Introduction by Boyd White
Could smuggling Faerie fruit into Dorimare possibly be connected to the decades-old poisoning of Jeremiah Gibberty with the berries of merciful death? What is the Society of Sparta’s motivation for engineering a suicide epidemic all across Europe in 1875? Why do the Three Imposters sew discord and death throughout London as they search for an ancient Roman coin commemorating an orgy held by the Emperor Tiberius? How can Ben Reichs possibly kill his chief business rival and avoid being demolished when the entire police force has telepathic powers that allow murderers to be detected before they even commit a crime?
The answers to these questions and many more are found in Lloyd Currey’s Fantastic Crime, a genre-bending selection of science fiction, fantasy, and horror that chronicles the exploits of robot detectives, telepathic masterminds, murderous ghosts, and fiendish secret societies. The books Lloyd has gathered illustrate how classic elements from crime and mystery fiction have long been used to ingenious ends by writers from the fantastic tradition.
Since science fiction’s golden age, numerous authors have expanded the scope of crime and criminals by invoking a wide range of highly imaginative contexts. E. E. Doc Smith’s The History of Civilization (1934 to 1948) pits the Lensmen, an interstellar peacekeeping force, against the Boskone, a ruthless galactic criminal organization bent on ruling the universe. The defining space opera, Smith’s Lensman novels provided the blue print not only for DC Comics’ Green Lantern Corps but also George Lucas’ Star Wars saga, as well as numerous intergalactic police forces, such as Poul Anderson’s Time Patrol and Harry Harrison’s Special Corps. Some of science fiction’s most thoughtful, enduring scenarios, however, involve crimes on a much smaller scale. In Hal Clement’s Needle (1950), a symbiotic alien policeman and his quarry crash on Earth, respectively taking over the bodies of a young boy and his father as cop and criminal try to outwit one another. Isaac Asimov’s The Caves of Steel (1954) introduces us to detective Elijah Bailey and his robot partner R. Daneel Olivaw who solve murders in the far future when tensions between humans and robots have reached the breaking point. Ken Malone, an FBI agent who specializes in “impossibilities,” pursues a telepathic spy in Randall Garrett and Laurence Janifer’s Brain Twister (1962), and DeWitt Dawson, police chief of a small Texas town cut off from the rest of the world by an invisible alien barrier, investigates the death of a Mary Kay sales representative in Patricia Anthony’s Happy Policeman (1994).
Supernatural fiction, of course, has always had its share of investigators of the bizarre and unusual. Most readers and collectors are familiar with K. and Hesketh Pritchard’s Ghosts: Being the Experiences of Mr. Flaxman Low (1898), Algernon Blackwood’s John Silence (1908), and William Hope Hodgson’s Carnacki the Ghost-Finder (1913), but what about Josephine Bacon’s The Strange Cases of Dr. Stanchon (1913), Uel Key’s The Broken Fang and Other Experiences of a Specialist in Spooks (1920), or John Nicholson’s Costello, Psychic Investigator (1954)? Drawn into a number of strange disappearances and particularly gruesome murders, Arthur Machen’s Mr. Dyson participates in a memorable series of investigations that bring him into direct contact with the treacherous little people in The Three Imposters (1895), “The Red Hand” (1895) and “The Shining Pyramid” (1895). Pulp great A. Merritt combines elements of hardboiled crime fiction with supernatural horror in two of his most memorable novels, Burn Witch Burn! (1933) and Creep Shadow! (1934) in which wisecracking New York mobsters team up with a skeptical neurologist to battle a range of dark forces, including an evil dollmaker and a two-thousand-year-old sorceress. In his World-Fantasy-Award winning The Skin Trade (1988), George R. R. Martin extends the blending of crime fiction and supernatural fiction to its logical conclusion—having monstrous crimes investigated by actual monsters—as P.I. Randi Wade tackles a series of brutal killings with the help of Willie Flambeaux, a collection agent who is an actual werewolf.
