1.
THE ASH-TREE PRESS ANNUAL MACABRE 1997.
Ashcroft, British Columbia: Ash-Tree Press, [1997]. Octavo, cloth. First edition. (#61993)
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Ghost Stories
2.
THE ASH-TREE PRESS ANNUAL MACABRE 1997.
Ashcroft, British Columbia: Ash-Tree Press, [1997]. Octavo, cloth. First edition. (#127222)
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3.
THE ASH-TREE PRESS ANNUAL MACABRE 1997.
Ashcroft, British Columbia: Ash-Tree Press, [1997]. Octavo, cloth. First edition. (#130814)
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4.
THE ASH-TREE PRESS ANNUAL MACABRE 1997.
Ashcroft, British Columbia: Ash-Tree Press, [1997]. Octavo, cloth. First edition. (#157431)
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5.
THE ASH-TREE PRESS ANNUAL MACABRE 1998.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#64321)
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6.
THE ASH-TREE PRESS ANNUAL MACABRE 1998.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#127234)
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7.
THE ASH-TREE PRESS ANNUAL MACABRE 1998.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#130846)
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8.
THE ASH-TREE PRESS ANNUAL MACABRE 1999.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#66841)
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9.
THE ASH-TREE PRESS ANNUAL MACABRE 1999.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#127248)
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10.
THE ASH-TREE PRESS ANNUAL MACABRE 1999.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#130815)
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11.
THE ASH-TREE PRESS ANNUAL MACABRE 2000.
Ashcroft, British Columbia: Ash-Tree Press, 2000. Octavo, cloth. First edition. (#127263)
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12.
THE ASH-TREE PRESS ANNUAL MACABRE 2001.
Ashcroft, British Columbia: Ash-Tree Press, 2001. Octavo, cloth. First edition. (#127273)
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13.
THE ASH-TREE PRESS ANNUAL MACABRE 2002: GHOSTS AT 'THE CORNHILL' 1920-1930.
Ashcroft, British Columbia: Ash-Tree Press, 2002. Octavo, cloth. First edition. (#130818)
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14.
THE WINE-DARK SEA.
New York: Arbor House William Morrow, [1988]. Octavo, cloth-backed boards. First edition. (#109834)
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15.
THE SHADOW GUESTS.
London: Jonathan Cape, [1980]. Octavo, boards. First edition. (#159093)
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16.
STRANGE STORIES.
London: Chatto and Windus, 1884. Octavo, pp. [1-4] [i-iii] iv-vi [vii-viii] [1] 2-356 + 32-page publisher's catalogue dated "October, 1884" inserted at rear, frontispiece by George du Maurier, original pictorial brown cloth, front cover stamped in black and white, spine panel stamped in black, white and gold, publisher's monogram stamped in black on rear panel, top edge untrimmed, black coated endpapers. First edition. (#151795)
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17.
THE ALLINGHAM MINIBUS: MORE SHORT STORIES.
London: Chatto & Windus, 1973. Octavo, boards. First edition. (#116296)
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18.
THE GREEN MAN.
London: Jonathan Cape, [1969]. Octavo, boards. First edition. (#142599)
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19.
THE GREEN MAN.
London: Jonathan Cape, [1969]. Octavo, decorated wrappers. Advance copy (uncorrected proof) of first edition. (#146838)
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20.
THE GREEN MAN.
London: Jonathan Cape, [1969]. Octavo, boards. First edition. (#158596)
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21.
IXORA: A MYSTERY.
London: Kegan Paul, Trench & Co., 1888. Octavo, pp. [i-v] vi-vii [viii] [1] 2-235 [236: printer's imprint] + 48-page publisher's catalogue dated "11.87" inserted at rear, original brown cloth, front and spine panels stamped in gold, publisher's monogram stamped in blind on rear panel, all edges untrimmed, black coated endpapers. First edition. (#149628)
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22.
GHOST STORIES AND OTHER QUEER TALES.
London: C. Arthur Pearson Ltd., n.d. [1931]. Octavo, pp. [1-6] 7-256, original black cloth, front and spine panels stamped in orange. First collected edition. (#148346)
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23.
