts di Lucca’s life as a successful artist in the kingdom of Mezzoraim in Northern Africa among isolated descendents of the ancient Egyptians whose culture is defined by a natural religion that channels all ambition for material gain into a desire to benefit the nation as a whole. James Reynolds’ Equality; A History of Lithconia (1837), one of the earliest American utopian novels, describes an island society that “denounces private property and requires no assistance from the divine, placing its faith in bureaucracy to impose order, technology to reduce drudgery, and omnipresent gardens to instill virtue.” Neither of these titles, however, compares with the screwball eccentricity of Austyn W. Granville’s The Fallen Race (1892) in which the lone survivors of the doomed Frisbee Expedition into the Great Australian Desert find themselves in the land of the Anonos, the descendants of female aborigines and a particularly randy troop of kangaroos, or John O. Greene’s The Ke Whonkus People (1893) in which an arctic utopia executes its religious heretics by sacrificing them to vampire dragons who drain their blood in underground caverns.
Perhaps the most remarkable work in Utopian and Anti-Utopian Literature is Shirby T. Hodge’s The White Man’s Burden: A Satirical Forecast (1915). Written by Roger Sherman Tracy, a noted graduate of Yale University and an associate of the New York Board of Health, this remarkable book is narrated by an unnamed white man from 20th-century New Hampshire who is mysteriously transported to West Africa in 5027 AD. The narrator encounters a remarkable utopia inhabited by African-Americans who relocated after achieving economic superiority in North America and eventually defeating the white race in a devastating war. Characterized by technological marvels such as air cars, interplanetary travel, and disintegration rays, the society the narrator explores is essentially anarchist with no laws, private property, money, or prisons, each person working at whatever he or she chooses to do. A ground-breaking work decades ahead of its time socially and politically, The White Man’s Burden: A Satirical Forecast is a work ripe for rediscovery by scholars and enthusiasts.
Of course, not every author has embraced the progressive economic and social reforms that have characterized such ideal societies. For many early writers, the concept of an idealized socialist utopia is inextricably linked to the enslavement of the individual and the erasure of all creativity or desire. Frank Cowan’s Revi-Lona: A Romance of Love in a Marvelous Land (1879) satirizes numerous tropes of 19th-century utopian fiction in its depiction of a super-scientific matriarchy destroyed, as the author says, by a “big and brawny man, with many of the vices of his sex and years.” Likewise, Walter Besant’s The Inner House (1888) imagines the eradication of aging through medicine and the institution of a socialist state not as unleashing humanity’s unlimited potential but instead as breeding out all individuality, desire, and creativity. While The Inner House is often read as a literary precursor to George Orwell’s Nineteen Eighty-Four (1948), Besant’s novella, unlike Orwell’s masterpiece, is steeped in anxieties about the progressive social movements of its time and is best understood as the kind of anti-utopian work that gets taken to its logical extreme in Ayn Rand’s Atlas Shrugged (1957) and its rejection of governmental controls for unrestrained capitalism and individual achievement.
Lloyd rounds out Utopian and Anti-Utopian Literature with an excellent selection of key contributions by modern and contemporary speculative fiction writers, including Zenna Henderson’s Pilgrimage: The Book of the People (1961), Keith Roberts’ Pavane (1968), Suzy McKee Charnas’ Motherlines (1978), Alasdair Gray’s Lanark: A Life in Four Books (1985), Elizabeth Hand’s Glimmering (1997), and Charles Stross’ Glasshouse (2007).
Economic. Ecological. Feminist. Religious. Single-gender. Single-sex. Scientific. Technological.
Looking for the perfect world? Here’s a good place to begin.