Of course, a catalog of Fantastic Crime, by necessity, highlights not only criminals and their adversaries but also the plethora of incredible, over-the-top schemes and devices employed by both sides. In Richard Marsh’s The Goddess: A Demon (1900), a Hindu idol clockwork automaton commits a series of grisly murders, and in Allan McIvor’s The Mechanic (1908), a brilliant engineer seeks revenge on corrupt industrial trusts by using fluids that deodorize oil and decompose metal. Robert M. Coates’ The Eater of Darkness (1929) features a weapon that “sees through solids and applies remote-control heat to kill people invisibly.” Sydeny Horler’s The Screaming Skull and Other Stories (1930) includes a “death beam transmitted over the wireless.” C. S. Forester’s The Peacemaker is a bumbling schoolmaster who creates a machine that demagnetizes iron at a distance while Belli Luigi’s The Metal Monster (1951) is “a radio-controlled flying killer automaton. . . used for jewel smuggling.” Even the most jaded reader or collector must pause when considering David V. Reed’s The Thing That Made Love (1951), a bit of pulp-fiction insanity whose tag line “No Woman Could Survive Such Harrowing Ecstasy!” apparently refers to women being murdered by a metal swamp monster.
Match wits with Madame Koluchy—doctor, scientist, extortionist, bank robber, murderer—the criminal mastermind behind L. T. Meade’s The Brotherhood of the Seven Kings (1899), a super genius who precedes Siegel and Schuster’s Lex Luthor by three decades. Try not to get lost while following Gabriel Syme of Scotland Yard’s Philosophical Policemen in G. K. Chesterton’s The Man Who Was Thursday (1908) as he infiltrates the Supreme Council of Seven, a clandestine terrorist group who may not be quite what it seems. Wander with orphan Kirth Gersen in Jack Vance’s The Demon Princes (1964 to 1981) as he tracks down the five intergalactic criminals responsible for the death not only of his family but also of an entire planet.
Peruse Fantastic Crime, and discover worlds beyond Holmes and Moriarty. Be quick. The game is afoot!
(To view alternate copies of these books and additional fantastic crime titles, click here.)
Boston: Houghton Mifflin Company, 1938. Octavo, pp. [1-6] [1] 2-286, original orange cloth, front and spine panels stamped in black. First edition. (#103523)
More Details about THE WORLD GOES SMASH
London: Ward and Lock, 1860. Small octavo, pp. [i-v] vi [vii-viii] [1] 2-312, nineteenth-century half-leather and pebbled cloth, light brown endpapers. Second edition. (#153254)
More Details about DIARY OF A JUDGE BEING TRIALS OF LIFE COMPILED FROM THE NOTEBOOK OF A RECENTLY DECEASED JUDGE
London: Victor Gollancz Ltd, 1961. Octavo, boards. First British (and first hardcover) edition. (#146088)
More Details about GUARDIANS OF TIME
New York, San Diego, London: Harcourt Brace & Company, [1994]. Octavo, cloth-backed boards. First edition. (#93960)
More Details about HAPPY POLICEMAN
[London]: Macdonald Science Fiction, [1970]. Octavo, boards. First British (and first hardcover) edition. (#225)
More Details about CHTHON
London: Pendulum Publications Limited, n.d. [1946]. Small octavo, pictorial wrappers. First edition. (#150215)
More Details about WINGS ACROSS TIME
Garden City: Doubleday & Company, Inc., 1968. Octavo, cloth. First edition. (#118315)
More Details about ASIMOV'S MYSTERIES
Garden City: Doubleday & Company, Inc., 1954. Octavo, boards. First edition. (#142665)
More Details about THE CAVES OF STEEL
New York and London: D. Appleton and Company, 1913. Octavo, pp. [1-8] [1-2] 3-362 [363-364: blank] [note: last leaf is a blank], inserted frontispiece by W. J. [Aylworth?], original decorated salmon cloth, front and spine panels stamped in gold and blind. First edition. First printing with code "(1)" at base of text on page 362. (#147363)
More Details about THE STRANGE CASES OF DR. STANCHON
New York: Ace Books, [1996]. Small octavo, pictorial wrappers. First edition. (#140344)
More Details about CRASHCOURSE
Boston: Small, Maynard & Company Publishers, [1910]. Octavo, pp. [1-12] 1-365 [366-368: blank] [note: final leaf is a blank], nine inserted plates with illustrations by William Oberhardt, original decorated red cloth, front panel stamped in white and blind, spine panel stamped in white. First edition. (#147355)
More Details about THE ACHIEVEMENTS OF LUTHER TRANT
Calgary, [Alberta, Canada];: Edge Science Fiction and Fantasy Publishing A Division of Hades Publications Inc.], [2006]. Octavo, pictorial wrappers. First edition. (#146655)
More Details about HYDROGEN STEEL
[Calgary, Alberta, Canada];: Edge Science Fiction and Fantasy Publishing A Division of Hades Publications Inc.], [2004]. Octavo, boards. First edition. (#146431)
More Details about ORBITAL BURN
Chicago: Shasta Publishers, [1953]. Octavo, cloth-backed boards. First edition. (#114527)
More Details about THE DEMOLISHED MAN
London: Sidgwick and Jackson, [1956]. Octavo, boards. First edition. (#148453)
More Details about TIGER! TIGER!
