1.
AGENT OF THE TERRAN EMPIRE.
Philadelphia and New York: Chilton Books, [1965]. Octavo, cloth. First edition. (#163158)
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THE ROBERT AND PHYLLIS WEINBERG COLLECTION
THE ROBERT AND PHYLLIS WEINBERG COLLECTION
By Boyd White
Recently, Lloyd Currey showed me a copy of the classic science fantasy collection A Gnome There Was (1950) inscribed by Henry Kuttner and C. L. Moore, the wonderful husband-and-wife team who often wrote under the pseudonym “Lewis Padgett.” Lloyd was discussing the provenance of the book, how he had sold it to Robert Weinberg many years ago only to have it come into his hands again now that Bob is no longer with us. As I was reading the inscription, Lloyd remarked, “I think this copy might be unique. I have never seen another inscribed copy.” We could easily apply this same sentiment to Bob himself. He was one of a kind, a unique individual whose like we won’t see again.
As a teenager growing up in rural Tennessee in the late 1970s and early 1980s, I loved receiving catalogs from Weinberg Books in the mail. When I would come home from middle school and one of Bob’s catalogs was waiting for me on the kitchen table, I would race to my room and read it from cover to cover. I had already developed a love for the pulps from reading Bantam paperback reprints of Doc Savage. Likewise, the Ballantine two-volume paperback edition of Tales of the Cthulhu Mythos (1973) with its marvelous cover artwork by John Holmes had introduced me to H. P. Lovecraft, Clark Ashton Smith, and Frank Belknap Long. Unsurprisingly, Bob’s catalogs always increased my appetite for such fare tenfold. Who was the Spider? The Phantom Detective? What were “shudder pulps”? Would I enjoy Leigh Brackett or Cornell Woolrich?
Being the son of factory workers, I had very little money those days, only what I could earn from running errands and mowing neighbors’ lawns. The first collectible books I ever purchased were in-print Arkham House titles featured in Bob’s catalogs—Joseph Payne Brennan’s Stories of Darkness and Dread (1973), Gerald W. Page’s Nameless Places (1975), and Mary Elizabeth Counselman’s Half in Shadow (1978). These works formed the basis for my love of weird fiction, and I dreamed about books that I knew I could never hope to afford like Lovecraft’s The Outsider and Others (1939) or a first edition of Ray Bradbury’s The October Country (1955). After I earned my driver’s license and began operating a forklift part time at a local K-Mart, I soon found myself placing a telephone order for Manly Wade Wellman’s Worse Things Waiting (1973) for the outrageous price of $75 from a somewhat intimidating—or so it seemed to me at the time—New York bookseller named L. W. Currey, who had also started sending me catalogs in the mail.
Bob Weinberg’s 40+ year career as a collector, editor, author, bookseller, and publisher is widely known. A complete list of his accomplishments could easily fill a substantial volume. Anyone who visits his official website can’t help but be astounded by the breadth and depth of his interests as a collector—Robert E. Howard, H. Rider Haggard, Nero Wolfe, Frank R. Paul, Virgil Finlay, Kelly Freas, EC comics, Uncle Scrooge, and anything related to the pulps. As a publisher, Bob reprinted numerous pulp classics, often rare or obscure titles like The Octopus, The Scorpion, or Dr. Death, in addition to issuing key reference works such as Mike Ashley’s The Complete Index to Astounding/Analog (1981). As a bibliographer, Bob made significant scholarly contributions, most notably The Weird Tales Story (1977), The Louis L’Amour Companion (1993), and his masterwork, A Biographical Dictionary of Science Fiction and Fantasy Artists (1988), which remains an essential resource for the field and which, like The Weird Tales Story, won the World Fantasy Award.
In Fahrenheit 451 (1953), Granger, the leader of a group of exiles who have literally become living books by memorizing entire works to preserve their contents from the firemen, tells Montag, “’Grandfather’s been dead for all these years, but if you lifted my skull, by God, in the convolutions of my brain you’d find the big ridges of his thumbprint.” I never met or spoke with Bob Weinberg, but he did start a lifelong conversation with me about books through his catalogs during my formative years. I am certain he holds a similar place in the lives of many other collectors and readers. The closest we come to eternity is through what leave behind, our families and our children, the stories and anecdotes that loved ones recite about us. Bob’s life and work reminds us that books last forever. I still haven’t bought a copy of The Outsider and Others or a first edition of The October Country, but I have all the books I purchased from Bob’s catalogs. I wouldn’t trade them for the world.