GHOST STORIES AND OTHER QUEER TALES.
London: C. Arthur Pearson Ltd., n.d. [1931]. Octavo, pp. [1-6] 7-256, original black cloth, front and spine panels stamped in red. First collected edition. (#151120)
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24.
GHOST-STORIES; COLLECTED WITH A PARTICULAR VIEW TO COUNTERACT THE VULGAR BELIEF IN GHOSTS AND APPARITIONS, AND TO PROMOTE A RATIONAL ESTIMATE OF THE NATURE OF PHENOMENA COMMONLY CONSIDERED AS SUPERNATURAL.
London: Printed for R. Ackermann, 1823. 12mo, pp. [i-v] vi-xx [1] 2-292, six inserted plates with hand colored engravings, rebound in early three-quarter dark green leather and marbled boards, spine panel elaborately tooled in gold and blind, all edges marbled, marbled endpapers. First edition. (#151806)
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25.
MODERN GHOSTS ... Introduction by George William Curtis.
New York: Harper & Brothers, 1890. Small octavo, pp. [i-vii] viii-xv [xvi-viii] 1-225 [226: blank] [227: ads] [228: blank] [note: title leaf is a tipped in singleton], title page printed in orange and black, original decorated blue cloth, front and spine panels stamped in silver and gold, fore and bottom edges untrimmed. First edition. (#158670)
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26.
STORIES AND SKETCHES BY OUR BEST AUTHORS.
Boston: Lee and Shepard, 1867. Octavo, pp. [1-8] 9-307 [308: blank] [note: first leaf is a blank], flyleaves at front and rear, original terra cotta cloth, front and rear panels ruled in blind, spine panel stamped in gold, cream coated endpapers. First edition. (#160244)
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27.
TALES FOR THE PARLOUR; OR, RECORDS OF ROMANCE AND CHIVALRY.
New York: Published by J. P. Peaslee, 169 Broadway, 1834. Octavo, pp. [1-5] 6-430, contemporary nineteenth-century full leather, gold rules on spine and front and rear panels, black leather title piece. First edition. (#151589)
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28.
FLANDERS.
New York: Ace Books, [1998]. Octavo, boards. First edition. (#72542)
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29.
MAY FAIR.
London: W. Collins Sons & Co. Ltd., [1925]. Octavo, pp. [i-vi] vii [viii] 1-319 [320] [321-325: ads] [326: publisher's device] [327-328: blank] [note: last leaf is a blank], title page printed in red and black, original black cloth, front panel stamped in gold and blind, spine panel stamped in gold. First edition. (#118306)
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30.
PHANTOM PERFUMES AND OTHER SHADES: MEMORIES OF GHOST STORIES MAGAZINE.
Ashcroft, British Columbia: Ash-Tree Press, 2000. Octavo, cloth. First edition. (#67229)
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31.
PHANTOM PERFUMES AND OTHER SHADES: MEMORIES OF GHOST STORIES MAGAZINE.
Ashcroft, British Columbia: Ash-Tree Press, 2000. Octavo, cloth. First edition. (#127251)
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32.
BELINDA GROVE.
London: Victor Gollancz Ltd, 1932. Octavo, pp. [1-9] 10-288, original black cloth, spine panel stamped in olive green. First edition. (#148853)
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33.
AYLMER VANCE: GHOST-SEER. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#127227)
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34.
AYLMER VANCE: GHOST-SEER. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#130867)
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35.
THE BLACK CAP: NEW STORIES OF MURDER & MYSTERY.
London: Hutchinson & Co. (Publishers), Ltd., n.d. [1927]. Large octavo, pp. [i-vi] vii [viii] 9-318 [319: printer's imprint] [320: blank] [note: first leaf is a blank preceding half title leaf], original pictorial dark blue cloth, front and spine panels stamped in light blue. First edition. (#146490)
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36.
THE BLACK CAP: NEW STORIES OF MURDER & MYSTERY.