New York: G. P. Putnam's Sons, [1955]. Octavo, boards. First edition. (#148471)
More Details about EARTHMAN, COME HOME
New York: G. P. Putnam's Sons, [1955]. Octavo, boards. First edition. (#150096)
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London: Faber and Faber, [1956]. Octavo, cloth. First edition. (#112181)
More Details about THEY SHALL HAVE STARS
London: Faber and Faber, [1956]. Octavo, cloth. First edition. (#148475)
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New York: Avon Publications, Inc., [1958]. Small octavo, pictorial wrappers. First edition. (#157972)
More Details about THE TRIUMPH OF TIME
New York: Avon Publications, Inc., [1958]. Small octavo, pictorial wrappers. First edition. (#158056)
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New York: Belmont Books, [1968]. Small octavo, pictorial wrappers. First edition. (#87468)
More Details about LADIES' DAY [and] THIS CROWDED EARTH
New York: J. S. Ogilvie Publishing Company, [1903]. Octavo, [1-6] [1-5] 6-342 [343-346: blank] [note: first and last two leaves are blanks], six inserted plates with illustrations by A. D. Condo, original medium blue cloth, front panel stamped in black, spine panel stamped in gold and black, olive-green floral patterned endpapers. First edition. (#151089)
More Details about D'MARS' AFFINITY: ROMANCE OF LOVE'S FINAL TEST IN TIME AND TIDE
New York: J. S. Ogilvie Publishing Company, [1903]. Octavo, [1-6] [1-5] 6-342 [343-346: blank] [note: first and last two leaves are blanks], six inserted plates with illustrations by A. D. Condo, original dark grey-green cloth, front panel stamped in black, spine panel stamped in gold and black, olive-green floral patterned endpapers. First edition. (#156504)
More Details about D'MARS' AFFINITY: ROMANCE OF LOVE'S FINAL TEST IN TIME AND TIDE
New York: St. Martin's Press, [1987]. Octavo, boards. First edition. (#104326)
More Details about THE MOVEMENT OF MOUNTAINS
Berlin: Brunnen-Verlag Karl Windler, 1930. Octavo, pp. [1-4] 5-131 [132: blank], original black cloth, front and spine panels stamped in red, top edge stained dark gray. First edition. (#138696)
More Details about REVOLUTION 1933 von * * * [pseudonym
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1971]. Octavo, cloth-backed boards. First U.S. edition. (#684)
More Details about FREEZING DOWN ... Translated from the Danish by Joan Tate
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1971]. Octavo, cloth-backed boards. First U.S. edition. (#103818)
More Details about FREEZING DOWN ... Translated from the Danish by Joan Tate
New York: G. W. Dillingham Co., Publishers, 1896. Octavo, pp. [3-4] 5 vi 7-282 [note: text complete despite gap in pagination], original pictorial gray green cloth, front panel stamped in black and gold, spine panel stamped in gold. First edition. (#157197)
More Details about THE TIME IS COMING
New York: St. Martin's Press, [1990]. Octavo, boards. First edition. (#103683)
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New York: Bantam Books, [1962]. Small octavo, pictorial wrappers. First edition. (#157963)
More Details about THE LANI PEOPLE
London: Pan Books Ltd, [1974]. Small octavo, pictorial wrappers. First edition. (#142743)
More Details about ZARDOZ ... Based on the Original Screenplay by John Boorman
London, New York: F. Tennyson Neely, Publisher, [1898]. Octavo, pp. [3-5] 6-256 [257-258: ads] [note: text complete despite gap in pagination], original olive-green ribbed cloth, front and spine panels stamped in silver and red. First edition in English. (#80169)
More Details about 10,000 YEARS IN A BLOCK OF ICE. Translated From the French ... by John Paret
New York: Paperback Library, [1971]. Small octavo, pictorial wrappers. First edition. (#140744)
More Details about THX 1138 ... Based on the Screenplay by George Lucas and Walter Murch
New York: An AvoNova Book William Morrow and Company, Inc., [1994]. Octavo, cloth-backed boards. First edition. (#141649)
More Details about FUTURE QUARTET: EARTH IN THE YEAR 2042: A FOUR-PART INVENTION
New York: Walker and Company, [1973]. Octavo, boards. First edition. (#62358)
More Details about FORWARD IN TIME
New York: Walker and Company, [1973]. Octavo, boards. First edition. (#138316)
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New York: Random House, [1976]. Tall octavo, printed red wrappers. Advance copy (uncorrected proof) of the first edition. (#104872)
More Details about MILLENNIUM: A NOVEL ABOUT PEOPLE AND POLITICS IN THE YEAR 1999