2.
FLANDRY OF TERRA.
Philadelphia and New York: Chilton Books, [1965]. Octavo, cloth. First edition. (#163370)
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3.
STAR WAYS.
New York: Avalon Books, [1956]. Octavo, cloth. First edition. (#162378)
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4.
VAULT OF THE AGES.
Philadelphia, Toronto: The John C. Winston Company, [1952]. Octavo, cloth. First edition. (#163476)
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5.
THE YEAR OF THE RANSOM.
New York: Walker and Company, [1988]. Octavo, boards. First edition. (#163146)
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6.
THE EVENING STANDARD SECOND BOOK OF STRANGE STORIES.
London: Hutchinson & Co. (Publishers) Ltd., n.d. [1937]. Octavo, pp. [i-vi] vii-xiii [xiv-xvi] 17-1021 [1022-1023: ads] [1024: blank], original pictorial blue cloth, front and spine panels stamped in black. First edition. (#163450)
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7.
TOM SWIFT AND HIS AIRLINE EXPRESS OR FROM OCEAN TO OCEAN BY DAYLIGHT.
New York: Grosset & Dunlap Publishers, [1926]. Octavo, inserted frontispiece, pictorial cloth. First edition. (#163685)
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8.
TOM SWIFT AND HIS TALKING PICTURES OR THE GREATEST INVENTION ON RECORD.
New York: Grosset & Dunlap Publishers, [1928]. Octavo, inserted frontispiece, pictorial cloth. Later printing, circa 1929. (#163686)
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9.
Sauk City, Wisconsin: Arkham House, Winter 1948 - Autumn 1949 (volume 1, number 1 - volume 2, number 4). Octavo, eight numbers, printed wrappers. (#162606)
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10.
THE HUGO WINNERS VOLUME FOUR.
Garden City: Doubleday & Company, Inc., 1985. Octavo, cloth-backed boards. First edition. (#162413)
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11.
CASEBOOK OF THE BLACK WIDOWERS.
Garden City: Published for the Crime Club by Doubleday & Company, Inc., 1980. Octavo, boards. First edition. (#162452)
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12.
FANTASTIC VOYAGE.
Boston: Houghton Mifflin Company, 1966. Octavo, cloth. First edition. (#163371)
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13.
FOUNDATION AND EARTH.
Garden City: Doubleday & Company, Inc., 1986. Octavo, full brown leather. First edition. (#162491)
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14.
FOUNDATION'S EDGE.
Garden City: Doubleday & Company, Inc., 1982. Octavo, boards. First edition, third printing with code "M44" on page 365. (#163587)
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15.
THE GODS THEMSELVES.
Garden City: Doubleday, 1972. Octavo, cloth. First edition. (#163033)
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16.
MURDER AT THE ABA.
Garden City: Doubleday & Company, Inc., 1976. cloth-backed boards. First edition. (#162486)
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17.
THE ROBOTS OF DAWN.
Garden City: Doubleday & Company, Inc., 1983. Octavo, cloth-backed boards. First trade edition. (#163132)
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18.
TOMORROW REVEALED.
London: Neville Spearman, [1955]. Octavo, boards. First edition. (#163061)
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19.
THE FACE IN THE MIRROR.
Sauk City, Wisconsin: Arkham House, 1971. Octavo, cloth. First edition. (#162672)
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20.
THE PLAYER OF GAMES.
New York: St. Martin's Press, [1989]. Octavo, boards. First U.S. edition. (#162281)
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21.
INTERPLANETARY HUNTER.
New York: Gnome Press, Inc. Publishers, [1956]. Octavo, cloth. First edition. (#162539)
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22.
THE TIME SHIPS.
[London]: HarperCollinsPublishers, [1995]. Octavo, boards. First edition. (#163174)
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23.
EMPIRE OF TWO WORLDS.
London: Robert Hale & Company, [1974]. Octavo, boards. First British (and first hardcover) edition. (#163137)
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24.
THE LAST CIRCLE: STORIES AND POEMS.
New York: Farrar, Strauss and Company, 1946. Octavo, pp. [i-vi] vii-viii [1-2] 3-309 [310-312: blank] [note: last leaf is a blank], original pebbled black cloth, spine panel stamped in gold, top edge stained gray. First edition. (#162336)
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25.