New York: Charles Scribner's Sons, 1928. Octavo, pp. [1-8] 1-334 [335-336: blank] [note: last leaf is a blank], original pictorial orange cloth, front and spine panels stamped in black, fore-edge untrimmed. First U.S. edition. (#148054)
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37.
ON THE BORDERLAND.
Garden City: Doubleday, Page & Company, 1923. Octavo, pp. [1-10] 1-279 [280: blank], title page printed in orange and black, original blue cloth, front and spine panels stamped in gold. First U.S. edition. (#148053)
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38.
THE TALISMAN.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#66882)
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39.
THE TALISMAN.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#127249)
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40.
THE STRANGE CASES OF DR. STANCHON.
New York and London: D. Appleton and Company, 1913. Octavo, pp. [1-8] [1-2] 3-362 [363-364: blank] [note: last leaf is a blank], inserted frontispiece by W. J. [Aylworth?], original decorated salmon cloth, front and spine panels stamped in gold and blind. First edition. First printing with code "(1)" at base of text on page 362. (#147363)
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41.
THE SHADOW ON THE BLIND AND OTHER GHOST STORIES.
London: J. M. Dent & Co. New York: Macmillan & Co., 1895. Octavo, pp. [i-xi] xii [1] 2-309 [310: printer's imprint] [311-312: blank] [note: last leaf is a blank], 27 illustrations by J. Ayton Symington, title page printed in red and black, original pictorial olive green cloth, front and spine panels stamped in white. First edition. (#134579)
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42.
THE SHADOW ON THE BLIND AND OTHER GHOST STORIES.
London: J. M. Dent & Co. New York: Macmillan & Co., 1895. Octavo, pp. [i-xi] xii [1] 2-309 [310: printer's imprint] [311-312: blank] [note: last leaf is a blank], 27 illustrations by J. Ayton Symington, title page printed in orange and black, original pictorial olive green cloth, front and spine panels stamped in white. First edition. (#147699)
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43.
THE SHADOW ON THE BLIND.
Ashcroft, British Columbia: Ash-Tree Press, 2001. Octavo, cloth. Enlarged edition. (#127269)
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44.
GHOSTS I HAVE MET AND SOME OTHERS.
New York and London: Harper & Brothers Publishers, 1898. Small octavo, pp. [1-12] 1- 190 [191] [192: blank] [note: first leaf is a blank], twenty-three inserted plates with illustrations by Peter Newell, A. B. Frost, and F. T. Richards, original pictorial black cloth, front panel stamped in red, white, and gold, spine panel stamped in gold, rear panel stamped in white, top edge of text block stained red, fore and bottom edges untrimmed. First edition. (#130198)
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45.
TOPPLETON'S CLIENT OR A SPIRIT IN EXILE.
New York: Charles L. Webster & Company, 1893. Octavo, pp. [i-vii] viii [1] 2-269 [270-272: blank] [note: last leaf is a blank], flyleaves at front and rear, original blue-gray cloth, front and spine panels stamped in gold. First U.S. edition. (#147774)
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46.
THE WATER GHOST AND OTHERS.
New York: Harper & Brothers Publishers, 1894. Small octavo, pp. [1-8] [1] 2-296, forty-one full-page illustrations in the text, original decorated blue-green cloth, front and spine panels stamped in gold and silver, fore and bottom edges untrimmed. First edition. (#137602)
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47.
THE WATER GHOST AND OTHERS.
New York: Harper & Brothers Publishers, 1894. Small octavo, pp. [1-8] [1] 2-296, 41 full-page illustrations in the text, original decorated blue-green cloth, front and spine panels stamped in gold and silver, fore and bottom edges untrimmed. First edition. (#147742)
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48.
![THE INGOLDSBY LEGENDS OR MIRTH AND MARVELS BY THOMAS INGOLDSBY ESQUIRE. [FIRST]-THIRD SERIES. Richard James Barham, "Thomas Ingoldsby"](/pictures/thumb/148052.jpg?v=1518304838)
THE INGOLDSBY LEGENDS OR MIRTH AND MARVELS BY THOMAS INGOLDSBY ESQUIRE. [FIRST]-THIRD SERIES.