[New York]: Tor, [1985]. Octavo, boards. First edition. (#723)
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[New York]: Tor, [1985]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. (#11521)
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[New York]: Tor, [1985]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. (#11522)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#104242)
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[New York]: Tor, [1985]. Octavo, boards. First edition. (#145096)
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Radnor, Pennsylvania: Chilton Book Company, [1975]. Octavo, boards. First edition. (#104243)
More Details about THE STARCROSSED
New York: Weybright and Talley, [1969]. Octavo, cloth. First edition. (#145464)
More Details about THE RAKEHELLS OF HEAVEN
[New York]: Viking, [2000]. Octavo, boards. First edition. (#103125)
More Details about A FRIEND OF THE EARTH
New York: Ballantine Books, [1953]. Octavo, red boards, front and spine panels stamped in yellow. First edition. (#100269)
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New York: Ballantine Books, [1953]. Octavo, red boards, front and spine panels stamped in yellow. First edition. (#111876)
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Garden City: Doubleday & Company, Inc., 1953. Octavo, cloth. First edition. (#81884)
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New York: Bantam Books, [1954]. Small octavo, pictorial wrappers. First paperback edition. (#88564)
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Garden City: Doubleday & Company, Inc., 1953. Octavo, boards. First edition. (#129323)
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Garden City: Doubleday & Company, Inc., 1953. Octavo, boards. First edition. (#151259)
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Garden City: Doubleday & Company, Inc., 1953. Octavo, boards. First edition. (#158262)
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Garden City: Doubleday & Company, Inc., [1973]. Octavo, illustrations by Karel Thole, cloth. First printing of this edition. First hardcover edition of the complete text. (#158267)
More Details about THE MARTIAN CHRONICLES ... Biographical Sketch and Bibliography of Ray Bradbury's Books and...
Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#114532)
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Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#150833)
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Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#155589)
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[Glendale, California: Roy A. Squires, 1964.]. Octavo, drawing by Joe Mugnaini, printed wrappers, sewn. First separate edition. (#156418)
More Details about THE PEDESTRIAN
Garden City: Doubleday & Company, Inc., 1966. Octavo, cloth. First edition. (#127876)
More Details about TWICE TWENTY-TWO: THE GOLDEN APPLES OF THE SUN [and] A MEDICINE FOR MELANCHOLY
Garden City: Doubleday & Company, Inc., 1966. Octavo, cloth. First edition. (#140711)
More Details about TWICE TWENTY-TWO: THE GOLDEN APPLES OF THE SUN [and] A MEDICINE FOR MELANCHOLY
New York: Picador USA, [1995]. Octavo, boards. First edition. (#104227)
More Details about ANIMAL PLANET
Boston: The Christopher Publishing House, [1930]. Octavo, pp. [i-vi] vii [viii-x] 1-208 [209-210: blank] [note: last leaf is a blank], original blue cloth, front panel stamped in gold and ruled in blind, spine panel stamped in gold. First edition. (#97183)
More Details about TERRANIA OR THE FEMINIZATION OF THE WORLD
Boston: Gregg Press, [1979]. Octavo, cloth. First hardcover edition, first printing. (#148491)
More Details about THE BLOODY SUN AND "TO KEEP THE OATH"
Norfolk: Starblaze Editions / Donning, [1978]. Octavo, pictorial wrappers. First edition. (#104091)
More Details about THE RUINS OF ISIS
[Sutton, Surrey]: Severn House, [1995]. Octavo, boards. First hardcover edition. (#148504)
More Details about THENDARA HOUSE
New York: J. F. Douthitt, 1892. Large octavo, pp. [1-5] 6 [7] 8 [9] 10-318 [319: blank] [320: ad], flyleaves at front and rear, frontispiece, 45 illustrations by C. Durand Chapman and others, original green cloth, front and spine panels stamped in gold, white endpapers with floral pattern printed in green. First edition, first binding. (#74249)
More Details about THE GODDESS OF ATVATABAR: BEING THE HISTORY OF THE DISCOVERY OF THE INTERIOR WORLD AND CONQUEST...