TALES BEFORE MIDNIGHT.
New York, Toronto: Farrar & Rinehart, Inc., [1939]. Octavo, pp. [1-10] [1-2] 3-274 [275-278: blank] [note: last two leaves are blanks], original navy blue cloth, front and spine panels stamped in silver, top edge stained light blue, fore-edge untrimmed, bottom edge rough-trimmed. First edition. First printing with "F&R" monogram on copyright page. (#161259)
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26.
TALES BEFORE MIDNIGHT.
New York, Toronto: Farrar & Rinehart, Inc., [1939]. Octavo, pp. [1-10] [1-2] 3-274 [275-278: blank] [note: last two leaves are blanks], original navy blue cloth, front and spine panels stamped in silver, top edge stained light blue, fore-edge untrimmed, bottom edge rough-trimmed. First edition. First printing with "F&R" monogram on copyright page. (#162335)
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27.
THIRTEEN O'CLOCK: STORIES OF SEVERAL WORLDS.
New York, Toronto: Farrar & Rinehart, Inc., [1937]. Octavo, pp. [i-vi] vii-viii [1-2] 3-305 [306-312: blank] [note: last three leaves are blanks], original light blue cloth, front and spine panels stamped in black, top edge stained black, fore-edge rough trimmed. First edition. First printing with publisher's "FR" monogram on copyright page. (#161258)
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28.
THE MYSTERY OF THE LOUVRE ... Illustrated with Scenes from the Photo-Play, a Universal Production.
London: The Readers Library Publishing Company Ltd., n.d. [1929]. Small octavo, pp. [1-9] 10-251 [252] [253: ad] [254-256: blank] [note: first and last leaves used as front and rear paste-downs], four inserted plates with eight film stills, original decorated maroon boards, front and spine panels stamped in gold. First edition in English. (#163748)
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29.
THE COMPUTER CONNECTION.
New York: Published by Berkley Publishing Corporation Distributed by G. P. Putnam's Sons, [1975]. Octavo, boards. First edition. (#163253)
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30.
THE DEMOLISHED MAN.
Chicago: Shasta Publishers, [1953]. Octavo, cloth-backed boards. First edition. (#162229)
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31.
EXTRO.
London: Eyre Methuen, [1975]. Octavo, boards. First British edition. (#163301)
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32.
![THE STARS MY DESTINATION: THE GRAPHIC STORY ADAPTATION. VOLUME ONE [all published]. Alfred Bester](/pictures/thumb/163400.jpg?v=1560808345)
THE STARS MY DESTINATION: THE GRAPHIC STORY ADAPTATION. VOLUME ONE [all published].
New York: Published by Baronet Publishing Company, [1979]. Large octavo, boards. First edition. (#163400)
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33.
THE RULE OF THE DOOR AND OTHER FANCIFUL REGULATIONS.
Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#163016)
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34.
LORDS OF CREATION.
Philadelphia: The Prime Press, [1949]. Octavo, cloth. First edition. (#163549)
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35.
LORDS OF CREATION.
Philadelphia: The Prime Press, [1949]. Octavo, pp. [1-8] 1-232, original blue cloth, spine panel stamped in gold, all edges untrimmed. First edition. (#163630)
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36.
MONSTERS: A COLLECTION OF UNEASY TALES.
London: Philip Allan, [1934]. Octavo, pp. [1-4] 5 [6-8] 9-249 [250-256: ads], original gray cloth, spine panel stamped in black. First edition. (#161230)
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37.
NIGHTMARES: A COLLECTION OF UNEASY TALES.
London: Philip Allan, [1933]. Octavo, pp. [1-8] 9-255 [256: ad], original dark blue cloth, spine panel stamped in black. First edition. (#161231)
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38.
POWERS OF DARKNESS: A COLLECTION OF UNEASY TALES.
London: Philip Allan, [1934]. Octavo, pp. [1-4] 5 [6-8] 9-243 [244: blank] [245-256: ads], original green cloth, spine panel stamped in black. First edition. (#161232)
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39.
THE CURSE OF YIG.
Sauk City, Wisconsin: Arkham House, 1953. Octavo, cloth. First edition. (#162634)
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40.
THE PAPER GRAIL.
New York: Ace Books, [1991]. Octavo, light blue wrappers printed in black. Advance copy (uncorrected proof) of the first edition. (#163290)
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41.