London: Richard Bentley, 1840-1842-1847. Octavo, three volumes: [i-iii] iv-v [vi-viii] [1] 2-338 [339-340]; [i-ii] [v] vi-vii [viii-x] [1] 2-288 [note: preliminary pages in volume two mis-paged; text complete despite gap in pagination]; [i-iii] iv-vi [vii-viii] [1] 2-364 , nineteen inserted plates comprising seventeen etchings by Buss (one), George Cruikshank (eight), and John Leech (eight), and two engraved portraits of Barham, one after Lane, the other after "Dalton" (i.e. Rev. Dalton Barham), original decorated brown cloth, front and spine panels stamped in gold and blind, rear panels stamped in blind, half-title leaves present in all three volumes, inserted etched title leaves (the first printed in orange-red and black, the others printed in burnt-umber and black), edges untrimmed, yellow coated endpapers. First editions. (#148052)
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49.
![THE INGOLDSBY LEGENDS OR MIRTH AND MARVELS BY THOMAS INGOLDSBY ESQUIRE. [FIRST]-THIRD SERIES. Richard James Barham, "Thomas Ingoldsby"](/pictures/thumb/149562.jpg?v=1521485782)
THE INGOLDSBY LEGENDS OR MIRTH AND MARVELS BY THOMAS INGOLDSBY ESQUIRE. [FIRST]-THIRD SERIES.
London: Richard Bentley, 1840-1842-1847. Octavo, three volumes: [i-iii] iv-v [vi-viii] [1] 2-338 [339-340]; [i-ii] [v] vi-vii [viii-x] [1] 2-288 [note: preliminary pages in volume two mis-paged; text complete despite gap in pagination]; [i-iii] iv-vi [vii-viii] [1] 2-364 , nineteen inserted plates comprising seventeen etchings by Buss (one), George Cruikshank (eight), and John Leech (eight), and two engraved portraits of Barham, one after Lane, the other after "Dalton" (i.e. Rev. Dalton Barham), original decorated brown cloth, front and spine panels stamped in gold and blind, rear panels stamped in blind, half-title leaves present in all three volumes, inserted etched title leaves (the first printed in orange-red and black, the others printed in burnt-umber and black), edges untrimmed, yellow coated endpapers. First editions. (#149562)
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50.
A BOOK OF GHOSTS.
New York: G. P. Putnam's Sons. London: Methuen & Co., [1904]. Octavo, pp. [1-8] [1] 2-383 [384: printer's imprint], eight inserted plates with illustrations by D. Murray Smith, original red cloth, front and spine panels stamped in gold, bottom edge untrimmed. First U.S. edition. (#75954)
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51.
A BOOK OF GHOSTS.
Penyffordd, Chester: Ash-Tree Press, 1996. Octavo, cloth. Enlarged edition. (#81031)
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52.
A BOOK OF GHOSTS.
London: Methuen & Co., [1904]. Octavo, pp. [1-8] [1] 2-383 [384: printer's imprint] + 40-page publisher's catalogue dated September 1904 inserted at rear, eight inserted plates with illustrations by D. Murray Smith, original red cloth, front and spine panels stamped in gold, bottom edge untrimmed. First edition. (#149333)
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53.
FAREWELL MISS JULIE LOGAN: A WINTRY TALE.
London: Hodder and Stoughton Limited, 1932. Octavo, pp. [1-4] [1] 2-98 [99-100: blank], title page printed in red and black, original blue cloth, paper labels affixed to front and spine panels. First edition. (#156058)
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54.
THE GHOST IN THE LADY'S BOUDOIR: CARTOONS, LAUGHS, STORIES.
Chicago: Published by Consolidated Book Publishers, 1945. Octavo, pictorial wrappers. First edition. (#66722)
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55.
FANCY FREE: A SELECTION OF SHORT STORIES.
London: George Allen & Unwin Ltd, [1949]. Small octavo, original flexible red cloth printed in blue. First edition. (#112677)
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56.
