EMPIRE OF THE SENSELESS.
New York: Grove Press, [1988]. Octavo, cloth-backed boards. First U.S. edition. (#151301)
More Details about EMPIRE OF THE SENSELESS
Introduction by Boyd White
From the moment humankind first drew breath, all cultures and religions have envisioned the end. Gods and devils war over creation. Great floods and fires destroy the Earth. In Norse mythology, during Ragnarok, the Midgard Serpent spews poison over the world, the sun dies, and the Earth sinks into the sea. In the Book of Revelation, the Four Horsemen ride, and creation is plunged into war, disease, starvation, and death. From the very beginning, the end has always been with us.
Given our pressing concerns with global warming, dwindling natural resources, cyberterrorism, and flourishing pandemics, no one should be surprised that grappling with the apocalypse has become the dominant motif in our popular culture. Ernest Cline’s Ready Player One (2011) and Jeff VanderMeer’s Annihilation (2014) depict futures ravaged by climate change. Max Brooks’ World War Z: An Oral History of the Zombie War (2006) and Emily St. John Mandel’s Station Eleven (2014) chart humanity’s demise at the hands of unstoppable viruses. Such books have inspired the term “eco-thriller” and have become huge best-sellers, attracting the attention of A-list filmmakers like Stephen Spielberg and Alex Garland. Likewise, the Zombie Apocalypse is now the defining scenario for expressing our culture’s anxieties about our future. Robert Kirkman’s enormously successful graphic novel The Walking Dead (2003 to the present) has spawned two television series and host of imitators, including films such as Zombieland (2009) and novels such as The Girl with All the Gifts (2014). Apocalyptic themes are no longer just the purview of writers whose work critics often categorize pejoratively as science fiction or horror. Contemporary literary giants have also embraced such concerns, including Kazuo Ishigoru (2005’s Never Let Me Go) and Cormac McCarthy (2006’s The Road).
Lloyd Currey’s Dark Futures: Dystopias, Disasters, and Terminal Visions shines a spotlight on speculative fiction that explores humanity’s future in often unexpected, unusual ways. The catalog is the result of a lifetime spent reading and reflecting on trends in fiction. The range of books Lloyd has selected is remarkable and refreshing--science fiction, fantasy, horror, crime, rare first editions, paperback originals, genre high spots, and obscure or virtually unknown gems. Lloyd's approach both challenges and invites us to discover what radically different works like Margaret Oliphant’s The Land of Darkness (1888), Richard Condon’s The Manchurian Candidate (1959), and China Mieville’s Perdido Street Station (2000) actually have in common. All of us are familiar with H. P. Lovecraft’s “At the Mountains of Madness” (1936) or Robert Heinlein’s Starship Troopers (1959), but how many of us have even heard of Cicely Hamliton’s Lest Ye Die: A Story from the Past or of the Future (1928) or Sam Lundwall’s 2018 A.D. or the King Kong Blues (1975)? As a unique thematic grouping, Dark Futures: Dystopias, Disasters, and Terminal Visions breaks down genre boundaries and allows these books to engage in conversation with one another.
As Lloyd’s catalog demonstrates, the threat of human extinction or the destruction of civilization via natural catastrophes, widespread pandemics, and nuclear warfare has been a core part of fantastic fiction from the beginning. A great rarity with only a single recorded copy in the Library of Congress, Alexander Pitts Bettersworth’s The Strange Ms. By --, M.D. (1883) imagines a world in which the polar ice caps melt, and most of humanity has perished, the few survivors fleeing Kentucky amidst a new Ice Age in hopes of finding a warmer climate in which to live. The threat of a nuclear holocaust first rears its head in Robert Cromie’s The Crack of Doom (1895) as a telepathic political radical threatens to destroy the world with an atomic explosion, a theme that dominates science fiction over the next century. M. P. Sheil’s The Purple Cloud (1901) is the seminal last-man-on-Earth novel, the story of Adam Jeffson who travels the world after a cloud of poisonous gas devastates civilization. These early works prefigure later classics of their kind, including John Christopher’s The Death of Grass (1956), J. G. Ballard’s The Drought, and Richard Matheson’s I Am Legend (1954), a landmark fusion of science fiction and horror in which a pandemic spread by dust storms and mosquito blooms turns everyone into a vampire. As the novel George Romero has long acknowledged as the inspiration for his influential film Night of the Living Dead (1968), I Am Legend, a direct descendant of The Purple Could, is the grandfather for the Zombie Apocalypse.