TWO VIEWS OF A CAVE PAINTING & THE IDOL'S EYE ... ESCAPE FROM KATHMANDU.
Seattle, Washington: The Axolotl Press, [1988]. Octavo, cloth. First edition. (#163010)
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42.
THE FROZEN YEAR.
New York: Ballantine Books, [1957]. Octavo, cloth. First edition. (#162387)
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43.
THE SEEDLING STARS.
N[ew] Y[ork]: Gnome Press, Publishers, [1957]. Octavo, cloth. First edition. (#162533)
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44.
![ROBERT BLOCH: A BIO-BIBLIOGRAPHY ... [caption title]. Robert Bloch, Graeme Flanagan](/pictures/thumb/163711.jpg?v=1562624102)
ROBERT BLOCH: A BIO-BIBLIOGRAPHY ... [caption title].
Canberra City, Australia: Graeme Flanagan, July 1979. Octavo, pp. [1-2] 3-62 [63-64], illustrations, pictorial self wrappers, stapled. First edition. (#163711)
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45.
![THE TODD DOSSIER, [by] Collier Young [pseudonym]. Robert Bloch, "Collier Young."](/pictures/thumb/162284.jpg?v=1552687426)
THE TODD DOSSIER, [by] Collier Young [pseudonym].
[London]: Macmillan [1969]. Octavo, boards. First British edition. (#162284)
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46.
DRAGONS AND NIGHTMARES: FOUR SHORT NOVELS.
Baltimore, Maryland: Mirage, 1968. Octavo, cloth. First edition. (#162290)
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47.
A PORTFOLIO OF DRAWINGS BY HANNES BOK.
Los Angeles: Utopia Publications, n.d. [1948]. Large octavo, title leaf and ten plates, laid into pictorial paper portfolio. First edition. (#162474)
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48.
THE THIRTY-FIRST OF FEBRUARY.
New York: Gnome Press, [1949]. Octavo, cloth. First edition. (#162537)
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49.
THE THIRTY-FIRST OF FEBRUARY.
New York: Gnome Press, [1949]. Octavo, cloth. First edition. (#162538)
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50.
FAR AND AWAY.
New York: Ballantine Books, [1955]. Small octavo, cloth. First edition. (#162382)
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51.
THE STAR CONQUERORS.
Philadelphia, Toronto: The John C. Winston Company, [1959]. Octavo, cloth. First edition. (#163488)
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52.
THE STARMEN.
New York: Gnome Press, Inc., [1952]. Octavo, boards. First edition. (#162543)
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53.
THE COLLECTED STORIES OF RAY BRADBURY: A CRITICAL EDITION. VOLUME I: 1938-1943. William F. Touponce, General Editor, Jonathan R. Eller, Textual Editor.
Kent, Ohio: The Kent State University Press, [2010]. Octavo, cloth. First edition. (#163390)
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54.
DARK CARNIVAL.
Sauk City, Wis. Arkham House, 1947. Octavo, cloth. First edition. (#162715)
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55.
THE ILLUSTRATED MAN.
Garden City: Doubleday & Company, Inc., 1951. Octavo, cloth. First edition. (#162371)
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56.
THE MACHINERIES OF JOY: SHORT STORIES.
New York: Simon and Schuster, 1964. Octavo, cloth-backed boards. First edition. (#162372)
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57.
THE MARTIAN CHRONICLES.
Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#162373)
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58.
THE OCTOBER COUNTRY.
New York: Ballantine Books, [1955]. Octavo, cloth. First edition. Probable earliest state of the hardcover trade binding with publisher's monogram stamped upside down on spine panel (Currey binding B1). (#162374)
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59.
SOMETHING WICKED THIS WAY COMES.
New York: Simon and Schuster, 1962. Octavo, cloth. First edition. (#162375)
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60.
THE CHRONICLES OF LUCIUS LEFFING.
West Kingston, Rhode Island: Donald M. Grant, Publisher, 1977. Octavo, cloth. First edition. (#163424)
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61.
STORIES OF DARKNESS AND DREAD.
Sauk City, Wisconsin: Arkham House, 1973. Octavo, cloth. First edition. (#162707)
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62.
SCIENCE FICTION CARNIVAL: FUN IN SCIENCE-FICTION.
Chicago: Shasta Publishers, [1953]. Octavo, cloth-backed boards. First edition. (#163528)
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63.