![THE WHITE WIFE; WITH OTHER STORIES, SUPERNATURAL, ROMANTIC AND LEGENDARY; Collected and Illustrated by Cuthbert Bede [pseudonym]. Cuthbert Bede, Edward Bradley.](/pictures/thumb/151667.jpg?v=1521485823)
THE WHITE WIFE; WITH OTHER STORIES, SUPERNATURAL, ROMANTIC AND LEGENDARY; Collected and Illustrated by Cuthbert Bede [pseudonym].
London: Sampson Low, Son, and Marston, 14, Ludgate Hill, 1865. Octavo, pp. [i-v] v--vii [viii-xi] xii [1] 2-252 + 16-page publisher's catalogue dated "Oct. 1864" inserted at rear, seven illustrations by the author of which four are full-page on inserted plates and the others are smaller textual illustrations, original decorated bevel-edged blue cloth, front and spine panels stamped in gold, rear panel stamped in blind, all edges untrimmed, brown coated endpapers. First edition. (#151667)
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57.
THE RETURN OF PETER GRIMM. NOVELIZED FROM THE PLAY.
New York: Dodd, Mead and Company, 1912. Octavo, pp. [1-8] [1-2] 3-344, three inserted plates with color illustrations by John Rae, original terra cotta cloth, spine panel stamped in gold, pictorial paper overlay affixed to front panel. First edition. (#160172)
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58.
THE LAST CIRCLE: STORIES AND POEMS.
New York: Farrar, Strauss and Company, 1946. Octavo, pp. [i-vi] vii-viii [1-2] 3-309 [310-312: blank] [note: last leaf is a blank], original blue cloth, spine panel stamped in gold, top edge stained blue. First edition. (#131499)
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59.
THE GHOST: A FANTASIA ON MODERN THEMES.
London: Chatto & Windus, 1907. Octavo, pp. [i-vi] vii [viii] [1] 2-302 [303: publisher's device] [304: blank] [1]-8 ads + 32-page publisher's catalogue dated "Sept. 1906" inserted at rear, title page printed in orange and black, original dark blue cloth, front and rear panels ruled in blind, spine panel stamped in gold and blind, bottom edge rough trimmed. First edition. (#150840)
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60.
BASIL NETHERBY.
London: Hutchinson & Co. Publishers) Ltd., n.d. [1927]. Octavo, pp. [1-8] 9-211 [212: blank] + 20-page publisher's catalogue "for the Autumn, 1926" at rear, original burgundy cloth, front and spine panels stamped in black. First edition. (#157562)
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61.
ACROSS THE STREAM.
London: John Murray, 1919. Octavo, pp. [i-iv] v-vi [1-2] 3-314 [315-316: ads], original green cloth, spine and front panels stamped in black. First edition. (#150869)
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62.
DESIRABLE RESIDENCES AND OTHER STORIES ... Selected by Jack Adrian.
Oxford, New York: Oxford University Press, 1991. Octavo, boards. First edition, British issue. (#8926)
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63.
FINE FEATHERS AND OTHER STORIES ... Selected and Introduced by Jack Adrian.
Oxford, New York: Oxford University Press, 1994. Octavo, boards. First edition. (#132095)
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64.
THE HORROR HORN AND OTHER STORIES ... Selected and Introduced by Alexis Lykiard.
[St. Albans, Herts.]: Panther, [1974]. Small octavo, pictorial wrappers. First edition of this selection. (#143649)
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65.
MORE SPOOK STORIES.
London: Hutchinson & Co. (Publishers) Ltd., [1934]. Octavo, pp. [1-8] 9-288 + 8-page publisher's catalogue "for the Spring of 1934" inserted at rear, original pictorial orange cloth, front and spine panels stamped in black. First edition. (#149822)
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66.
MRS AMWORTH. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 2001. Octavo, cloth. First edition. (#127270)
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67.
THE PASSENGER. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#156954)
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68.
THE PASSENGER. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1999. Octavo, cloth. First edition. (#156955)
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69.
SEA MIST. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 2005. Octavo, cloth. First edition. (#156956)
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70.
SPOOK STORIES.