New York: J. F. Douthitt, 1892. Large octavo, pp. [1-5] 6 [7] 8 [9] 10-318 [319: blank] [320: ad], flyleaves at front and rear, frontispiece, 45 illustrations by C. Durand Chapman and others, original green cloth, front and spine panels stamped in gold, white endpapers with floral pattern printed in green. First edition, first binding. (#89780)
More Details about THE GODDESS OF ATVATABAR: BEING THE HISTORY OF THE DISCOVERY OF THE INTERIOR WORLD AND CONQUEST...
New York: J. F. Douthitt, 1892. Large octavo, pp. [1-5] 6 [7] 8 [9] 10-318 [319: blank] [320: ad], flyleaves at front and rear, frontispiece, forty-five illustrations by C. Durand Chapman and others, original green cloth, front and spine panels stamped in gold, white endpapers with floral pattern printed in green. First edition, first binding. (#130694)
More Details about THE GODDESS OF ATVATABAR: BEING THE HISTORY OF THE DISCOVERY OF THE INTERIOR WORLD AND CONQUEST...
Plymouth: William Brendon & Son, Ltd., n.d. [1927]. Small octavo, pp. [1-2] [1-4] 5-155 [156: printer's imprint] [157-158: blank] [note: first and last leaves are blanks], original red cloth, front and spine panel stamped in black. First edition. (#117496)
More Details about A RIVER OF GOLD: TALES OF THE ROCKY MOUNTAINS
London: Lawrence and Wishart Ltd, 1957. Octavo, boards. First edition. (#12175)
More Details about A VOYAGE FROM UTOPIA ... Edited with an Introduction by M. F. Lloyd-Prichard
New York, Toronto, London, Sydney, Auckland: Bantam Books, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#12348)
More Details about GLORY SEASON
New York, Toronto, London, Sydney, Auckland: Bantam Books, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#72565)
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New York, Toronto, London, Sydney, Auckland: Bantam Books, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#91888)
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New York, Toronto, London, Sydney, Auckland: Bantam Books, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#93644)
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New York, Toronto, London, Sydney, Auckland: Bantam Books, [1993]. Octavo, cloth-backed boards. First U.S. edition. (#145074)
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New York: Broadway Publishing Co., [1912]. Octavo, pp. [1-2] [1-2] 3-177 [178: blank] [179-180: ads] [181-182: blank] [notes: title leaf is a cancel tipped in on stub; first and last leaves are blanks], cover illustration by Maurer, original green cloth, front and spine panels stamped in gold, pictorial paper inlay on front cover, fore and bottom edges untrimmed. First edition. (#152360)
More Details about UTOPIA ACHIEVED: A NOVEL OF THE FUTURE
New York: Tor, [2002]. Octavo, boards. First edition. (#91896)
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New York: Tor, [2002]. Octavo, boards. First edition. (#148506)
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New York: Mitchell Kennerley 1913. Octavo, original maroon cloth, front panel stamped in blind, spine panel stamped in gold. First edition. (#89871)
More Details about THE RED LIGHT OF MARS OR A DAY IN THE LIFE OF THE DEVIL: A PHILOSOPHICAL COMEDY
London: Victor Gollancz Ltd, 1990. Octavo, boards. First edition. (#91899)
More Details about KEEPERS OF THE PEACE
[Chicago: Fred H. Brown, 1893.]. Octavo, pp. [1-5] 6-177 [178: blank], flyleaf at front, inserted frontispiece (portrait of the author), plus numerous vignette drawings throughout the text, original black cloth, front and spine panels stamped in silver. First edition. (#146184)
More Details about ONE DOLLAR'S WORTH
London: Victor Gollancz Ltd, 1965. Octavo, boards. First edition. (#154635)
More Details about SMALLCREEP'S DAY
[Sydney NSW, Australia]: HarperCollinsPublishers, [1997]. Small octavo, pictorial wrappers. First edition. (#154717)
More Details about WINTER
New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#87756)
More Details about THE DREAMING EARTH
New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#88572)
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New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#142368)
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New York: Ace Books, Inc., [1964]. Small octavo, pictorial wrappers. First edition. (#157941)
More Details about ENDLESS SHADOW