Garden City: Doubleday & Company, Inc., 1963. Octavo, cloth. First edition. (#148455)
More Details about ALL THE COLORS OF DARKNESS
London: Greening & Co Limited, 1910. Octavo, pp. [1-4] 5-320, original terra cotta cloth, all panels stamped in black. First edition. (#147738)
More Details about THE FATED FIVE (THE TALE OF A TONTINE
London: Eveleigh Nash, 1908. Octavo, pp. [i-iv] v [vi-viii] 1-390 [391-392: blank] [note: last leaf is a blank], original maroon cloth, front panel stamped in gold and blind, spine panel stamped in gold, publisher's device stamped in blind on rear panel, bottom edge untrimmed. First edition. (#149971)
More Details about JOHN SILENCE: PHYSICIAN EXTRAORDINARY
New York: Vaughan & Gomme, 1914. Octavo, pp. [i-iv] v [vi-viii] 1-390 [391-392: blank] [393-395: ads] [396: blank], original dark blue cloth, front and spine panels stamped in gold. Later edition. (#159162)
More Details about JOHN SILENCE: PHYSICIAN EXTRAORDINARY
New York, Chicago, San Francisco: Holt, Rinehart and Winston, [1970]. Octavo, cloth. First edition. (#157476)
More Details about ESCAPE!
New York: Alfred A. Knopf, 1976. Octavo, cloth-backed boards. First edition. (#158265)
More Details about LONG AFTER MIDNIGHT
Chicago: Shasta Publishers, [1951]. Octavo, cloth. First edition. (#85955)
More Details about SPACE ON MY HANDS
London, Melbourne, Toronto: Heinemann, [1962]. Octavo, boards. First edition. First binding of black boards with spine panel stamped in gold. (#111875)
More Details about A CLOCKWORK ORANGE
New York: Abelard-Schuman Ltd., [1972]. Octavo, cloth. First hardcover edition. (#159287)
More Details about STANLEY KUBRICK'S A CLOCKWORK ORANGE BASED ON THE NOVEL BY ANTHONY BURGESS
New York: Grove Press, Inc., [1964]. Octavo, cloth. First edition. (#159211)
More Details about NOVA EXPRESS
New York: Tor, [2001]. Octavo, boards. First U.S. edition. (#109639)
More Details about DERVISH IS DIGITAL
London: Victor Gollancz Ltd, 1988. Octavo, boards. First British (and first hardcover) edition. (#1210)
More Details about MINDPLAYERS
New York: Tor, [1998]. Octavo, boards. First edition. (#140640)
More Details about TEA FROM AN EMPTY CUP
Garden City: Doubleday & Company, Inc., 1975. Octavo, boards. First edition. (#73185)
More Details about INVISIBLE DEATH
[New York]: HarperCollinsPublishers, [2007]. Octavo, boards. First edition. (#159060)
More Details about THE YIDDISH POLICEMEN'S UNION: A NOVEL
Bristol: J. W. Arrowsmith ... London: Simpkin, Marshall, Hamilton, Kent & Company Limited, [1908]. Octavo, pp. [i-vi] vii-viii 9-329 [330] [331-332: ads], original red cloth, front panel stamped in black, spine panel stamped in gold. First edition. (#151767)
More Details about THE MAN WHO WAS THURSDAY: A NIGHTMARE
Akron, Ohio, New York, Chicago: The Saalfield Publishing Company, 1903. Octavo, pp. [1-6] 7-329 [330-332: blank] [note: first and last leaves are blanks], four inserted plates with illustrations by Winfield S. Luken, original pictorial red cloth, front panel stamped in green, white and gold, spine panel stamped in green and gold. First edition. (#150699)
More Details about THE INVISIBLES: A NOVEL
Philadelphia & London: J. B. Lippincott Company, 1927. Octavo, pp. [1-6] 7-352, original blue cloth, front and spine panels stamped in white. First U.S. edition. (#147142)
More Details about BY NIGHT
[New York]: Gnome Press, Inc., [1953]. Octavo, boards. First edition. (#86905)
More Details about ICEWORLD