London: Hutchinson & Co. (Publishers), Ltd., n.d. [1928]. Octavo, pp. [1-12] 13-286 [287: printer's imprint] [288: blank] [note: first two leaves of first signature comprise front paste-down and front free endpaper], original pictorial blue-gray cloth, front and spine panels stamped in black. First edition. (#74255)
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71.
SPOOK STORIES.
London: Hutchinson & Co. (Publishers), Ltd., n.d. [1928]. Octavo, pp. [1-12] 13-286 [287: printer's imprint] [288: blank] [note: first two leaves of first signature comprise front paste-down and front free endpaper], original pictorial blue cloth, front and spine panels stamped in black. First edition. (#152466)
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72.
THE TERROR BY NIGHT. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#127232)
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73.
THE TERROR BY NIGHT. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#130825)
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74.
THE TERROR BY NIGHT. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#156957)
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75.
THE TERROR BY NIGHT. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1998. Octavo, cloth. First edition. (#156958)
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76.
VISIBLE AND INVISIBLE.
New York: George H. Doran Company, [1924]. Octavo, pp. [1-2] [1-8] 9-298 [299-302: blank] [note: first and last two leaves are blanks], original blue-green cloth, front and spine panels stamped in dark green. First U.S. edition. First printing with GHD monogram on verso of title leaf. (#126327)
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77.
VISIBLE AND INVISIBLE.
New York: George H. Doran Company, [1924]. Octavo, pp. [1-2] [1-8] 9-298 [299-302: blank] [note: first and last two leaves are blanks], original blue-green cloth, front and spine panels stamped in dark green. First U.S. edition. First printing with GHD monogram on verso of title leaf. (#127288)
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78.
VISIBLE AND INVISIBLE.
New York: George H. Doran Company, [1924]. Octavo, pp. [1-2] [1-8] 9-298 [299-302: blank] [note: first and last two leaves are blanks], original blue-green cloth, front and spine panels stamped in dark green. First U.S. edition. First printing with GHD monogram on verso of title leaf. (#141909)
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79.
A MIRROR OF SHALOTT, COMPOSED OF TALES TOLD AT A SYMPOSIUM.
London: Sir Isaac Pitman & Sons, Ltd., 1907. Octavo, pp. [1-8] [1] 2-301 [302: blank] [303-312: ads], original green cloth, spine panel stamped in gold. First edition. (#96454)
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80.
A MIRROR OF SHALOTT, COMPOSED OF TALES TOLD AT A SYMPOSIUM.
London: Sir Isaac Pitman & Sons, Ltd., 1907. Octavo, pp. [1-8] [1] 2-301 [302: blank] [303-312: ads], original green cloth, spine panel stamped in gold. First edition. (#130795)
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81.
A MIRROR OF SHALOTT, COMPOSED OF TALES TOLD AT A SYMPOSIUM.
London: Sir Isaac Pitman & Sons, Ltd., 1907. Octavo, pp. [1-8] [1] 2-301 [302: blank] [303-312: ads], original decorated green cloth, front and spine panels stamped in gold. First edition. (#149916)
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82.
A MIRROR OF SHALOTT: BEING A COLLECTION OF TALES TOLD AT AN UNPROFESSIONAL SYMPOSIUM.
New York, Cincinnati, Chicago: Benziger Brothers, [1907]. Octavo, pp. [1-7] 8-358 [359-360: blank] [note: last leaf is a blank], original pictorial blue cloth, front panel stamped in green, orange and black, spine panel stamped in green and orange. First U.S. edition. (#149959)
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83.
A MIRROR OF SHALOTT: BEING A COLLECTION OF TALES TOLD AT AN UNPROFESSIONAL SYMPOSIUM.
New York, Cincinnati, Chicago: Benziger Brothers, 1907. Octavo, pp. [1-7] 8-334 1-16: ads [17-18: blank], original pictorial blue cloth, front panel stamped in white, orange and black, spine panel stamped in white and orange. First U.S. edition, first printing. (#150708)
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84.
THE SECOND ARMADA GHOST BOOK.
[London: May Fair Books Ltd, 1968.]. Small octavo, pictorial wrappers. First edition. (#74586)
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85.