Garden City: Doubleday & Company, Inc., 1972. Octavo, cloth. First edition. (#152806)
More Details about FROM THIS DAY FORWARD
New York: Ballantine Books, [1991]. Octavo, cloth-backed boards. First edition. (#91478)
More Details about A MAZE OF STARS
New York: Ballantine Books, [1980]. Small octavo, pictorial wrappers. First edition. (#87770)
More Details about PLAYERS AT THE GAME OF PEOPLE
Garden City: Nelson Doubleday, Inc., [1980]. Octavo, boards. First edition. First printing with code "K40" on page 212. (#107385)
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Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#10782)
More Details about QUICKSAND
Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#10783)
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Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#107386)
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New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1972]. Octavo, cloth-backed boards. First edition. (#148526)
More Details about THE SHEEP LOOK UP
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1975]. Octavo, cloth-backed boards. First edition. (#155245)
More Details about THE SHOCKWAVE RIDER
Norwalk, Connecticut: The Easton Press, [1987]. Octavo, illustrations by Vincent DiFate, full decorated leather. Later edition. (#151058)
More Details about STAND ON ZANZIBAR
Garden City: Doubleday & Company, Inc., 1968. Large octavo, cloth. First edition. (#131344)
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Garden City: Doubleday & Company, Inc., 1968. Large octavo, cloth. First edition. (#148527)
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Garden City: Doubleday & Company, Inc., 1973. Octavo, cloth. First edition. (#10787)
More Details about THE STONE THAT NEVER CAME DOWN
Garden City: Doubleday & Company, Inc., 1973. Octavo, cloth. First edition. (#112243)
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Toronto, New York, London: Bantam Books, [1974]. Small octavo, pictorial wrappers. First edition. (#87767)
More Details about WEB OF EVERYWHERE
New York: Walker & Company, [1969]. Octavo, boards. First U.S. hardcover edition. (#972)
More Details about THE WHOLE MAN
New York: Walker & Company, [1969]. Octavo, boards. First U.S. hardcover edition. (#73163)
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New York: Ballantine Books, [1964]. Small octavo, pictorial wrappers. First edition. (#87768)
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New York: Walker & Company, [1969]. Octavo, boards. First U.S. hardcover edition. (#107391)
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New York: Walker & Company, [1969]. Octavo, boards. First U.S. hardcover edition. (#112247)
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New York: Walker & Company, [1969]. Octavo, boards. First U.S. hardcover edition. (#138852)
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Garden City: Doubleday & Company, Inc., 1971. Octavo, cloth. First edition. (#974)
More Details about THE WRONG END OF TIME
Garden City: Doubleday & Company, Inc., 1971. Octavo, cloth. First edition. (#112248)
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Garden City: Doubleday & Company, Inc., 1971. Octavo, cloth. First edition. (#112249)
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London: Printed by J. Watson in Black-Fryers, and sold by the Booksellers of London and Westminster, 1727. Octavo, pp. [1-2] [1] 2-167 [168: blank], engraved frontispiece, engraved tailpiece on page 121, later three-quarter green pebbled morocco and marbled boards, titled on spine in gold. First edition. (#157206)
More Details about A VOYAGE TO CACKLOGALLINIA: WITH A DESCRIPTION OF THE RELIGION, POLICY, CUSTOMS AND MANNERS OF...
London: Chatto & Windus, 1939. Octavo, pp. [i-vi] vii [viii] [1-2] 3-150 [151: printer's imprint] [152: blank], illustrations by the author, original patterned boards with black cloth shelf back, spine panel stamped in gold, top edge stained red, bottom edge untrimmed. First edition. (#12182)
More Details about JOHN INNOCENT AT OXFORD: A FANTASY
New York: Ace Books, [2003]. Small octavo, pictorial wrappers. First edition. (#154782)
More Details about HYPERTHOUGHT
New York: Ace Books, [2004]. Small octavo, pictorial wrappers. First edition. (#154784)
More Details about NEUROLINK