Garden City: Doubleday & Company, Inc., 1950. Octavo, cloth. First edition. (#137290)
More Details about NEEDLE
[Paris: Contact Editions, 1926.]. Octavo, pp. [i-xv] xvi [1] 2-179 [180: blank] [181: printer's imprint] [182-184: blank] [note: paper wrapper folded over first and last leaves; leaf preceding half title leaf is a blank], original marbled paper wrappers, printed paper labels affixed to front and spine panels. First edition. (#9837)
More Details about THE EATER OF DARKNESS
New York: The Macaulay Company, [1929.]. Octavo, pp. [1-10] 11-238 [239-240: blank] [note: last leaf is a blank], original yellow cloth, front panel stamped in black and silver, spine panel stamped in silver, top edge stained yellow. First U.S. (and first hardcover) edition. (#149447)
More Details about THE EATER OF DARKNESS
London: Herbert Jenkins Limited, [1932]. Octavo, pp. [i-vi] vii [viii] [9-10] 11-282 [283-288: ads], original orange cloth, front and spine panels stamped in black, publisher's monogram stamped in black on rear panel. First edition, first printing with "First Printing, 1932" on copyright page. (#156015)
More Details about VAMPIRE OF THE SKIES
[New York]: A Berkley Book published by Berkley Publishing Corporation, [1979]. Small octavo, pictorial wrappers. First edition. (#132948)
More Details about AN EAST WIND COMING
London: Digby, Long & Co., 1895. Octavo, pp. [1-8] [1] 2-214 [215-216: ads] + 8-page publisher's catalogue dated "May 1895" inserted at rear, original red cloth, front cover stamped in black and gold, spine panel stamped in gold, publisher's monogram stamped in blind on rear panel, white endpapers with floral pattern printed in olive green. First edition. (#79735)
More Details about THE CRACK OF DOOM
Garden City: Doubleday & Company, Inc., 1978. Octavo, boards. First edition. (#157402)
More Details about THE REDWARD EDWARD PAPERS
London: Andrew Dakers Limited, [1940]. Octavo, pp. [1-5] 6-195 [196-200] [note: last two leaves are blanks], original blue cloth, spine panel stamped in gold. First edition. (#130270)
More Details about INTRODUCING DOCTOR ZODIAC
New York: Paperback Library, Inc., [1964]. Small octavo, pictorial wrappers. First edition. (#144150)
More Details about SPACE, TIME & CRIME
London: Jonathan Cape, [1978]. Octavo, boards. First edition. (#102753)
More Details about SS-GB: NAZI-OCCUPIED BRITAIN 1941
Garden City: Doubleday & Company, Inc., 1977. Octavo, boards. First edition. (#153010)
More Details about A SCANNER DARKLY
New York: Ace Books, [2010]. Octavo, boards. First edition. (#145629)
More Details about BONES OF EMPIRE
London: Dennis Dobson, [1979]. Octavo, boards. First British (and first hardcover) edition. (#152943)
More Details about THE PRISONER
New York: Ace Publishing Corporation, [1969]. Small octavo, pictorial wrappers. First edition. (#156472)
More Details about THE PRISONER
Philadelphia & London: J. B. Lippincott Company, 1900. Octavo, pp. [1-2] [1-6] 7-8 [9-10] 11 [12] 13-267 [268: blank] [269-272; ads] [note: first leaf is a blank; title leaf is a cancel], title page printed in red and blank, original buff cloth, front panel stamped in red, blue and black, spine panel stamped in red and black, t.e.g., other edges untrimmed. First edition, first issue. (#148917)
More Details about THE SHADOW OF QUONG LUNG
London: Digby and Long, Publishers, n.d. [1889?]. Octavo, pp. [1-6] [1] 2-322, nineteenth-century three-quarter black leather and gray cloth, brown leather title label affixed to spine panel. First edition. (#148229)