THE CASE OF MR. LUCRAFT AND OTHER TALES ... Library Edition.
New York: Dodd, Mead & Company Publishers, n.d. [1888]. Octavo, pp. [i-v] vi [vii-viii] [9-11] 12-367 [368: blank], original decorated blue cloth, spine panel stamped in gold and brown, front and rear panels stamped in brown, t.e.g. First U.S. hardcover edition? (#148080)
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86.
AMOROUS GHOST. Translated from the French by Hugh Shelley.
London: Elek Books, [1957]. Octavo, boards. First edition in English. (#137636)
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87.
A HAZY SHADE OF WINTER.
Ashcroft, British Columbia: Ash-Tree Press, 2004. Octavo, cloth. First edition. (#139235)
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88.
LETTERS FROM THE DEAD.
New York: Villard Books, 1985. Octavo, cloth-backed boards. First edition. (#10716)
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89.
THE LISTENER AND OTHER STORIES.
London: Eveleigh Nash, 1907. Octavo, pp. [1-9] 10-350 [351-352: blank] [note: final leaf is a blank] + [36]-page publisher's catalogue dated "Spring 1908" inserted at rear, original black cloth, front panel stamped in red and blind, spine panel stamped in gold, publisher's device stamped in blind on rear panel. First edition. (#149968)
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90.
SHOCKS.
New York: E. P. Dutton & Co., Inc., [1936]. Octavo, pp. [1-8] 9-300 [301-304: blank] [note: last two leaves are blanks], original light green cloth, front and spine panels stamped in black, top edge stained black. First U.S. edition. (#152572)
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91.
SHOCKS.
New York: E. P. Dutton & Co., Inc., [1936]. Octavo, pp. [1-8] 9-300 [301-304: blank] [note: last two leaves are blanks], original light green cloth, front and spine panels stamped in black. First U.S. edition. (#156640)
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92.
ONLY MEN ON BOARD.
London: Hodder and Stoughton Limited, 1933. Octavo, pp. [1-8] 9-315 [316] [317-320: blank], original blue cloth, front and spine panels stamped in black. First edition. (#156057)
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93.
THE PRODIGAL FATHERS AND OTHER SKETCHES IN PROSE AND VERSE.
London: The Clarion Press, 1902. Octavo, pp. [i-iv] v [vi] vii-viii [1] 2-214 [215-216: blank] [note: last leaf is a blank], original sea green cloth, front panel stamped in gold and ruled in blind, spine panel stamped in gold, rear panel ruled in blind. First edition. (#20087)
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94.
FANTASIAS.
London: "Clarion" Office, 1895. Octavo, pp. [1-9] 10-170 [171-172: ads] [note: this issue has ads for "Clarion" publications printed on recto and verso of first leaf and inserted pair of conjugate leaves at rear with ads printed on final leaf (this leaf excised in hardbound issues)], original gray paper wrappers, printed in orange. Second, expanded, edition, paperbound issue. (#74713)
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95.
FIVE VICTORIAN GHOST NOVELS.
New York: Dover Publications, Inc., [1971]. Octavo, pictorial wrappers. First edition. (#9719)
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96.
FIVE VICTORIAN GHOST NOVELS.
New York: Dover Publications, Inc., [1971]. Octavo, pictorial wrappers. First edition. (#131293)
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97.
THREE SUPERNATURAL NOVELS OF THE VICTORIAN PERIOD.
New York: Dover Publications, Inc., [1975]. Octavo, pictorial wrappers. First printing of this collection. (#131292)
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98.
ARIEL.
New York: Arbor House, [1980]. Octavo, cloth-backed boards. First edition. (#103817)
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99.
ARIEL.
New York: Arbor House, [1980]. Octavo, cloth-backed boards. First edition. (#161820)
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100.
GREAT TALES OF HORROR.
London: John Lane The Bodley Head Limited, [1933]. Octavo, pp. [i-iv] v [vi] vii-xiv [xv-xvi] 1-415 [416: blank], original two-part black and green cloth, front panel stamped in green and black, spine panel stamped in green, top edge stained black. First edition. (#149453)
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