Dark Futures: Dystopias, Disasters, and Terminal Visions also illustrates how the current crop of dystopian fiction, such as Suzanne Collins’ The Hunger Games (2008 to 2010) and Patrick Ness’ Chaos Walking (2008 to 2010), which floods the young adult marketplace and has clear adult crossover appeal, pales in comparison to its predecessors. First collected in The Eternal Moment and Other Stories (1928), E. M. Forester’s “The Machine Stops” imagines a future in which technology rules the world, and most of humanity lives underground in individual rooms they never leave, their daily needs met by an omnipotent, self-repairing mechanical entity known as “Machine.” In Sarban’s The Sound of His Horn (1952), set in a world in which the Nazis have won World War II, Reich Meister Count von Hackelnberg and his guests hunt women dressed as birds for sport and watch genetically engineered leopard-women feed on deer. One of the most harrowing and prescient visions of the United States ever created, Philip K. Dick’s Flow My Tears, The Policeman Said (1974) confronts us with a police-state dictatorship which confines professors and college students to underground communes, sterilizes African-American couples after the birth of their first child, and promotes widespread recreational drug use.
The most intriguing and rewarding aspect of Lloyd’s catalog, however, are the “Terminal Visions,” unique, unclassifiable works whose highly imaginative scenarios both thrill and terrify us. William Hope Hodgson’s The Night Land (1912), David Lindsay’s A Voyage to Arcturus (1920), and Mervyn Peake’s Gorgmenghast (1946-1959) are undeniable visionary masterpieces, but the obscure or little known gems Lloyd has included are equally gripping and powerful. Alfred Gordon Bennett’s The Demigods (1939) introduces us to highly intelligent giant ant-like beings living underground in Africa that threaten to take over the Earth using powers derived from an ancient hive mind, including the ability to hypnotize humans. In Peter Brown’s Kafkaesque Smallcreep’s Day (1965), we meet Pinquean Smallcreep who, after spending years his inside a vast, labyrinthine factory slotting slots in pulleys, decides to learn the purpose of what he’s been making by seeking out the mysterious General Parts Store deep within the bowels of the factory. Joan Samson’s The Auctioneer (1975) charts the quiet destruction of Harlowe, New Hampshire, at the seemingly benevolent hands of Perly Dunsmore, a kindly auctioneer who wishes to raise money via weekly auctions to rejuvenate a struggling town. Nothing, however, can prepare the most discerning reader for M. John Harrison’s A Storm of Wings (1980), which recounts how the dying consciousness and bloated corpse of a lunar explorer unwittingly trigger a psychic invasion centuries after a nuclear holocaust on Earth as alien and human realities attempt to rewrite one another, creating unstable lifeforms, shifting landscapes, and decaying cities.
A society that allows its members to mortgage their own bodies for spare parts (Richard Engling’s Body Mortgage, 1988)? An America devastated by environmental ruin whose government rests upon the constant oppression and humiliation of the unprivileged (Rebecca Ore’s Gaia’s Toys, 1995)? What, indeed, does the future hold for us? Start perusing Dark Futures: Dystopias, Disasters, and Terminal Visions and find out.