More Details about WITHIN AN ACE: A MODERN SENSATION
New York: The Macaulay Company, [1935]. Octavo, pp. [1-8] 9-255 [256: blank], original light brown cloth, front and spine panels stamped in black, top edge stained black. First edition. (#147381)
More Details about THE MICROBE MURDERS
[Urbana, IL]: Golden Gryphon Press, 2003. Octavo, cloth. First edition. (#145881)
More Details about BUDAYEEN NIGHTS ... With a Foreword and Story Introductions by Barbara Hambly
New York, London, Toronto, Sydney, Auckland: Doubleday, [1989]. Octavo, cloth-backed boards. First edition. (#146392)
More Details about A FIRE IN THE SUN
New York: Arbor House, [1987]. Octavo, boards. First edition. (#80901)
More Details about WHEN GRAVITY FAILS
London, Sydney, Auckland, Johannesburg: Legend An Imprint of Century, [1992]. Octavo, boards. First edition. (#156995)
More Details about QUARANTINE
New York: An Onyx Book New American Library, [1989]. Small octavo, pictorial wrappers. First edition. (#146199)
More Details about BODY MORTGAGE
![GODS OF DARKNESS by Karl Zeigfreid [pseudonym]. Fanthorpe, Lionel, "Karl Zeigfreid."](/pictures/thumb/144156.jpg?v=1518304734)
London: John Spencer & Co. (Publishers) Ltd, n.d. [1962]. Small octavo, pictorial wrappers. First edition. (#144156)
More Details about GODS OF DARKNESS by Karl Zeigfreid [pseudonym
London: Edward Arnold, 1893. Octavo, pp. [i-vii] viii [1] 2-214 [215-216: ads] + 16-page publisher's catalogue dated "October, 1893" on page [1] inserted at rear, 25 illustrations by Fred T. Jane, original pictorial red cloth, front panel stamped in black, spine panel stamped in gold, yellow coated endpapers, all edges untrimmed. First edition. (#148102)
More Details about HARTMANN THE ANARCHIST; OR, THE DOOM OF THE GREAT CITY
New York: Frederick A. Stokes Company Publishers, [1899]. Octavo, pp. [1-4] [1] 2-260, original decorated brown boards printed in red and black. First edition. (#148817)
More Details about THE STURGIS WAGER: A DETECTIVE STORY
London: Everett & Co., 1909. Octavo, pp. [i-v] vi [7-9] 10-320, original decorated olive green cloth, front and spine panels stamped in black and gold, publisher's monogram stamped in blind on rear panel, bottom edge untrimmed. First edition in English. (#148912)
More Details about KOWA THE MYSTERIOUS ... Translated from the French by William Frederick Harvey
Boston: Little, Brown, and Company, 1934. Octavo, pp. [1-4] [1-3] 4-310 [311-312: blank] [note: last leaf is a blank], original pictorial orange cloth, front and spine panels stamped in black. First U.S. edition. (#104362)
More Details about THE PEACEMAKER
London: William Heinemann Ltd, [1934]. Octavo, pp. [1-6] 1-341 [342-344: blank] [note: last leaf is a blank], original green cloth, spine panel stamped in gold, Heinemann windmill device stamped in blind in rear panel. First edition. (#111898)
More Details about THE PEACEMAKER
![THE IMPOSSIBLES ... by Mark Phillips [pseudonym]. Randall Garrett, Larry M. Harris, "Mark Phillips."](/pictures/thumb/158307.jpg?v=1518306047)
New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#158307)
More Details about THE IMPOSSIBLES ... by Mark Phillips [pseudonym
![SUPERMIND ... by Mark Phillips [pseudonym]. Randall Garrett, Larry M. Harris, "Mark Phillips."](/pictures/thumb/88150.jpg?v=1529438749)
New York: Pyramid Books, [1963]. Small octavo, pictorial wrappers. First edition. (#88150)
More Details about SUPERMIND ... by Mark Phillips [pseudonym