CARNIVAL OF CRIME: THE BEST MYSTERY STORIES OF FREDERIC BROWN. Edited by Francis M. Nevins, Jr., and Martin H. Greenberg.
Carbondale & Edwardsville: Southern Illinois University Press, [1985]. Octavo, two-part cloth. First edition. (#163353)
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64.
THE LIGHTS IN THE SKY ARE STARS.
New York: E. P. Dutton & Company, Inc., 1953. Octavo, boards. First edition. (#162498)
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65.
SPACE ON MY HANDS.
Chicago: Shasta Publishers, [1951]. Octavo, cloth. First edition. (#162230)
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66.
WHAT MAD UNIVERSE.
New York: E. P. Dutton & Co., Inc., 1949. Octavo, boards. First edition. (#163011)
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67.
TOO LONG A SACRIFICE.
[New York]: Bluejay Books Inc., [1984]. Octavo, boards. Limited edition. (#163408)
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68.
SOMEONE IN THE ROOM: STRANGE TALES OLD AND NEW. Edited by Jack Adrian.
Ashcroft, British Columbia: Ash-Tree Press, 1997. Octavo, cloth. First edition. (#163336)
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69.
JUNGLE LOVE: A PORTFOLIO OF DRAWINGS BY ROY G. KRENKEL BACKED WITH 12 RARE STILLS FROM THE CLASSIC MGM TARZAN FILMS STARRING JOHNNY WEISSMULLER AND MAUREEN O'SULLIVAN.
Phoenix: Wonderful Publishing Company, 1974. Large octavo, twelve plates in pictorial paper envelope. First edition. (#163699)
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70.
SAVAGE PELLUCIDAR.
New York: Canaveral Press, 1963. Octavo, illustrations by J. Allen St. John, cloth. First edition. (#163134)
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71.
BEYOND THE VISIBLE.
London: Hamilton & Co. (Stafford), Ltd., [1952]. Octavo, cloth. First edition. (#163079)
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72.
THE INCREDIBLE PLANET.
Reading, Pennsylvania: Fantasy Press, 1949. Octavo, cloth. First edition. (#162232)
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73.
ISLANDS OF SPACE.
Reading, Pennsylvania: Fantasy Press, [1956]. Octavo, cloth. First edition. (#162234)
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74.
WHO GOES THERE? SEVEN TALES OF SCIENCE-FICTION.
Chicago: Shasta Publishers, 1948. Octavo, cloth. First edition. (#162236)
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75.
76.
DEMONS BY DAYLIGHT.
Sauk City, Wisconsin: Arkham House: Publishers, 1973. Octavo, cloth. First edition. (#162677)
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77.
THE HEIGHT OF THE SCREAM.
Sauk City, Wisconsin: Arkham House, 1976. Octavo, cloth. First edition. (#162681)
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78.
THE INHABITANT OF THE LAKE AND LESS WELCOME TENANTS.
Sauk City, Wisconsin: Arkham House: Publishers, 1964. Octavo, cloth. First edition. (#162684)
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79.
GATEWAY TO THE STARS.
London: Science Fiction Club [Museum Press Limited], [1955]. Octavo, boards. First edition. (#162476)
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80.
BEYOND INFINITY.
Reading, Pennsylvania: Fantasy Press, 1951. Octavo, cloth. First edition. (#163644)
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81.
![THE RAT RACE [by] Jay Franklin [pseudonym]. John Franklin Carter, "Jay Franklin."](/pictures/thumb/163364.jpg?v=1560722789)
THE RAT RACE [by] Jay Franklin [pseudonym].
Los Angeles: Fantasy Publishing Company, Inc., 1950. Octavo, light yellow-green cloth, spine panel stamped in black. First edition, first binding. (#163364)
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82.
THE KING IN YELLOW.
Chicago, New York: F. Tennyson Neely Publisher, 1895. Small octavo, pp. [1-2] [1-9] 10-316 [317: ad] [318: blank], original pictorial green cloth, front and spine panels stamped in brown, top edge gilt, other edges untrimmed. First edition. (#162322)
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83.
HAWK OF THE WILDERNESS.
New York and London: Harper & Brothers Publishers, 1936. Octavo, pp. [1-8] 1-308 [309-312: blank] [note: last two leaves are blanks], original green cloth, front and spine panels stamped in black, fore and bottom edges rough trimmed, pictorial endpapers. First edition. (#162460)
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84.