New York: Grove Press, [1988]. Octavo, cloth-backed boards. First U.S. edition. (#151301)
More Details about EMPIRE OF THE SENSELESS
London: Faber and Faber, [1959]. Octavo, boards. First edition. (#142594)
More Details about THE CANOPY OF TIME
Garden City: Doubleday & Company, 1974. Octavo, cloth. First edition. (#53)
More Details about THE EIGHTY-MINUTE HOUR: A SPACE OPERA
[New York]: A Signet Book Published by The New American Library, [1960]. Small octavo, pictorial wrappers. First U.S. edition. (#142409)
More Details about GALAXIES LIKE GRAINS OF SAND
London: Faber and Faber, [1964]. Octavo, printed tan wrappers. Advance copy (uncorrected proof) of the first British edition. (#112093)
More Details about GREYBEARD
London: Faber and Faber, [1962]. Octavo, cloth. First British (and first hardcover) edition. (#135579)
More Details about HOTHOUSE
London: Jonathan Cape, [1979]. Octavo, boards. First edition. (#142596)
More Details about NEW ARRIVALS, OLD ENCOUNTERS: TWELVE STORIES
London: Jonathan Cape, [1998]. Octavo, boards. First edition. (#140262)
More Details about HEAVY WATER AND OTHER STORIES
New York: Berkley Books, [1981]. Octavo, pictorial wrappers. First edition. (#146596)
More Details about THE DARK BETWEEN THE STARS
New York: Ballantine Books, [1960]. Small octavo, pictorial wrappers. First edition. (#87690)
More Details about STRANGERS FROM EARTH
Garden City: Doubleday & Company, Inc., 1964. Octavo, cloth. First edition. (#71947)
More Details about TIME AND STARS
[London]: Macdonald Science Fiction, [1969]. Octavo, boards. First British (and first hardcover) edition. (#139943)
More Details about THE RING
[London]: Tor, [2011]. Octavo, boards. First edition. (#146115)
More Details about THE DEPARTURE
Garden City: Doubleday & Company, Inc., 1954. Octavo, boards. First edition. (#142665)
More Details about THE CAVES OF STEEL
New York: Gnome Press, Inc. Publishers, [1950]. Octavo, cloth. First edition. (#114515)
More Details about I, ROBOT
Garden City: Doubleday & Company, Inc., 1959. Octavo, cloth. First edition. (#129312)
More Details about NINE TOMORROWS: TALES OF THE NEAR FUTURE
Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#142710)
More Details about PEBBLE IN THE SKY
New York: G. P. Putnam's Sons, [1971]. Octavo, cloth. First edition. (#142528)
More Details about CHRONOPOLIS AND OTHER STORIES
[London]: Flamingo An Imprint of HarperCollinsPublishers, [2001]. Octavo, boards. First edition. (#138431)
More Details about THE COMPLETE SHORT STORIES
London: Jonathan Cape, [1973]. Octavo, boards. First edition. (#126819)
More Details about CRASH
London: Jonathan Cape, [1966]. Octavo, boards. First edition. (#114519)
More Details about THE CRYSTAL WORLD
London: Jonathan Cape, [1965]. Octavo, boards. First British (and first hardcover) edition. (#77117)
More Details about THE DROUGHT
London, Sydney, Auckland, Johannesburg: Hutchinson, [1988]. Octavo, cloth-backed boards. First edition. (#152821)
More Details about RUNNING WILD
[London]: Flamingo An Imprint of HarperCollinsPublishers, [2000]. Octavo, boards. First edition. (#140643)
More Details about SUPER-CANNES
New York: Frederick A. Stokes Company, 1933. Octavo, pp. [i-vi] vii-viii 1-344, original red cloth, front panel stamped in light blue and ruled in blind, spine panel stamped in light blue, fore and bottom edges rough trimmed. First edition. (#130690)
More Details about WHEN WORLDS COLLIDE
London: Cassell & Company Ltd, [1957]. Octavo, boards. First edition. (#139856)
More Details about ONE HALF OF THE WORLD
New York: Tor, [1989]. Small octavo, pictorial wrappers. First edition. (#146373)
More Details about GORGON CHILD
New York: New American Library, [1989]. Small octavo, pictorial wrappers. First edition. (#156788)
More Details about DAWN’S UNCERTAIN LIGHT
New York, Chicago: Congdon & Weed, Inc., [1986]. Octavo, cloth. First edition. (#103666)
More Details about THROUGH DARKEST AMERICA
Boston: Little, Brown, and Company, 1933. Octavo, pp. [1-8] [1-3] 4-295 [296: blank], original black cloth, spine panel stamped in gold. First U.S. edition. (#103672)