![BRAIN TWISTER ... by Mark Phillips [pseudonym]. Randall Garrett, Laurence M. Janifer, "Mark...](/pictures/thumb/88148.jpg?v=1529438747)
New York: Pyramid Books, [1962]. Small octavo, pictorial wrappers. First edition. (#88148)
More Details about BRAIN TWISTER ... by Mark Phillips [pseudonym
Garden City: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. (#149180)
More Details about TOO MANY MAGICIANS
New York: The Macaulay Company, [1932]. Octavo, pp. [1-10] 11-249 [250-256: ads], original pictorial maroon cloth, front and spine panels stamped in black, top edge stained maroon. First edition. (#152517)
More Details about THE SCARLET FAN
London: Eldon Press Ltd., n.d. [1951]. Octavo, pp. [i-iv] v-vi 7-247 [248: blank], original blue cloth, spine panel stamped in black. First edition. (#147150)
More Details about THE HAUNTED MAN
London: Macdonald & Co. (Publishers) Ltd., [1946]. Octavo, pp. [i-iv] v-vi 7-255 [256: blank], original blue cloth, spine panel stamped in silver. First edition. (#147984)
More Details about THE MIND OF JOHN MEREDITH
New York: Published by World Press, [1938]. Octavo, pp. [1-7] 8-223 [224], with one full-page illustration in text, original green cloth, spine panel stamped in gold. First edition. (#156019)
More Details about THE BAT WOMAN
[London]: HarperCollinsPublishers, [1996]. Octavo, boards. First British (and first hardcover) edition. (#146419)
More Details about JOHNNY MNEMONIC
[New York]: A Roc Book, [1991]. Octavo, pictorial wrappers. First edition. (#146605)
More Details about SURFING SAMURAI ROBOTS
New York: Greenberg: Publisher, [1952]. Octavo, boards. First edition. (#149199)
More Details about SPACE HAWK: THE GREATEST OF INTERPLANETARY ADVENTURERS
[London]: Stanley Smith (Publishers) Ltd., 1936. Octavo, pp. [1-4] 5-256, original terra cotta cloth, spine panel stamped in black. First edition. (#156835)
More Details about THE WHISTLING ANCESTORS
New York: Tor, [1998]. Octavo, boards. First edition. (#145960)
More Details about FLESH AND GOLD
New York: Tor, [2002]. Octavo, boards. First edition. (#145961)
More Details about MINDWORLDS
New York: Tor, [1999]. Octavo, boards. First edition. (#145962)
More Details about VIOLENT STARS
New York: Ace Publishing Corporation, [1970]. Small octavo, pictorial wrappers. First edition. (#139766)
More Details about AFTER THINGS FELL APART
New York: The Macmillan Company. Collier-Macmillan, London, [1972]. Octavo, cloth. First edition. (#149190)
More Details about THE CHAMELEON CORPS & OTHER SHAPE CHANGERS
New York: Charles Scribner's Sons, [1975]. Octavo, boards. First edition. (#30384)
More Details about ODD JOB # 101 AND OTHER FUTURE CRIMES AND INTRIGUES
Garden City: Doubleday & Company, Inc., 1968. Octavo, cloth. First edition. (#30386)
More Details about THE SWORD SWALLOWER
![MRS. GREET'S STORY OF THE [GOLDEN OWL]. Dora Victoire Greet](/pictures/thumb/151906.jpg?v=1521485832)
London: Published by The Leadenhall Press, Ltd... Simpkin, Marshall, Hamilton, Kent & Co., Ltd. New York: Charles Scribner's Sons..., 1892-3. Octavo, pp. [i-v] vi [vii-viii] [1] 2-271 [272: publisher’s imprint], 24 inserted plates with illustrations by Ambrose Dudley, design of golden owl impressed in gold on recto of title leaf, printed throughout on brown paper stock, original green cloth, brown paper labels printed in black and gold affixed to front and spine panels, brown endpapers, tan ribbon marker. First edition. (#151906)