NO BLADE OF GRASS.
New York: Simon and Schuster, [1956]. Octavo, cloth-backed boards. First U.S. edition. (#163047)
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85.
ISLANDS IN THE SKY.
Philadelphia, Toronto: The John C. Winston Company, [1952]. Octavo, cloth. First edition. (#162238)
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86.
PRELUDE TO SPACE.
[New York]: Gnome Press, Inc., [1954]. Octavo, boards. First U.S. hardcover edition. (#162553)
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87.
CYCLE OF FIRE.
New York: Ballantine Books, [1957]. Octavo, cloth. First edition. (#162386)
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88.
![THE ESSENTIAL HAL CLEMENT. VOLUME 1: TRIO FOR SLIDE RULE AND TYPEWRITER [with] THE ESSENTIAL HAL...](/pictures/thumb/163334.jpg?v=1560781346)
THE ESSENTIAL HAL CLEMENT. VOLUME 1: TRIO FOR SLIDE RULE AND TYPEWRITER [with] THE ESSENTIAL HAL CLEMENT. VOLUME 2: MUSIC OF MANY SPHERES [with] THE ESSENTIAL HAL CLEMENT. VOLUME 3: VARIATIONS ON A THEME BY SIR ISAAC NEWTON, THE MESKLIN STORIES ... Edited by Mark L. Olson and Anthony R. Lewis.
Cambridge, MA: The NESFA Press, 1999; 2000; 2000. Octavo, three volumes, cloth. First editions. (#163334)
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89.
ICEWORLD.
[New York]: Gnome Press, Inc., [1953]. Octavo, boards. First edition. (#162566)
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90.
WALT COBURN, WESTERN WORD WRANGLER AN AUTOBIOGRAPHY.
[Flagstaff, Arizona];: Northland Press, [1973]. Octavo, pp. [i-iv] v [vi] vii [viii] ix-xi [xii] 1-255 [256: blank], illustrations, cloth. (#163067)
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91.
THE SUPERNATURAL READER.
Philadelphia, New York: J. B. Lippincott Company, [1953]. Octavo, cloth. First edition. (#162412)
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92.
THE GRIP OF THE STRANGLER (THE HAUNTED STRANGLER) by John C. Cooper. Adapted from the Screenplay by John C. Cooper and Jan Reed, Based on an Original Story by Jan Reed.
London: Brown, Watson, Ltd, [1958]. Small octavo, pictorial wrappers. First edition. (#162732)
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93.
SILVER ON THE TREE.
New York: Atheneum, 1977. Octavo, cloth. First edition. (#162523)
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94.
FROM EVIL'S PILLOW.
Sauk City, Wisconsin: Arkham House, 1973. Octavo, cloth. First edition. (#163138)
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95.
NOT AFTER NIGHTFALL: STORIES OF THE STRANGE AND TERRIBLE.
London: A Four Square Book, [1967]. Small octavo, pictorial wrappers. First edition. (#163736)
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96.
BRIGANDS OF THE MOON.
Chicago: A. C. McClurg & Co. Publishers, 1931. Octavo, pp. [1-8] 1-386 [388-392: blank] [note: final leaf is a blank], original orange cloth, front panel stamped in black and blind, spine panel stamped in black. First edition. (#161268)
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97.
THE GIRL IN THE GOLDEN ATOM.
New York and London: Harper & Brothers Publishers, 1923. Octavo, pp. [1-10] 1-341 [342: blank], original light yellow-brown cloth, front and spine panels stamped in black. First U.S. edition. Code "I-X" on copyright page. First binding of light yellow-brown cloth stamped in black. (#161267)
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98.
THE MAN WHO MASTERED TIME.
Chicago: A. C. McClurg & Co., 1929. Octavo, pp. [1-10] 1-351 [352-358: blank] [note: last three leaves are blanks], original red cloth, front and spine panels stamped in black. First edition. (#161270)
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99.
THE SEA GIRL.
Chicago: A. C. McClurg & Co., 1930. Octavo, pp. [1-8] 1-302 [303-304: blank] [note: final leaf is a blank], original yellow-orange cloth, front and spine panels stamped in brown. First edition. (#161269)
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100.
THE SHADOW GIRL.
London: Gerald G. Swan, [1946]. Octavo, cloth. First edition. (#162273)
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