More Details about THE LORD OF LIFE
London: Jarrolds Publishers (London) Limited, [1939]. Octavo, original light brown cloth, spine panel stamped in black, pictorial endpapers. First edition. (#156401)
More Details about THE DEMIGODS
New York: The Macaulay Company, 1913. Octavo, pp. [1-8] 1-306 [307-309: ads] [310-312: blank] [note: last leaf is a blank], original decorated maroon cloth, stamped in gold. First U.S. edition. (#143314)
More Details about A WORLD OF WOMEN
Bowling Green, Ohio: Bowling Green University Popular Press, [1976]. Octavo, pp. [i-iv] v-ix [x] xi [xii] [1-2] 3-231 [232-234: blank] [note: last leaf is a blank], cloth. First edition. (#64117)
More Details about SCIENCE FICTION AND THE NEW DARK AGE
New York: Random House, [1940]. Octavo, pp. [1-10] [1-2] 3-321 [322-326: blank] [note: first and last two leaves are blanks], title page printed in tan and black, original pictorial red cloth, front and spine panels stamped in black and gold, top edge stained black. First edition. (#127553)
More Details about THE TWENTY-FIFTH HOUR
Springfield, Illinois: H. W. Rokker, Printer and Binder, 1883. Octavo, pp. [1-3] 4-336 [337-338: blank], flyleaves at front and rear, original decorated red cloth, front and spine panels stamped in black and gold, rear panel stamped in blind, decorated endpapers with floral pattern printed in brown. First edition. (#157226)
More Details about THE STRANGE MS. BY ---, M.D
London: Faber and Faber, [1968]. Octavo, cloth. First British edition. (#641)
More Details about A TORRENT OF FACES
New York: Belmont Books, [1968]. Small octavo, pictorial wrappers. First edition. (#87468)
More Details about LADIES' DAY [and] THIS CROWDED EARTH
New York: Ballantine Books, [1958]. Small octavo, pictorial wrappers. First U.S. edition. (#87738)
More Details about AFTER THE RAIN
London: Faber and Faber, [1967]. Octavo, boards. First edition. (#102890)
More Details about AFTER THE RAIN: A PLAY IN THREE ACTS
New York: Ballantine Books, [1953]. Octavo, red boards, front and spine panels stamped in yellow. First edition. (#111876)
More Details about FAHRENHEIT 451
[Glendale, California: Roy A. Squires, 1964.]. Octavo, drawing by Joe Mugnaini, printed wrappers, sewn. First separate edition. (#156418)
More Details about THE PEDESTRIAN
New York: Ballantine Books, [1966]. Small octavo, pictorial wrappers. First edition. (#151317)
More Details about TOMORROW MIDNIGHT
London: Arthur Barker Ltd, [1936]. Octavo, pp. [1-7] 8-302 [303-304] [note: first and last leaves are blanks], original blue-green cloth, spine panel stamped in dark blue. First edition. (#74738)
More Details about EVEN A WORM
London: Victor Gollancz Ltd, 1965. Octavo, boards. First edition. (#154635)
More Details about SMALLCREEP'S DAY
[Sydney NSW, Australia]: HarperCollinsPublishers, [1997]. Small octavo, pictorial wrappers. First edition. (#154717)
More Details about WINTER
New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#142368)
More Details about THE DREAMING EARTH
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1972]. Octavo, cloth-backed boards. First edition. (#148526)
More Details about THE SHEEP LOOK UP
Garden City: Doubleday & Company, Inc., 1968. Large octavo, cloth. First edition. (#131344)
More Details about STAND ON ZANZIBAR
Garden City: Doubleday & Company, Inc., 1968. Octavo, cloth. First edition. (#107401)
More Details about THE DOOMSDAY MEN
[London]: Severn House, [1978]. Octavo, boards. First British (and first hardcover) edition. (#148545)
More Details about THE INSANE CITY
Edinburgh and London: William Blackwood and Sons, 1871. Octavo, pp. [1-6] [1] 2-292 [note: dedication leaf is an inset], original decorated orange red cloth, spine and front panels stamped in black and gold, rear panel stamped in blind, brown coated endpapers, top edge untrimmed, other edges rough trimmed. First edition. (#80714)
More Details about THE COMING RACE