More Details about MRS. GREET'S STORY OF THE [GOLDEN OWL
London: F. V. White & Co., Ltd., 1905. Octavo, pp. [i-iv] v-vi [vii-viii] 1-306 [307-308: blank] [note: last leaf is a blank], original blue cloth, front panel stamped in black, spine panel stamped in gold, bottom edge untrimmed. First edition. (#77978)
More Details about A MAYFAIR MAGICIAN: A ROMANCE OF CRIMINAL SCIENCE
New York: Ballantine Books, [1995]. Octavo, cloth-backed boards. First edition. (#141792)
More Details about SLOW RIVER
London, New York, Sydney, Tokyo, Singapore, Toronto, Dublin: Earthlight Simon and Schuster, [2001]. Octavo, boards. First edition. (#146407)
More Details about PASHAZADE: THE FIRST ARABESK
New York: Charles Scribner's Sons, [1976]. Octavo, boards. First edition. (#149209)
More Details about THE MAGICIANS
[London]: Orion, [1997]. Octavo, boards. First edition. (#146420)
More Details about CYBER-KILLERS ... Introduced by Peter F. Hamilton
![THE SILVER PERIL by Maryse Rutledge [pseudonym]. Mrs. Marice Rutledge Gibson Hale, "Maryse...](/pictures/thumb/130462.jpg?v=1420216162)
New York: The Fiction League, 1931. Octavo, pp. [3-6] 7-320 [321-322: ads] [note: text complete despite gap in pagination], original blue cloth, front and spine panels stamped in black. First edition. (#130462)
More Details about THE SILVER PERIL by Maryse Rutledge [pseudonym
New York: Tor, [1996]. Octavo, boards. First U.S. (and first hardcover) edition. (#125586)
More Details about MINDSTAR RISING
San Diego: Corinth Publications, [1966]. Small octavo, pictorial wrappers. First edition. (#155950)
More Details about THE HOUSE OF THE LIVING DEAD & OTHER TERROR TALES
New York: Crown Publishers, Inc., [1978]. Octavo, cloth. First edition. (#152178)
More Details about THE WICKER MAN
Garden City: Doubleday & Company, Inc., 1966. Octavo, cloth. First edition. (#159515)
More Details about MAKE ROOM! MAKE ROOM!
New York: Walker and Company, [1970]. Octavo, boards. First edition. (#147002)
More Details about THE STAINLESS STEEL RAT'S REVENGE
New York: Walker and Company, [1970]. Octavo, boards. First hardcover edition. (#156920)
More Details about THE STAINLESS STEEL RAT
London: Gollancz, [2002]. Octavo, boards. First edition. (#147055)
More Details about LIGHT
London: Digby, Long & Co., 1900. Octavo, pp. [i-vi] vii [viii] [1-2] 3-310 [311-312: ads] + 16-page publishers catalogue dated "October 1900" inserted at rear, inserted frontispiece with illustration by Harold Piffard, original pictorial red cloth, front panel stamped in green, black and white, spine panel stamped in black and gold, publisher's monogram stamped in blind on rear panel, white endpapers with floral pattern printed in light green, First edition. (#151756)
More Details about AN ARISTOCRATIC DETECTIVE
New York and London: Harcourt Brace Jovanovich, [1978]. Octavo, cloth-backed boards. First edition. (#107954)
More Details about FALLING ANGEL
New York: Walker and Company, [1973]. Octavo, boards. First edition. (#148575)
More Details about THE FELLOWSHIP OF THE HAND
London: Eveleigh Nash, 1913. Octavo, pp. [i-iv] v-vii [viii-x] 11-287 [288: ad] + 16-page publisher's catalogue inserted at rear, original red cloth, front panel stamped in gold and blind, spine panel stamped in gold, rear panel stamped in blind. First edition. (#126288)
More Details about CARNACKI THE GHOST-FINDER
Sauk City, Wisconsin: Mycroft and Moran, 1947. Octavo, cloth. First edition. (#159242)
More Details about CARNACKI THE GHOST-FINDER