London, Melbourne, Toronto: Heinemann, [1962]. Octavo, boards. First edition. First binding of black boards with spine panel stamped in gold. (#111875)
More Details about A CLOCKWORK ORANGE
London: Trübner & Co., 1872. Octavo, pp. [i-vii] viii [1] 2-246 [247-248: blank] [note: last leaf is a blank], original bevel-edged brown cloth, front and rear panels stamped in black, spine panel stamped in black and gold, top and fore-edges untrimmed, brown coated endpapers. First edition. (#156464)
More Details about EREWHON OR OVER THE RANGE
London: Grant Richards, 1901. Octavo, pp. [1-2] [i-iv] v [vi] vii-xviii 1-323 [324] [325: publisher ads] [326-328: blank] [note: last leaf is a blank], original red cloth, front and spine panels stamped in gold, t.e.g. Second edition, revised and enlarged. (#139863)
More Details about EREWHON OR OVER THE RANGE ... New and Revised Edition
[Hammersmith, London]: HarperCollinsPublishers, [1992]. Octavo, boards. First edition. (#78732)
More Details about DEAD GIRLS
London: Hamilton & Co. (Stafford), Ltd., [1952]. Octavo, cloth. First edition. (#146537)
More Details about BEYOND THE VISIBLE
Praha: Nakladatel Fr. Borovy, 1936. Octavo, pp. [1-8] 9-348 [349-352] [353: ad] [354: blank], preliminaries printed in orange and black, original gray cloth, front panel stamped in brown and back, spine panel stamped in black. First edition. (#149801)
More Details about VALKA S MLOKY [WAR WITH THE NEWTS
New York: Ace Books, [1979]. Small octavo, pictorial wrappers. First edition. (#142763)
More Details about CAPITOL: THE WORTHING CHRONICLE
West Bloomfield, Michigan: Phantasia Press, 1989. Octavo, cloth. First edition. (#22268)
More Details about THE FOLK OF THE FRINGE
New York: Bantam Books, [1963]. Small octavo, pictorial wrappers. First edition. (#144013)
More Details about THE SENTINEL STARS: A NOVEL OF THE FUTURE
New York: Simon and Schuster, [1956]. Octavo, cloth-backed boards. First U.S. edition. (#127309)
More Details about NO BLADE OF GRASS
New York: Avon Book Division, [1959]. Small octavo, pictorial wrappers. First U.S. edition. (#144010)
More Details about PLANET IN PERIL
London: Eyre & Spottiswoode, 1962. Octavo, boards. First edition. (#155265)
More Details about THE WORLD IN WINTER
Oxford, New York: Oxford University Press, 1992. Octavo, pp. [1-2] [i-ix] x [xi-xii] [1] 2-268 [269-274: blank] [note: first and last three leaves are blanks], illustrations, boards. Second edition. (#138297)
More Details about VOICES PROPHESYING WAR: FUTURE WARS 1763-3749 ... Second Edition
London: Sidgwick & Jackson, [1972]. Octavo, boards. First British (and first hardcover) edition. (#148647)
More Details about POSSIBLE TOMORROWS
[London & Sydney]: Orbit, [1990]. Octavo, pictorial wrappers. First edition. (#140645)
More Details about THE MONSTROUS REGIMENT
Paris: Chez Ferra aîné, Libraire, rue des Grands-Augustins, no. 11; et Chez Deterville, Libraire, rue Hautefeuille, no 8, 1811. 12mo, two volumes in one: pp. [i-v] vi-xii [1] 2-200; [i-iv] [1] 2-175 [176: blank] [177: errata] [178: blank], early nineteen-century quarter calf and marbled boards, spine panel richly tooled in gold, black leather title piece, all edges marbled, marbled endpapers. Second edition. (#151832)
More Details about LE DERNIER HOMME, Ouvrage Posthume ... Seconde édition publiée par Charles Nodier
London: Digby, Long & Co., 1895. Octavo, pp. [1-8] [1] 2-214 [215-216: ads] + 8-page publisher's catalogue dated "May 1895" inserted at rear, original red cloth, front cover stamped in black and gold, spine panel stamped in gold, publisher's monogram stamped in blind on rear panel, white endpapers with floral pattern printed in olive green. First edition. (#79735)
More Details about THE CRACK OF DOOM
Garden City: Doubleday & Company, Inc., [1975]. Octavo, boards. First edition. (#142541)
More Details about THE DEEP
[New York]: A Berkley Medallion Book published by Berkley Publishing Corporation, [1967]. Small octavo, pictorial wrappers. First edition. (#153176)
More Details about COUNTER-CLOCK WORLD
New York: Ace Books, Inc., [1966]. Small octavo, pictorial wrappers. First edition. (#152303)
More Details about THE CRACK IN SPACE
New York: Ace Books, Inc., [1963]. Small octavo, pictorial wrappers. First edition. (#132365)
More Details about THE GAME-PLAYERS OF TITAN
London: Victor Gollancz Ltd, 1984. Octavo, boards. Revised edition. (#153032)
More Details about LIES, INC
New York: G. P. Putnam's Sons, [1962]. Octavo, cloth. First edition. (#127914)
More Details about THE MAN IN THE HIGH CASTLE
New York: Ace Publishing Corporation, [1970]. Small octavo, pictorial wrappers. First edition. (#139521)
More Details about OUR FRIENDS FROM FROLIX 8
New York: Belmont Books, [1964]. Small octavo, pictorial wrappers. First edition. (#153129)
More Details about THE PENULTIMATE TRUTH
Garden City: Doubleday & Company, Inc., 1977. Octavo, boards. First edition. (#153010)
More Details about A SCANNER DARKLY
Garden City: Doubleday & Company, Inc., 1965. Octavo, cloth. First edition. (#155544)
More Details about THE THREE STIGMATA OF PALMER ELDRITCH
Garden City: Doubleday & Co., Inc., 1969. Octavo, cloth. First edition. (#135664)
More Details about UBIK
New York: Ace Books, Inc., [1966]. Small octavo, pictorial wrappers. First edition. (#153133)
More Details about THE UNTELEPORTED MAN
Boston: Gregg Press, 1979. Octavo, cloth. First hardcover edition. (#1901)
More Details about VULCAN'S HAMMER
New York: Ace Books, Inc., [1960]. Small octavo, pictorial wrappers. First edition. (#132369)
More Details about VULCAN'S HAMMER
[New York]: A Berkley Medallion Book published by Berkley Publishing Corporation, [1965]. Small octavo, pictorial wrappers. First edition. (#132371)
More Details about THE GENOCIDES
London: Ronald Whiting & Wheaton, [1967]. Octavo, boards. First British (and first hardcover) edition. (#140074)
More Details about THE GENOCIDES
London: Victor Gollancz Ltd, 1979. Octavo, boards. First edition. (#140868)
More Details about ON WINGS OF SONG
London: Dennis Dobson, [1979]. Octavo, boards. First British (and first hardcover) edition. (#152943)
More Details about THE PRISONER
New York: Ace Publishing Corporation, [1969]. Small octavo, pictorial wrappers. First edition. (#156472)
More Details about THE PRISONER
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1973]. Octavo, cloth. First edition. (#21106)
More Details about BAD MOON RISING
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1973]. Octavo, cloth. First edition. (#152945)
More Details about BAD MOON RISING
New York, Evanston, San Francisco, London: Harper & Row, Publishers, [1975]. Octavo, cloth-backed boards. First edition. (#152947)
More Details about THE NEW IMPROVED SUN: AN ANTHOLOGY OF UTOPIAN S-F
New York: G. P. Putnam's Sons, [1971]. Octavo, cloth. First edition. (#152874)
More Details about THE RUINS OF EARTH: AN ANTHOLOGY OF STORIES OF THE IMMEDIATE FUTURE
London: Victor Gollancz Ltd, 1987. Octavo, cloth, a.e.g. First edition. (#128458)
More Details about DAPHNE DU MAURIER'S CLASSICS OF THE MACABRE
New York, London, Toronto, Sydney, Auckland: Doubleday, [1991]. Octavo, cloth-backed boards. First edition. (#146394)
More Details about THE EXILE KISS
New York, London, Toronto, Sydney, Auckland: Doubleday, [1989]. Octavo, cloth-backed boards. First edition. (#146392)
More Details about A FIRE IN THE SUN
New York: Holt, Rinehart and Winston, [1962]. Octavo, cloth. First edition. (#118544)
More Details about AMONG THE DANGS: TEN SHORT STORIES
New York: The Macmillan Company, [1971]. Octavo, cloth. First edition. (#72147)
More Details about ALONE AGAINST TOMORROW: STORIES OF ALIENATION IN SPECULATIVE FICTION
New York: Pantheon Books A Division of Random House, [1963]. Octavo, cloth-backed boards. First edition. (#155511)
More Details about SECONDS
New York: An Onyx Book New American Library, [1989]. Small octavo, pictorial wrappers. First edition. (#146199)
More Details about BODY MORTGAGE
New York: G. P. Putnam's Sons, [1985]. Octavo, cloth-backed boards. First edition. (#140641)
More Details about DAYWORLD